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Showing posts with label Candice Bergen. Show all posts
Showing posts with label Candice Bergen. Show all posts

Monday, March 4, 2024

Soapy Showbiz Fun: ‘Hollywood Wives’ 1985

 

Jackie Collins' "Hollywood Wives" was a mini-series hit for ABC in 1985.


Hollywood Wives was Jackie Collins’ most popular novel, of the many that she churned out for decades. With Dynasty then riding high on TV with Jackie’s sister Joan, producer Aaron Spelling snapped up the bestseller for a 1985 ABC mini-series. Like the book, Wives got bad reviews but was a big ratings hit.

I recall reading an interview with Jackie Collins, claiming that her showbiz stories were more authentic because she was part of the Hollywood scene, as opposed to outsider writers looking in. Maybe, but Jackie’s books were still one-dimensional, with little credibility. I love a good trashy read about the rich and famous and Jackie Susann’s Valley of the Dolls set the dirty suds standard. Hollywood columnist Joyce Haber’s The Users, which Collins pilfered the main plot for her Hollywood Wives, was much more realistic and sleazy. Dominick Dunne wrote page-turners that were much more juicy and authentic.

Did the costumes of "Hollywood Wives" get mixed up with those of "Golden Girls?"

A big reason for watching Hollywood Wives was the clothes. At his peak, designer Nolan Miller was hailed as an arbiter of old-time Hollywood glamour. When Dynasty came along, he and Joan Collins had a field day with increasingly over the top costumes. It set the style dial of the ‘80s, which was “Glitz is good.” Well, none of that has aged well. Miller’s glam outfits from that era look more drag queen than the real diva deal. Miller’s strong suit was dressing aging icons simply, like Barbara Stanwyck and Elizabeth Taylor, rather than his gaudy soap stars. Nearly all the power-dressing outfits of Hollywood Wives are laughably ugly: Shoulder pads galore, tassels and beads, oversized tops and gaudy sequined gowns, and so much more, more, more. As for the hair styles, it’s amusing to guess which star, male and female, are wearing their own hair, or sporting a wig, weave, or rug!

Nolan Miller's gown for "Hollywood Wives" seems inspired by a NYC taxi seat cover!

Laura Branigan’s convulsive wailing tries to bring pathos to the on the nose lyrics of the Hollywood Wives theme. Warning: If you listen, you’ll have this Tinseltown tune in your head for days! A mix of a cautionary tale (the pitfalls of Hollywood!) and fairytale (young newcomers get makeovers and movie offers by pure chance), all of it highly unbelievable. The villains are crass and cartoonish: the self-promoting producer, the high-class pimp, the scheming star, and the sleazy bottom feeders.

Here's the ear worm theme song from Hollywood Wives! Have a hair brush handy so you can sing along!  https://www.youtube.com/watch?v=toZEvmbevw4


***As few spoilers as possible ahead***

I will say this: though some cast members are miscast or their talents were modest, everyone tries their best. The bad writing keeps the story from being a real show biz expose. That said, Hollywood Wives is trashy fun on a soap opera level.

Robert Stack gets the '80s glam look as George Lancaster in "Hollywood Wives."

Robert Stack plays revered icon George Lancaster, a star who’s considering a coming out of retirement for a hot property, Final Reunion. At least they didn't name him Kirk Lancaster! And Steve Forrest plays a former movie idol desperate for a comeback—sorry, a return—Ross Conti. It's typical of this type of mini-series that B actors turned TV stars are cast as legendary movie stars. Robert Stack is a Kirk/Burt type of actor, Steve Forrest is a Tony Curtis type heart throb whose career is suffering from hardening of the arteries.

Steve Forrest and Robert Stack admire each other's "work" in "Hollywood Wives."

Stack was always a stiff actor and here, Bob is given the ‘80s makeover, with fluffy, highlighted hair, and face-lifted mug full of makeup. He reminds me a Madame Tussaud wax figure, with his booming voice adding to the disembodied effect. Forrest has more fun as the aging matinee idol seeking assurance from everyone, and the only self-reflection he seeks comes from his mirror. Steve Forrest is five years past his hunky “Uncle Greg” in Mommie Dearest and still looks pretty good, though he looks like he’s had work done along the way.

Steve Forrest is amusing as aging movie hunk Ross Conti in "Hollywood Wives."

Candice Bergen as Elaine Conti, in gowns that look like coverups, "Hollywood Wives."

Candice Bergen is sympathetic but miscast as Elaine Conti, longsuffering wife of aging star Ross Conti. Bergen is gorgeous at 38, smart, sexy, loving, etc. Why would her wife put up with a 60 year old man-baby like Forrest's Ross? Also, Bergen’s Elaine should probably be Ross' second, younger wife, but she's made to act like the typical Hollywood first wife. Bergen, still looking model trim and beautiful, is stuck wearing some baggy, bulky monstrosities. And what's with that mullet in the first party scene? In casual wear, Candy looks stunning and subtle, hardly the desperate Hollywood housewife.

Candice Bergen looks like her gorgeous younger self in more casual moments
of 1985's "Hollywood Wives."

Frances Bergen, Candice's equally gorgeous mom, as Pamela Lancaster.

Frances Bergen plays Pamela, George Lancaster's new wife. One look at ageless beauty Frances and you’ll know where Candice got her damned classy good looks and hair!

Mary Crosby is a willful Hollywood daughter in 1985's "Hollywood Wives."

Mary Crosby as Karen Lancaster, the bad girl who’s really good deep down, was quite good at playing sultry vixens. Crosby’s Karen and Stack’s star have one of the most icky daughter-father confrontations ever, but hey, it works for them! Also unfortunate are Crosby and Suzanne Somers as the show’s femme fatales, who are over-dressed, over-tressed, and over-tarted up.

Suzanne Somers is fictional movie sex symbol Gina Germaine, interviewed by
Mary Hart of "Entertainment Tonight," in 1985's "Hollywood Wives."

Suzanne Somers is Gina Germaine, "the most beautiful, sensuous sex symbol in the United States today," proclaims Entertainment Tonight interviewer Mary Hart. Even in 1985, that wasn’t true! Somers is a latter day Monroe blonde bombshell, who wants to be taken seriously, with her eye on a role in Final Reunion. Somers’ response to Hart seems like a sly dig at Three's Company: "Sex symbols are for television series."

Anthony Hopkins is director Neil Gray, whose sobriety and fidelity fails him
under pressure, in 1985's "Hollywood Wives."

"When you have no taste, you can do anything," uttered by Anthony Hopkins, his explanation for slumming here? Hopkins plays Neil Gray, the uncompromising director of Final Reunion, until Somers’ Gina gets him in some compromising positions!

Stephanie Powers as Montana Gray, screenwriter with integrity, but still glam,
in 1985's ABC mini-series "Hollywood Wives."

Stephanie Powers is screenwriter Montana Gray, Neil’s wife. Oh, and the writer for Final Reunion. Though her character sneers at Hollywood ways, whose name sounds like a cowboy star, yet Montana looks like a typical Hollywood diva. Despite the artifice, Powers plays with her usual no-nonsense style and doesn’t let the “Big ‘80s” look take over her own fashion style.

Joanna Cassidy as Marilee Gray, member of the first wives club in 1985's "Hollywood
 Wives." Cassidy's a redhead so she gets the shamrock green gown and Bergen rocks
a blue breast plate. Candice also sports a Joe Dirt mullet here!

Joanna Cassidy is Marilee Gray, an ex-Hollywood wife of director Neil. She’s smart, pragmatic, and has great taste in boy toys. Cassidy looks lovely here and feels the most authentic of the bunch in Hollywood Wives.

Rod Steiger, who never met a rug he didn't like, plays Oliver Easterne, blowhard
 movie producer, from 1985's "Hollywood Wives."

Rod Steiger overplays the self-aggrandizing movie producer, Oliver Easterne—surprised? Oliver gleefully uses Final Reunion as the proverbial carrot to dangle in front of all interested parties. Steiger’s character is humorously crass and he brays his lines, like the male Shelley Winters he is!

Angie Dickinson is no-nonsense talent agent Sadie LaSalle in "Hollywood Wives."

Angie Dickinson is Sadie LaSalle, the tough, top talent agent who holds a grudge against Ross Conti, when he burned her decades ago. Though Angie is stuck in similar potato sack costumes as Candice Bergen, her hair and makeup are far simpler than her tawdry Police Woman days. She looks lovely here at 54.

Roddy McDowall multi-tasks as an interior decorator and pimp, Jason Swandle,
in 1985's ABC mini-series, "Hollywood Wives."

Roddy McDowall plays interior decorator AND pimp Jason Swandle, finding young men for lonely ladies. Roddy plays him in his usual hammy way. The facial tics and vacillating between creepy charm and passive/aggressive threats made me wonder: Did Roddy and Anthony Perkins ever star in a movie together?

Andrew Stevens as Buddy Hudson, getting the Sadie LaSalle build-up in 1985's
ABC mini-series, "Hollywood Wives."

Andrew Stevens is Buddy Hudson, an aspiring actor, once a male prostitute. Stevens is square-jawed and plays the soap opera scenes with surface skill. But when his character wishes to be taken seriously, it’s an eye roll. Andrew Stevens is cute as button and a square-jawed Ken Doll, but not the next Al Pacino, as Buddy is described! Yes, he too hopes to get his big break in Final Reunion. Catherine Mary Stewart as Angel Hudson was a fairly icky ‘80s ingénue but she fits right in Hollywood Wives. She has the good luck to be discovered at the beach by creeper producer Oliver Easterne, who thinks she’d be perfect for Nicki in Final Reunion.

Catherine Mary Stewart plays naive Angel Hudson in 1985's "Hollywood Wives."

From the other side of the showbiz lens is Deke, at home watching a Hollywood gala on TV with most of these characters. He is also going berserk since he has found out that he was given up for adoption from some showbiz bigwig. Apparently a problem child, Deke turns into Mr. Hyde toward his sugary sweet adoptive parents. Deke, as the bad apple twin, is bizarrely played by Andrew Stevens. Why is he nuts? Why does he look like Lon Chaney's The Wolfman? Why does he limp? Why does he talk in a gravelly New York City accent? Why is his skin chalky white, with brown smudges? Since this is Hollywood Wives, why ask why?! Aside from knowing that he was adopted, Deke didn’t get Buddy Hudson’s blue eyes, better hair, and charming personality.

Andrew Stevens also plays (awfully) Deke, Buddy Hudson's secret twin in
1985's "Hollywood Wives." Is Lon Chaney, Jr. deranged Deke's secret father?

Though Deke wreaks havoc along the way to Hollywood to take revenge, the inept scenes with this psycho and victims are unintentionally hilarious. The worst is the first, with his adopted parents, who get the most fake beat downs and stabbing deaths ever.

I’m not even going to try to explain the convoluted plot of Hollywood Wives, except that it leaves no showbiz cliché unchecked! Basically, just about everyone involved, directly or indirectly, wants a piece of Final Reunion. Naturally, there is no synopsis given for this brilliant story—not from the writer of Hollywood Wives! The fun is watching the lengths the characters will go to get a role, for themselves or a spouse. There are even more male bimbos in this movie than women, which reflects its intended audience, women and gays. The pool boy, the tennis player, the waiters, etc.—choose your flavor!

Candice Bergen's Elaine may be the only one of "Hollywood Wives" who's so easily satisfied by an ungrateful husband with flowers! With Steven Forrest as Ross.

Most of my favorite moments happen to be the most ludicrous. Deranged Deke hitching to Hollywood, Rod Steiger’s inappropriate producer, and especially Gina Germaine’s scheming to get a coveted movie role.

"Jane Fonda got serious, why can't I?" Was Suzanne Somers writing her own dialogue as Gina Germaine? Gina wants the role of young ingénue Nicki in Final Reunion. Suzanne’s tawdry bombshell hardly fits the part. Somers sports a shit ton of makeup and the most platinum, unruly perm I’ve seen since Connie Stevens ‘70s Brillo shag! One unkind but accurate critic commented that Suzanne in Hollywood Wives looks like Daryl Hannah in Blade Runner!

You can tell Suzanne Somers is the vixen in 1985's "Hollywood Wives," because
she's seductively brushing her locks as Gina Germaine plots and schemes!

I never thought Suzanne Somers was a beauty, but her mobile features, capped with big, childlike blue eyes, reminded me a bit of Goldie Hawn. Even their voices are similar. Suzanne plays the scheming star in a likable fashion. Gina Germaine is a vision in yellow terrycloth as she lies in wait down Palm Beach way, where director Neil Gray is there for talks with George Lancaster about Final Reunion. Gina is willing to roll in the hotel hay for a role in this “serious” film. Neil has had two beautiful wives, but finds mop-topped Suzanne irresistible. Soon, stocky, dour Anthony Hopkins is making hot jungle love to Somers’ Gina. It gets better when they happen to be on the same flight home and she initiates him into the mile high club—by the coffee machines—guess the restrooms were busy! Googly-eyed Suzanne and owlish Anthony make a comic couple!

Stephanie Powers as Montana Gray, at hubby Neil's funeral, in "Hollywood Wives."
 This must have cut close to the bone for Powers, who had just lost
long-time companion William Holden three years prior.

And the guessing game of who are the natural parents of Deke (and Buddy) comes to a ludicrous finale. Though no attention is given to the trail of bodies that Deke has left across the USA, it made me think of a later real life celebrity-obsessed psychotic, Andrew Cunanan, who capped his killing spree with shooting Gianni Versace on his doorstep.

I’m surprised nobody has remade Hollywood Wives, since the showbiz game hasn’t changed a bit. The stakes are just higher and the class level of today’s participants even lower. Let’s just enjoy the soapy, sleazy ‘80s Hollywood Wives!

Steve Forrest as Ross Conti, getting the Sadie LaSalle build-up before he gave her
the brush-off, in 1985's "Hollywood Wives."

Wednesday, July 12, 2017

Different Dolls for 'Valley of the Dolls?'

Candice Bergen as Anne Welles, with her damned classy good looks?
Raquel Welch as Jennifer North? Boobies! Boobies! Boobies!
Liza Minnelli as Neely O' Hara: The whole world loves me!

Jacqueline Susann’s naughty first novel, Valley of the Dolls, was the publishing sensation of 1966 and film rights were quickly snapped up by 20th Century Fox.

Barbara Parkins, Sharon Tate, & Patty Duke in 1967's 'Valley of the Dolls.'
Many superstar actresses and up-and-coming starlets’ names were bandied about before Patty Duke, Barbara Parkins, and Sharon Tate were rolled out for yet another update of Fox’s tried-and-true “three girls” template. Said trio were always looking for romance and riches, but often finding heartache and hard times, instead. Duke plays Neely O’ Hara, a singer with a big voice, plus an equally big pill and booze problem; Barbara Parkins is Anne Welles, the secretary turned supermodel; and Sharon Tate plays tragic Jennifer North, a beautiful starlet who only knows how to do one thing! And for dramatic conflict, Susan Hayward plays Helen Lawson, the aging, tough broad Broadway belter, with a black belt at killing the competition.
Susan Hayward as Broadway belter/battleaxe Helen Lawson.

VOTD the novel is significantly different than the film version. The book takes place from the early ‘40s through the mid-60s, versus the movie’s mere few years. Neely’s film career and chaotic personal life are even more obviously taken from Judy Garland’s MGM daze. Anne Welles is a patrician blue-eyed blonde, a poised natural beauty. While patterned after some of Jackie’s model friends, Anne’s archetype perfection and easy rise to superstardom seemed inspired by Grace Kelly. Doomed bombshell Jennifer was actually based on Carole Landis, a 20th Century Fox‘40s starlet and Susann’s close gal pal, with a nod to another Fox star, Marilyn Monroe, who overdosed when Jackie began writing Dolls. Just as Neely O’Hara mirrored Judy Garland more on the page, Susann wickedly spills the beans on Broadway diva Ethel Merman’s diva antics with Helen Lawson. Like Lawson, Merman liked her vino, but saved happy hour for after work. Merman functioned best on stage, where she controlled everything, just like Helen!
Valley of the Dolls: from book to screen.

As far casting goes, I have no real beefs. Everybody came off  as campy in the film version of Dolls, thanks to the cartoonish script, cheesy direction, harsh lighting, ugly clothes, makeup, and hairstyles (yes, it was the ‘60s, but come on!), and the gawd-awful songs (except for Dionne Warwick’s theme song, which haunts Parkins’ Anne throughout the movie.)

Still, if I could go back into the way back machine, and cast this movie, these would be my dream team dolls.
Liza, younger than springtime, and twice as exciting!


Liza Minnelli as Neely O’ Hara: Why not? Fox originally cast Judy Garland as Helen Lawson! So, good taste was not the hallmark of the movie version of VOTD. Liza playing a fictionalized version of her legendary mother could have been awesome or awful. True, we wouldn’t have had Patty Duke braying every line like she was starring as Martha in a showbiz version of Who’s Afraid of Virginia Woolf? Or Duke predating Seinfeld’s Elaine Benis’ dance moves during her musical numbers. 
"Patty gave me the number of this great dance teacher!"


But I think Minnelli could have been fantastic. For one, you could actually believe this Neely O’ Hara as a once-in-a-lifetime talent. Imagine Liza exuberantly performing Neely’s “rise to stardom” montage, with the help of “dolls.” Minnelli also could have put over those showbiz cliché songs by the Previns. And like Neely, Liza already had a Ted Casablanca in her life, first husband Peter Allen. In Duke’s defense, Patty’s over-the-top performance gives Dolls its little energy. If you want to see what might have been, watch Barbara Parkins’ screentest for Neely on YouTube—her attempt at playing Neely’s “lonely at the top” speech to Anne is pure amateur night.
Candice Bergen may not have gotten to play a "Gillian Girl," but apparently she was a Revlon girl back in the day.
Candice Bergen as Anne Welles: At the time, Bergen was no better an actress than Parkins, but she embodied the novel’s cool blonde WASP and was really a model. Bergen declined, over money or a film role that took the travel-loving actress to a more appealing location than New York and Fox’s back lot. 
Candice as Anne, that natural Gillian Girl!

How fun to picture the future no-nonsense Murphy Brown as a “Gillian Girl” or rolling around the surf in a pill-popping stupor. Parkins, a dull, pretty girl with lots of hair and makeup piled on, acts like a doll on downers from the get-go.
Welch as Jen, primping before her nightly bust exercises!

Raquel Welch as Jennifer North: Already a Fox girl, Raquel turned down the role because she didn’t want to get type cast as a no-talent famous only for her body. I’ll be kind and not list the films Welch appeared in during and after VOTD! Rumor has it Raquel did a screen test for Jennifer. I doubt that she really did, but to paraphrase Hemingway, wouldn’t it be pretty to think so? 

Raquel plays Jennifer's suicide scene?
Sharon Tate gives the best performance in Valley of the Dolls, the one most resembling a human being. Jennifer’s death scene, by suicide in the face of breast cancer, is touching. That’s due to Sharon Tate, not the tacky dialogue or lazy direction by Mark Robson. The area Tate is lacking in is Jennifer North’s fabulous figure, especially her bodacious breasts. Constant boob comments abound in the film, yet Tate is slim and leggy more than anything. Also, it's Sharon's face that mesmerizes.

Raquel as no-talent Jen? "You know how bitchy fags can be!"
Welch on the other hand, basically WAS Jennifer North. Like Jen, Raquel was initially slow to soar in show biz, because of family—in Welch’s case, she was a single mother as a starlet. What a hoot it would be to hear Welch’s breathless delivery as Jennifer, doing her breast exercises in front of the mirror, before declaring, “Oh, to hell with ‘em, let them droop!” I doubt that the then-young and humorless Raquel Welch would have agreed.

"I've Written a Letter to Jac-kie, say-ing, I want to play Helen!"
The possibilities for Helen Lawson, the Broadway “barracuda,” seem endless. Several veteran actresses threw their wigs in the casting ring. Bette Davis publically palled up to Jackie Susann, angling for the part. Can you imagine Bette singing “I’ll Plant My Own Tree?” That would have rivaled her rendition of Baby Jane’s “I’ve Written a Letter to Daddy” in the camp department!

"I'll plant my own stilettos in your thighs and watch your pain grow!"
Bette’s co-star Joan Crawford was mentioned for Helen Lawson. However, Joan essentially played Helen in yet another Fox “three girls” movie. Nearly a decade prior, Crawford as the book editor barracuda Amanda Farrow killed it in The Best of Everything. Still, imagine Joan snarling, “Now get outta my way, cuz I got a man waiting for me!” 
Joan flips & rips her wig in 'Torch Song'!
Or later, after getting her wig snatched by Neely, envision
Joan, chin jutted, grandly intoning to the ladies room attendant, “I’ll go out…the way I came in!” And Joan already had experience as a tyrant stage star, who rips her own wig off, in Torch Song!


Would Helen Lawson ride in her limo drinking decaf coffee?
Lauren Bacall coulda been a contender as Helen, a warm up to her own future as a bitchy Broadway diva. I can hear Bacall’s deep brewed flay-vah baritone reminding Neely, “Broadway doesn’t go in for booooze and dope!”

Ethel Merman gets singing lessons from Lucille Ball, for comedic effect!
Or how about Lucille Ball, who once hilariously imitated the Merm when she appeared on Ball’s sitcom? The real life Lucy wouldn’t have had any trouble with the tough as nails part. Maybe Lucy could have added some slapstick while singing “I’ll Plant My Own Tree,” getting tangled up with the mobile tree. Or Ball could have added her trademark “Waaaaah!” as Helen, when Neely rips her wig off!

The irony if Patty Duke had snatched Lucille Ball's wig in 'Dolls,'since Patty later dated Desi Jr., much to Mama Lucy's disapproval! 


Still, I think Susan Hayward is great as the Ethel Merman-type star. Red-headed and brash, tough yet a touch sentimental, Susan gives the movie its only genuine star power. Margaret Whiting’s singing matches up nicely with Hayward’s speaking voice (Susie sang in some of her earlier films) unlike the usual stars lip-synching to Marni Nixon. Like the real Merman, Hayward was a force of nature. And like Bette Davis, audiences enjoyed seeing Susan playing a bitch.

Judy Garland, not ready for her close-up, as Broadway barracuda Helen Lawson. These are the flattering pictures!
Watching Judy Garland’s wardrobe tests as the originally cast Helen Lawson, emaciated Judy looks engulfed by the clothes. Also, Judy was one of those superstars who doted on audience sympathy. While Garland may have been a bitchy at times in real life, she would never play one on the screen—it’d be on par with Doris Day as Helen Lawson. Susan Hayward is the real deal as Helen. Frankly, I think Judy dodged a bullet here.
These are the celebrity connect-the-dot thoughts that have popped into my mind over the years, whenever I pop in Dolls for guilty pleasure viewing. Perhaps changing even one doll would be akin to the butterfly effect in trying to make Valley of the Dolls a better movie, but instead, turning it into an even worse movie!
I look forward to your comments. And remember, all cats are grey in the dark! So, long, pussycats!