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Showing posts with label Jack Glass. Show all posts
Showing posts with label Jack Glass. Show all posts

Monday, December 30, 2019

My first DANDY (1964)

I've mentioned before that the very first comic strips I saw were a few Noddy's Tall Books editions (see here) and one issue of Yogi Bear's Own (see here). However the first "proper" comic I read, and the one that stirred my enthusiasm to read it every week, was The Dandy No.1155, dated January 11th 1964.

This issue would have arrived in the shops on Monday 6th January 1964... which I've since discovered was the day I started school! Coincidence? I doubt it. I think it's highly likely my mum bought me this comic as a reward for my first day at school and also to encourage me to read. It certainly worked. The Dandy and its characters completely mesmerised me and reading it (and having it read to me by my mum) boosted my reading ability to put me top of the class. 

I hasten to add that I didn't keep that status throughout my schooldays but it's undeniable that comics are a massive help in teaching children to read and expand their vocabulary. 

(I should add for historical interest that only posh kids went to nursery back then, not council estate kids like me, so my first day at infant school, age 4, was my first experience of being away from home without any parents/family.)

As this is my penultimate Blimey blog post I thought I'd have a look through that first Dandy I had and I'll try to remember what it was that appealed to me so much. 

Firstly the cover by Charlie Grigg. Not that I knew who'd drawn what back then, as D.C. Thomson kept their artists anonymous in those days. Korky the Cat reminded me of my grandad's cat, so I liked him straight away. The fact that Korky had such a strong, distinctive face helped too, and he was looking directly at the reader! Something I hadn't encountered before (but have used it countless times in my own strips). The punchline stuck in my memory for years, even though I misremembered it slightly as "X marks the spot where Korky's been". 

Page 2... Desperate Dan by Dudley Watkins. I remember finding Danny and Katie a weird looking pair of kids. Why was little Danny dressed like that with that thing around his shoulders? (Bear in mind I had no knowledge of history at this point.) It didn't matter though. I found the strip very funny and Desperate Dan became an immediate favourite. 
Pages 3 and 4... The Crimson Ball! Now this was something else. Weird and a bit scary (in a good way), the artwork by Jack Glass was eerie. The mystery of the Crimson Ball was compelling, and in following weeks we'd discover there was an enemy spy inside it controlling it! Mind boggling when you're four years old!

Page 5... Dirty Dick by Eric Roberts was always good fun. I always liked the way Roberts drew tree trunks and bulls. There were cows in the nearby field to where I lived as a child so this environment was relateable to me...
Page 6... The Smasher by Hugh Morren. It was ok. Never a big favourite of mine, but one I grew to enjoy and I certainly enjoyed drawing the character for the very last issue of The Dandy in 2012.
Page 7... Black Bob, with art by Jack Prout. I know this strip divides readers but I was completely absorbed by it. I liked dogs so that was a plus, and the artwork was sublime. My mum read this to me every week until I was able to read it myself.
Pages 8 and 9 (centre pages)... Corporal Clott by Davy Law. Fast-paced, brilliant, and daft, this won me over straight away. I had no idea it was set in South Africa. I didn't know what South Africa was when I was four.  I always remember baboons turning up in the strip a few weeks later. I'd never heard or seen baboons before then, and to this day I still think of Davy Law's depiction of them whenever I see any on tv. 
Pages 10 and 11... Joe White and the Seven Dwarfs by Bill Holroyd. I thought this strip was great, especially little Goofy in his bowler hat. Holroyd was a master at depicting slapstick...

Page 12... My Home Town by Frank McDiarmid. These little educational snippets were perfect for young readers, although I must confess I didn't always read this page...
Page 13... Sunny Boy by George Martin. The best thing about The Dandy at this time was that all the artists had their own distinctive styles and Martin was another who was great at drawing funny slapstick...
Pages 14 and 15... Winker Watson by Eric Roberts. It didn't matter that I couldn't relate to a public school environment, or that I didn't understand why Mr.Creep wore a long black gown and funny hat (mortar board). The stories were interesting and funny, and Winker's brother had weird spiky hair that fascinated me. (Years later I gave Pete from Pete and his Pimple a similar hairstyle in the early days of the strip.)
Page 16 (back page)... Big Head and Thick Head by Ken Reid. Yes, this was the first Ken Reid strip I ever saw and it make me laugh right away. I remember being puzzled by Big Head's shiny hair though, and wasn't sure if it was a hat. My dad wore Brylcream on his hair but it didn't make it look like a helmet. Anyway, it didn't matter. The strip was funny and I found the exaggerated bumps on their heads hilarious...
So that was the very first Dandy I read. I actually remember ripping this one up and throwing it away when I was about 7. My mum suggested I might want to keep it to read again but I thought I knew better. (A reversal of the usual "my mum threw away my comics". My mum always encouraged me to keep them!) Of course she did know better. She always did. Years later, in the 1980s, I bought a pile of old Dandy comics again including this one. 

This is the comic that grabbed my interest in the art form. I was fascinated by comics from that day on. A few months later I was having The Beano every week too, and TV21 a year later, followed by Wham!, Smash! and a zillion others. I soon started creating my own rough efforts, eventually leading to fanzines and ultimately professional work.... and the privilege of being a contributor to The Dandy comic in its final years and to the annual for the past several years. All thanks to this issue, and of course to my mam, for starting me off on that long road. 

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My last post will appear tomorrow.

Saturday, August 26, 2017

The Crimson Ball!



Until its later decades, The Dandy used to feature some distinctive adventure serials alongside its humour content. One of which was The Crimson Ball, which ran from issue No.1144 (26th October 1963) to No.1174 (23rd May 1964) and in The Dandy Book 1965 (published 1964). 

The artist was Jack Glass, who had been a frequent contributor to the weekly since the first issue in 1937. The plot was quite bizarre, and had a childlike quality that appealed to its readers; a giant ball appears one day and coaxes a schoolboy to lead it to the nearest airfield, whereupon it begins smashing up the aircraft.

Later episodes revealed that the ball had a "master"; a foreign spy inside the ball, controlling its mechanisms. Why this spy needed a schoolboy to lead him to the airfield isn't made clear, (didn't he know how to read a map?) but it was a way to introduce an ongoing young character that the readers could relate to and root for. 

Yes, the premise was very basic and naive but that was part of its charm. A story that readers could easily emulate with their toys. I loved this strip when I was four years old. It was actually the first adventure series I read. By the time I first saw it in 1964, I'd missed the early chapters but I recently bought The Dandy No.1144 where the story began in 1963, so I thought I'd show that first chapter here today. I won't show how the series ends in case D.C. Thomson ever reprint the whole saga, (although that's not looking likely). I hope you enjoy this peek into the past.

From The Dandy Book 1965, opposite a Ken Reid page.

Thursday, December 25, 2014

Christmas 1964: The Dandy Book

Cover by Charles Grigg.
I said in my previous post that this blog would be staying in 1964 for the duration of Christmas and the reason is to have a look back at The Dandy Book that I had on Christmas Day 1964.

This is the earliest Christmas I can remember, and I have very clear, fond memories of receiving this, my very first annual. I was five years old and in my pillowcase was this marvelous book along with other presents such as a Supercar toy (see here) and a Chad Valley See-A-Show (see here). I'd been a regular reader of The Dandy weekly throughout 1964 but to my young eyes this was something really special; a thick hardback book full of my favourite strips. I was immediately hooked!

I couldn't wait to get stuck into the book, and I read the first story in bed before I got up. A one-off adventure strip called Diamond Dick. (No giggling at the back there.) Artwork by Paddy Brennan.
This story of diamond thieves in South Africa fascinated me and I still remember the excitement of reading these two pages with the hero hiding in the crook's car...
Then, a few pages on, suddenly a fantastic double-page spread. What an impact! I'd never seen this technique used in comics before and the great thing was that this book used the two-page spread in several stories as we'll see. 
The book contained all the Dandy regulars plus a few new faces. For years I thought The Beetles was by Leo Baxendale, but it's actually an excellent imitation of Leo's style by Ron Spencer. (George Martin's Sunny Boy on the facing page.)
Another feature that had an impact on me was The Nine Faces of Korky by Charlie Grigg. This 'Nine Faces' idea was used for several characters in this annual and was a uniquely entertaining way to tell a story and to show good cartoon expressions. 
Here's another; The Nine Faces of Desperate Dan, by Dudley Watkins...
The brilliant Ken Reid had several Big Head and Thick Head pages in this annual. Here's one of them, with the pair receiving a battering as usual. Ken was a master of comic violence in strips. And yes, the green spot colour really is that bright in the actual book!
As I said, the double-page spread cropped up in several stories and used very effectively. Here, halfway through a Winker Watson story by Eric Roberts...
Another spread in a Rocket Jock story by Charlie Grigg...
...and at the start of Joe White and the Seven Dwarfs by Bill Holroyd. I remember laughing out loud at this 50 years ago! Holroyd was a fantastic artist (and I understand he was Ken Reid's brother-in-law).
One of the many things I liked about The Dandy back then was that it featured adventure stories as well as humour. One of the most dramatic was The Crimson Ball, a giant indestructible metal ball controlled by a foreign spy (who lived inside it) intent on destroying British aircraft! Art by Jack Glass.
My favourite Dandy adventure strip was The Red Wrecker, - powerful fast growing weeds springing up and destroying anything in their way. In The Dandy Book it was destruction on a grand scale, and Charlie Grigg really outdid himself with this spread...
Time for one more 'Nine Faces' and here's The Nine Faces of Thick Head by Ken Reid...
Finally, on the back cover of the book, a full colour Desperate Dan strip by Dudley Watkins, with a punchline that still amuses me to this day.
All of the scans and photos in this post are taken from that very book I had 50 years ago today. A Christmas of happier and more optimistic times. The lad I was back then could never have imagined he'd be creating strips in The Dandy Annual 2015, and I can hardly believe it myself some days. I hope that some of today's children who are unwrapping their first Dandy Annual today will get similar enjoyment out of it as I did from the one my mum bought me half a century ago. Whether or not they'll be writing about it in 50 years time I'll never know, but I'd like to think so. 

I prepared this post a few days ago, scheduling it to go live on Christmas Day, so if you're reading it on December 25th thanks for dropping by and I hope you're having a good day! Merry Christmas!

A few more festive flashbacks of annuals from long ago, from older blog posts of mine:

Wham Annuals:


Smash Annuals:
Pow Annuals:

Daleks:

...and going way back, Film Fun:

Friday, August 17, 2012

Memories of The Dandy

Preview of the final episode of The Dark Newt
It's been a very strange week in British comics. Saddening, to hear confirmation that The Dandy's days are numbered (literally, if you follow the countdown clock to the demise of the paper edition). Unsettling, for the artists and writers, wondering if there will be work for us in The Dandy's digital future. Heartwarming, to read of the interest and affection that Britain's oldest comic has inspired in people.

I love The Dandy comic. Have done since I was four years old and my Mum bought me a copy in January 1964. It became the first comic I had regularly. I looked forward to it every Monday and I can still recall sitting at home with my Mum reading Black Bob to me. It helped teach me to read, putting my reading skills so far ahead of my classmates at infant school that the teacher asked my Mum if I'd had private tuition. (I should add that I levelled out a few years later. I didn't turn into a living brain, as any reading of this blog can attest.)

The first issue I had. Jan 11th 1964. Art: Charlie Grigg.
Some say The Dandy was too old fashioned by the 1960s, but it was having stories set in that sooty, post-war working class land of factory chimneys, seaside deckchairs, horse-drawn milk floats and Dads in pullovers that made it so appealing to me. You see, the Sixties may have been swinging in Carnaby Street but most of Britain still looked like it was the 1950s so the environment of The Dandy reflected the world that I lived in. 

The first Ken Reid strip I read. Instantly hooked!
Then there were the strips themselves. Charlie Grigg on Korky the Cat and The Red Wrecker. Dudley Watkins' Desperate Dan. Davy Law's Corporal Clott. Jack Glass' The Crimson Ball. Jack Prout's Black Bob. Bill Holroyd's Brassneck. George Martin's Sunny Boy. Eric Roberts' Winker Watson and Dirty Dick. Ken Reid's Big Head and Thick Head. All brilliant. All by top class creators. The Dandy was different to The Beano. Unlike many other comics of the period it never had the influence of Leo Baxendale and as such it was more diverse in its art styles I think. That diversity has returned in recent years, perhaps too late.

I've been reading The Dandy every issue since 1964, give or take a few breaks. I did stop for a year in 1968, possibly to afford all the Odhams comics, and I gave up all humour comics for about three or four years in 1975 when I left school, thinking I was too old for them. Fool! 

Brilliant comic violence from Davy Law.
When I decided to focus on a career in comics in 1980 I sent off some art samples to The Dandy, hoping for work. They were politely rejected, and rightly so. I just wasn't good enough. Even after I started freelancing for Marvel UK and IPC in 1983/84 DC Thomson still proved to be a tough nut to crack. Eventually I managed to get in there, firstly drawing several Fun-Size Dandy comics (including a couple of Korky the Cat dream jobs, ghosting Charlie Griggs' style) and then, in 2010, being invited to be part of the big relaunch of The Dandy as a weekly comic. 

Working for The Dandy has been fantastic. An ambition fulfilled, and a pleasure to be part of a great team of creators whose work I admire and respect. A team that includes Jamie Smart and Andy Fanton, who read my work in Oink! when they were kids, which pleases me no end even if it does make me feel ancient.

In next Wednesday's edition my six-part series The Dark Newt comes to an end. (See the preview at the top of this post.) At this moment in time I don't know what else I'll be doing for the weekly apart from a few strips in the final issue for December. (The Dandy Annual will continue next year though, and I've written three scripts which I'll be illustrating for that very soon.)

I'll miss The Dandy, both as an employer and as a comic that's been part of the landscape all my life. I hope its proposed digital future will feature originated material and that it proves successful enough to continue for many years to come. (I also hope it'll feature archive material, to show the younger readers what great classics were around before their time.) 

The Crimson Ball by Jack Glass. Eerie and exciting.
It'll be a day of mixed feelings on December 4th when the comic celebrates its 75th anniversary with its final issue. It will come with a reprint of The Dandy No.1, bringing it full circle. The ending is the beginning. What's next?
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