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Showing posts with label documentary. Show all posts
Showing posts with label documentary. Show all posts

Sunday, July 20, 2025

"Back to the Titanic" (2020)

I have been fascinated by the wreck of the RMS Titanic since I was a girl, probably in single digits.  My parents had subscribed to National Geographic for a while in the 1980s, and they had a stack of the magazines on a shelf in our upstairs hallway.  I used to pull them out and look through the photos when I was too young to read the articles properly.  And they had the December 1985 issue with a long article by Dr. Robert Ballard, the man who found the wreck of the Titanic.  It had amazing photos.  It was my favorite of all the issues on the stack, and I used to pore over it pretty often.

Because I couldn't really read the article, I didn't know the tragic story of the ship's sinking until I was older.  I only knew there was a huge ship under the ocean that had been there so long, fish lived on it.  Ever since, I've had a desire to swim around a wrecked ship for myself.  (I also didn't understand that this ship lay more than 3 miles below the surface, where humans can't survive.)  I think my fascination with historic artifacts and archaeology probably stems from that magazine as well.

When I was in middle school, I had to write a research paper on a historic event.  I chose the sinking of RMS Titanic.  I read several books about it, including Walter Lord's A Night to Remember.  I'd seen The Unsinkable Molly Brown (1964) by then, and I remember getting the 1958 movie version of A Night to Remember and the 1953 movie Titanic from the library to watch while writing my paper -- not as research, but for general atmosphere.  (This was in the early 1990s, before the Kate Winslet movie was released.)  Even though I am fascinated by the true story, I've never particularly enjoyed movies about the tragedy.  I think I learned too much about the real horror to find entertainment in seeing it portrayed fictionally.  (I do like Molly Brown, but probably because there is only a smidgen about the Titanic portrayed).

Man, that was a fascinating paper to write.  I did tracings of diagrams of the ship, both before and after the wreck.  I was so incredibly proud of that paper.  My teacher (who was also my mom, since I was homeschooled) thought it was macabre, though.  (The next year, I wrote a research paper about the Lewis and Clark Expedition, which had a happier ending.)  

Through all of that, and through the thirty years beyond, what has really captivated me the most, though, is the wreck itself.  All the history it contains.  The ways that the ocean has both preserved and begun to deteriorate it.  This fascination has extended to making me intrigued by basically all shipwrecks that have been found and explored, especially if the explorers brought things back from them.  One of the great delights of my tween life was visiting the Arabia Steamboat Museum in Kansas City with my family and grandparents.  The Arabia was a steamboat that sank in the Mississippi River in 1856 and was discovered in 1988, still filled with its original cargo preserved in mud.  I want to go back there one day, because I remember it as being mesmerizing.  I've also visited the Mariner's Museum in Newport News twice, where items recovered from the 1862 wreck of the USS Monitor are kept and displayed and studied (and where they have a life vest from Titanic, too!)

ANYWAY.  I'm rambling, and I know it.  I've had a bad cold all weekend.  Sorry.  I will get back on track.

All of this is why I eagerly joined the Titanic in Pop Culture blogathon hosted by Taking Up Room this weekend.  And why I chose not to review a fictional movie about the ship, but the National Geographic Channel documentary Back to the Titanic (2020).  It's all about the wreck, not how it got wrecked.  It traces the events of the first manned expedition to the wreck in fifteen years, and how scientists are studying the way the wreck is slowly changing and deteriorating.

Aside from all the amazing videography of the wreck itself, which I was absolutely delighted by, the coolest thing about this documentary is that they had a descendant of Benjamin Guggenheim along!  Guggenheim was a fabulously wealthy American businessman who was aboard the Titanic.  He was very helpful in loading women and children into the lifeboats after the iceberg collision, then famously took off the life vest he was wearing over his formal evening wear, put a rose in his buttonhole, and declared he was prepared to die like a gentleman.  Which, by all accounts, he did.

Guggenheim had booked a stateroom along the starboard side of Titanic, in a section of the ship that broke off when the the ship sank.  That section was swept away from the rest of the wreck by strong ocean currents, and had not been found by previous expeditions.  One major aim of the 2020 expedition was to see if they could find the staterooms, with Guggenheim's descendant Sindbad Rumney-Guggenheim aboard to witness the finding.  And that was... really poignant. 

You can learn lots more about this documentary, including photos, right here.  And you can watch the whole thing on Disney+, which is how I saw it.


Don't forget to check out the rest of the Titanic in Pop Culture blogathon!

Wednesday, January 01, 2020

My Ten Favorite New-to-Me Movies of 2019

Happy New Year!!!

In 2019, I watched 102 movies.  Not 102 separate titles, as I am a major re-watcher, but I sat down and watched a movie 102 times. T'was a happy year.  As always, I'm here with a retrospective in the form of a list of the 10 new-to-me movies I liked best this past year.  Titles are linked to my reviews where applicable.


1. Midway (2019).  Faithful, dazzling, elegant presentation of the early Pacific Theater of Operations during WWII, from the attack on Pearl Harbor on December 7, 1941, through the Battle of Midway June 4-7, 1942.  I love this movie so much, I've put it at #14 on my list of my 100 favorite movies.  I've seen it in the theater four times now, and I'm aching to see it again.

2. Captain Marvel (2019).  This movie is just plain, unadulterated fun.  A woman (Brie Larson) learns the truth about her identity and sets about undoing all manner of injustices she was an unwitting part of.  Yes, it's a superhero movie, but it speaks to the universal longing for self-knowledge and finding your true place and purpose.

3. Avengers: Endgame (2019).  I'm okay now.  I was not okay after Avengers: Infinity War (2018), but I am okay now.  The Avengers have triumphed.  The saga is basically complete, and I will tentatively be interested in the MCU going forward, but I might be okay just letting the story be done here for me.  We'll see.

4. Captain Carey, USA (1949).  An OSS agent (Alan Ladd) gets betrayed to the Nazis while on a mission in Italy.  When the war is over, he goes back to seek vengeance for the death of the woman he loved, only to discover that much of what he thought he knew about that fateful night was a lie.  Ladd is the best part of this movie, but it's still a solid watch even if you're not his fan.

5. The Man Who Invented Christmas (2017).  Charles Dickens (Dan Stevens) needs money.  And he needs his career to stop fizzling.  And he needs these grumpy characters in his head (especially Scrooge, played by Christopher Plummer) to cooperate.  And he needs people to stop pestering him so he can just write his next book.  I was WAY more charmed by this movie than I expected to be!

6. Up (2009).  Cute kid and grumpy old guy and funny dog have an adventure.  This movie made me cry a lot.  Pixar does that well.

7. 17 Again (2009).  Middle-aged guy (Matthew Perry) thinks his life would have been so much better if he'd only fulfilled his potential as a basketball player after high school.  Then he gets turned back into his 17-yr-old self (Zac Efron) and sees his life in a whole new light.  I thought this movie would be dumb, but wound up totally digging it.

8. Dodge City (1939).  A cowpuncher (Errol Flynn) becomes a lawman so he can bring law and order to Dodge City.  And also to gain the respect of a woman (Olivia de Havilland).  My first Errol Flynn western!  Won't be the last, I assure you.

9. The Thin Man Goes Home (1944).  Nick (William Powell) and Nora (Myrna Loy) visit Nick's hometown, where he gets no respect, no respect at all.  But he does get to solve a mystery.

10. How to Train Your Dragon: The Hidden World (2019).  Every story has a ending, including Hiccup and Toothless's.  This movie also makes me cry, but I like it anyway.  So do my daughters.  My son hates it.

Special Mention: They Shall Not Grow Old (2018).  Peter Jackson's haunting presentation of WWI that transcends the documentary genre.

What wonderful movies did you discover this year?  Did you see any of these?

If you want to see my lists from 2014 through 2018, there are links to them at the bottom of my "Ten Favorites Lists" page.

Here's to a new year of watching movies!

Tuesday, February 05, 2019

"They Shall Not Grow Old" (2018) -- Initial Thoughts

I'm so glad they brought They Shall Not Grow Old back to the theaters for a whole week this month.  I missed the showings last month and last year, which were just for a weekend, and I was very bummed about that.  Because I could see that this was going to be a very, very special documentary, one I absolutely wanted to see on the big screen.  (I mean, how often to documentaries get shown on the big screen these days, anyway?  Sometimes science things, yeah, but history documentaries?)

So anyway, I went to see this yesterday evening.  And I'm still struggling this morning to find words to convey all that I'm thinking and feeling about it.  Maybe I should begin by just explaining what this is.

About four years ago, Peter Jackson (yes, that Peter Jackson) was approached by London's Imperial War Museum with the idea that he could make a documentary from their archived footage that would commemorate the 100th anniversary of the end of WWI, November 11, 2018.  They would give him unlimited access to everything in their archives, film and sound recordings both, and he could make anything he wanted with them, as long as it was something interesting and different from the other WWI documentaries out there.

Peter Jackson and his filmmaking team spent about a year looking at footage shot during the Great War, and listening to about 600 hours of recordings of wartime memories from veterans of that war.  Then they distilled all of that into a two-hour depiction of what life was like for the average British soldier, from enlistment to returning home after the Armistice.

And so, you know how Jackson has become a master at making unreal things look real?  And that he has a veritable army of filmmaking effects people at his beck and call?  He decided to take all the technology and creativity and technical abilities that he and his production company uses to make pretend things seem real and use them to make real things feel more real.  So they digitally cleaned up all this film, to the point where it looks like it was filmed last year.


What kinds of stuff did that entail?  Well,, back in the 1910s, movie cameras were hand-operated -- the person taking the movie had to stand there and crank a handle on the side of the camera to turn the film spindle thing to make the film go past the aperture and take the movie.  That's why really old film looks jerky and funny -- it's not being mechanically wound at a smooth speed.  So they had to smooth out all the film and make it run at natural-looking speeds so that the people are walking at a normal pace and so on.

And then they hired expert lipreaders to decipher what all the soldiers in the movies were saying, since of course WWI was the era of silent film because they hadn't figured out how to record sound and picture at the same time.  So the lipreaders figured out what all the people in the scenes were saying, and they had actors record these bits of dialog.  Foley artists worked in all the sound effects so that the marching feet, the gloppy mud, the rattle of equipment, the horses and the explosions and the gunfire and everything else was present too.  Peter Jackson has been fascinated by WWI all his life because his grandfather fought in the war, and he's amassed a museum-quality collection of uniforms, periodicals, and even weaponry that includes heavy artillery pieces from that war.  So they were able to record the sounds made by those actual kinds of artillery being opened, moved, loaded, and so on.


And then they began to colorize the film.  They didn't colorize all of it because colorization is a very painstaking process, and to get it right, you just have to spend all the time in the world on it so it looks real and not like those slap-dash colorized movies you used to get on VHS back in the '80s when Ted Turner decided more people would watch classic movies if they were in color instead of black-and white and he had loads of them colorized.  This is good colorization, very good indeed.

Oh, and there's no narration.  No guy with a plummy voice speaking well-crafted summations of what is going on.  The whole story of going to war, being at war, and surviving war is told with those voice recordings of actual veterans speaking about what they experienced.  Which, at times, was even more affecting than the images on the screen.


But the images were powerful too.  So powerful.  The MPAA has rated this R because there are a LOT of pictures and movies of dead and wounded soldiers.  The film doesn't flinch from talking about toilet facilities and the lack thereof, rats that ate dead bodies, soldiers that had to march past and sometimes over their fallen comrades and enemies, lice, trench foot, mustard gas, and the general desperation and depravity and horror of war.  This is not a documentary to show to your school-age children, but it is absolutely one to watch as an older teen or adult.

The effect of all this is to make these soldiers from a hundred years ago look like real people, human beings instead of flat pictures in a history book.  They smile, they laugh, they play, they look terrified, they pray.  They look straight at the camera because a camera was an oddity, so they sometimes seem to make direct eye contact with the viewers.  They are humanized.


To get the colors of the landscapes correct, Peter Jackson visited France and Belgium briefly, taking thousands of pictures of the countryside.  The only time where I was moved to tears was during the post-credits interview (more about that below), not the film itself, when Jackson talked about visiting a sunken road that they'd identified as being the very place where a piece of film was shot of soldiers waiting to be sent "over the top" to charge the enemy lines.  Something about the way that the landscape there was still so similar to the film shot a hundred years ago, but the fact that the soldiers in that piece of film all were living out their last half hour or so of life before our eyes, so to speak, because their regiment was wiped out in the assault -- that was especially moving.

(I think this is from that part.  Not a lot of pics of this online to swipe & share yet.)

I was left with a profound sense of respect for those who endured the trench warfare of WWI, a respect bordering on awe.  And also a wish to learn more and more -- for the past few years, I've been drawn to books set during this time period, or books about the war itself, and I'm definitely going to be seeking out more of those now.

As I mentioned above, at the end of the film, after the credits, they played a 30-minute interview with Peter Jackson where he shared the process behind making They Shall Not Grow Old, and I wish that had been at least twice as long because it fascinated me.  Most of what I shared here is from what he talked about in that interview, though I've been reading stuff online about it this morning too.  Anyway, he said that all he wants viewers to take away from this film is the desire to learn about how this war affected them personally, even if they don't realize it yet.  Basically everyone in the world has a grandfather or great-great-uncle or great-aunt or distant cousin who served in the war or contributed to the war effort at home, and we need to learn about our own history and how that has shaped who we are as individuals and as a society today.

Okay, that's at least some of what I wanted to talk about.  If this is playing anywhere near you, I strongly encourage you to seek it out.  If you can't do that, I'm sure they'll release it to DVD, and then you need to get a copy and watch it.  It is truly important.