My website has been hobbling along for about two weeks now. Sadly I’ve either been away or too under the weather to clean things up. Hopefully a bit of work this morning has improved things. We’ll see how stable things are going forward.
Acquired via thrift on 2026-02-06. This machine continues my typewriter collection theme for 2026: hunting for great machines with less common typefaces. Gothic was an older word meaning san-serif. The “double” portion means that it’s two sets of capital letter forms.
(Sorry James…)
The white correction tape message typed (assuredly not by me!!) onto the platen was a sure sign this thrifted typewriter was destined for my collection.
After my note earlier about progress on restoring my 1936 Royal KHM typewriter, a colleague reminded me that a KHM makes an appearance in the Taylor Swift song Fortnight. Then they asked if I was just collecting machines from her videos? While I fully expect to pick up a Royal Ten one day, it’s a total coincidence. She’s obviously got great taste in vintage typing machines.
Wiped off the worst of dust and grime on the exterior of my 1936 Royal KHM standard typewriter. Cleaned up the carriage a bit and did a light oiling. Cleaned out the paper tray and platen area. Spooled up some new ribbon. After a few quick tweaks, this typewriter is now at least minimally usable. This has one of the cleanest and crisp typing actions of any of my machines despite being one of the dirtiest and worst conditioned machines in my fleet. It has a reasonable carriage return speed, but may be one of the fastest typers I’ve got. I can’t wait to see how well it does once it’s had a full COA. The tabulator is going to require some heavy work.
Serial number: 7-139497 (body), 8-178336 (carriage);
Congress Elite No. 84 typeface, 11CPI, 2.3m/m pitch, 46 keys, 92 characters
bichrome+, tabulator, paper injector, line spacing: 1, 1 1/2, 2, 2 1/2, 3; spaced typing;
2026-01-31 Acquired at thrift for a very reasonable $70. I was really hoping to get a Modern Elite No. 66 or an Elite No. 8 as my first SG1, but finding this with a Congress Elite No. 84 typeface was a reasonably acceptable alternative, particularly in usable condition.
Initial condition assessment
This 70 year old standard typewriter is in reasonable condition, but will require a full clean/oil/adjust as well as the following repairs:
left shift key broken off and key lever bent
blow out old desiccated foam
5-6 sticky keys; remainder are slower than they ought to be
broken paper support (surprise!)
de-rust some of the internals
replace ribbon and poorly matched spools
recover platen
carriage grinding on return
new feet (old, hard, chipping)
replace foam with new felt
the aligning scales for the Perspex card holders aren’t functioning properly (broken or missing a spring?)
polish keys and spacebar
brights all need attention and polishing
Repairs on 2026-02-02
With some of the quick repairs listed below, I’ve got this machine up to the level of pretty good acceptable daily use condition. It’ll definitely be a serious member of the rotation once the C/O/A is finished. If it had a more standard typeface it might have a shot at replacing my elite Royal KMG.
basic wipe down of dirt, dust, etc.
fixed carriage grinding on return
replaced spools and ribbon with nylon blue/green
blew out old foam as well as other internal dust and cobwebs
basic cleanout of segment to get keys unstuck and working well enough
basic oiling of carriage rails and one or two additional spots
Typesample and Slugs
Olympia SG1 Typewriter Manual
My machine didn’t come with a manual—standard typewriters without protective cases rarely ever do. If you happen to need one for yours, Richard Polt has one in his collection: Olympia SG1 Super De Luxe Operating Instructions
General Comments
As someone who uses a lot of index cards, this seems a spectacular machine. My one immediate issue is that I wish the paper injector went down a few more notches as I have to roll it back up a few lines to get to an acceptable starting line on my index card.
My friend (and prototypical blogger) Catherine gave me her Olympia Monica electric typewriter many years ago. After a flurry of typing initially, it sat fallow for a time. When I returned to use it a few years ago, it suddenly stopped working, due, I found later, a slipped drive belt.
Congratulations on getting this back to life. I’m a big fan of typing on index cards myself.
If you need inexpensive, US-made typewriter ribbon, try Baco Ribbon or Fine Line which can be had for pennies on the dollar (and it’s usually where most shops or re-sellers of ribbon are sourcing theirs). https://boffosocko.com/research/typewriter-collection/#Typewriter%20Ribbon
Most know about the blogosphere, but did you know there is also a small, but growing, typosphere?!?
A red typewriter for Christmas! And it was hiding the uncommon Sears Futura typeface (aka Smith-Corona Numode No. 61) for its American 88 No. 423 keyboard which also features the Change-A-Type functionality. (Sadly it’ll be a slog to try to find matching Numode typeface slugs to match, though some of my math slugs may work well.) This means that it meets my current collector’s criteria for an interesting model I don’t already have as well as an uncommon typeface.
I’ve been on the hunt for one of these for over two years and always lost out in online auctions which generally went in the range of $150-200 in part because of the hot reddish/burgundy paint job with white racing stripes and the fact that Taylor Swift used this same typewriter in her All Too Well: The Short Film.
In the last two years I’ve only seen three of these on ShopGoodwill, so they definitely don’t pop up often. There are only 5 others on the Typewriter Database. Many of the online auctions where they went for a few hundred on ShopGoodwill.com had them being relisted by flippers on eBay in the $600-800 range within two weeks with no cleaning or restoration work. I’ve seen prices for them on eBay for $1,000 and over. For comparison, similar typewriter models in the 5 and 6 series of the period would otherwise be selling in the $25-50 range in this condition. (Ultimately, I’m glad I waited.)
This one is in generally exceptional shape and works well out of the box. The shop it came from (or more likely the prior owner) was definitely on the liberal side with their lubrication. One of the two carriage release levers is broken off, which is extremely common on the 6-series models which used plastic which apparently brittled with age. I’ll give it a once over to touch up some of the dirtier parts and make some subtle adjustments. I will probably hold off on a major overhaul at the moment because it’s in such good condition. The platen is solid and plastic-y feeling. It definitely needs an upgrade on this front.
This model seems to bridge the gap between the 5 series Smith-Coronas into the 60s and the 6 series machines like the Galaxie. It’s a top-of-the-line model with the keyboard tabulator and the hood hinges up and back like the 5 series rather than sliding forward like the 6 series models. I don’t have one, but I would suspect it’s closest to the Sterling 5AX typewriter which started in 1963. It’s also got a great little paragraph indent button for use at the beginning of new paragraphs. I look forward to seeing how they implemented this feature mechanically.
Wishing all my friends and fellow note takers a happy holidays!
