Tags: nature

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Saturday, March 22nd, 2025

Some Thoughts on the Common Toad | The Orwell Foundation

After the sort of winters we have had to endure recently, the spring does seem miraculous, because it has become gradually harder and harder to believe that it is actually going to happen.

George Orwell on the coming of spring during the darkest of times:

It comes seeping in everywhere, like one of those new poison gases which pass through all filters.

The atom bombs are piling up in the factories, the police are prowling through the cities, the lies are streaming from the loudspeakers, but the earth is still going round the sun, and neither the dictators nor the bureaucrats, deeply as they disapprove of the process, are able to prevent it.

Tuesday, February 4th, 2025

Here Come the Lionfish – James Bridle

A terrific article by James.

Saturday, November 9th, 2024

Optimism

I think of myself of as an optimist. It makes me insufferable sometimes.

When someone is having a moan about something in the news and they say something like “people are terrible”, I can’t resist weighing in with a “well, actually…” Then I’ll start channeling Rutger Bregman, Rebecca Solnit, and Hans Rosling, pointing to all the evidence that people are, by and large, decent. I should really just read the room and shut up.

I opened my talk Of Time And The Web with a whole spiel about how we seem to be hard-wired to pay more attention to bad news than good (perhaps for valid evolutionary reasons).

I like to think that my optimism is rational, backed up by data. But if I’m going to be rational, then I also can’t become too attached to any particualar position (like, say, optimism). I should be willing to change my mind when I’m confronted with new evidence.

A truckload of new evidence got dumped on my psyche this week. The United States of America elected Donald Trump as president. Again.

Even here I found a small glimmer of a bright side: at least the result was clear cut. I was dreading weeks or even months of drawn-out ballot counting, lawsuits and uncertainty. At least the band-aid was decisively ripped away.

Back in 2016, I could tell myself all sorts of reasons why this might have happened. Why people might have been naïve or misled into voting a dangerous idiot into power. But the naïveté was all mine. The majority of America really is that sexist.

This feels very different to 2016. And hey, remember when we woke up to that election result and one of the first things we did was take out subscriptions to the New York Times and the Washington Post to “support real journalism”? Yeah, that worked out just great, didn’t it?

My faith in human nature is taking quite a hit. An electoral experiment has been run three times now—having this mysogistic racist narcissistic idiot run for the highest office in the land—and the same result came up twice.

I naïvely thought that the more people saw of his true nature, the less chance he would have. When he kept going off-script at his rallies, spouting the vilest of threats, I thought there was an upside. At least now people would see for themselves what he’s really like.

But in the end it didn’t matter one whit. Like I said in a different context:

To use an outdated movie reference, imagine a raving Charlton Heston shouting that “Soylent Green is people!”, only to be met with indifference. “Everyone knows Soylent Green is people. So what?”

I never liked talking about “faith” in human nature. To me, it wasn’t faith. It was just a rational assessment. Now I’m not so sure. Maybe I need some faith after all.

I wonder if my optimism will return. It probably will (see? I’m such an optimist). But if it does, perhaps it will have to be an optimism that exists despite the data, not because of it.

Monday, October 9th, 2023

Against Scale

Claire L. Evans has written a beautiful piece on the difference between growth and scalability:

Life is nonhierarchical, and it shirks top-down control. But scalability relies on hierarchy, on the isolation of elements stripped of history and context. It is predicated on the assumption that nature is little more than a raw material to be processed and commodified until it is spent. This is, of course, unsustainable — at any scale.

Tuesday, June 21st, 2022

Bjørn Karmann › Occlusion Grotesque

A typeface co-designed with a tree over the course of five years.

Yes, a tree.

Occlusion Grotesque is an experimental typeface that is carved into the bark of a tree. As the tree grows, it deforms the letters and outputs new design variations, that are captured annually.

Monday, March 15th, 2021

Overlay Fact Sheet

Based on the problems with accessiBe and its ilk, I have signed my name to this:

  1. We will never advocate, recommend, or integrate an overlay which deceptively markets itself as providing automated compliance with laws or standards.
  2. We will always advocate for the remediation of accessibility issues at the source of the original error.
  3. We will refuse to stay silent when overlay vendors use deception to market their products.
  4. More specifically, we hereby advocate for the removal of accessiBe, AudioEye, UserWay, User1st, MK-Sense, and all similar products and encourage the site owners who’ve implemented these products to use more robust, independent, and permanent strategies to making their sites more accessible.

Wednesday, March 10th, 2021

So your grandmother is a starship now: a quick guide for the bewildered

Useful FAQs.

Your grandmother is not just a starship, she’s a highly individual starship with her own goals and needs!

Sunday, February 28th, 2021

Nature 150 Interactive

A beautiful interactive visualisation of every paper published in Nature.

Wednesday, July 22nd, 2020

Wildlife Photographer Of The Year on the Clearleft podcast

Episode three of the Clearleft podcast is here!

This one is a bit different. Whereas previous episodes focused on specific topics—design systems, service design—this one is a case study. And, wow, what a case study! The whole time I was putting the episode together, I kept thinking “The team really did some excellent work here.”

I’m not sure what makes more sense: listen to the podcast episode first and then visit the site in question …or the other way around? Maybe the other way around. In which case, be sure to visit the website for Wildlife Photographer Of The Year.

That’s right—Clearleft got to work with London’s Natural History Museum! A real treat.

Myself and @dhuntrods really enjoyed our visit to the digitisation department in the Natural History Museum. Thanks, Jen, Josh, Robin, Phaedra, and @scuff_el!

This episode of the podcast ended up being half an hour long. It should probably be shorter but I just couldn’t bring myself to cut any of the insights that Helen, James, Chris, and Trys were sharing. I’m probably too close to the subject matter to be objective about it. I’m hoping that others will find it equally fascinating to hear about the process of the project. Research! Design! Dev! This has got it all.

I had a lot of fun with the opening of the episode. I wanted to create a montage effect like the scene-setting opening of a film that has overlapping news reports. I probably spent far too long doing it but I’m really happy with the final result.

And with this episode, we’re halfway through the first season of the podcast already! I figured a nice short run of six episodes is enough to cover a fair bit of ground and give a taste of what the podcast is aiming for, without it turning into an overwhelming number of episodes in a backlog for you to catch up with. Three down and three to go. Seems manageable, right?

Anyway, enough of the backstory. If you haven’t already subscribed to the Clearleft podcast, you should do that. Then do these three things in whichever order you think works best:

Wednesday, June 26th, 2019

Phenological Mismatch - e-flux Architecture - e-flux

Over the last fifty years, we have come to recognize that the fuel of our civilizational expansion has become the main driver of our extinction, and that of many of the species we share the planet with. We are now coming to realize that is as true of our cognitive infrastructure. Something is out of sync, felt everywhere: something amiss in the temporal order, and it is as related to political and technological shifts, shifts in our own cognition and attention, as it is to climatic ones. To think clearly in such times requires an intersectional understanding of time itself, a way of thinking that escapes the cognitive traps, ancient and modern, into which we too easily fall. Because our technologies, the infrastructures we have built to escape our past, have turned instead to cancelling our future.

James writes beautifully about rates of change.

The greatest trick our utility-directed technologies have performed is to constantly pull us out of time: to distract us from the here and now, to treat time as a kind of fossil fuel which can be endlessly extracted in the service of a utopian future which never quite arrives. If information is the new oil, we are already, in the hyper-accelerated way of present things, well into the fracking age, with tremors shuddering through the landscape and the tap water on fire. But this is not enough; it will never be enough. We must be displaced utterly in time, caught up in endless imaginings of the future while endlessly neglecting the lessons and potential actions of the present moment.

Friday, April 5th, 2019

Simon Collison | Identity at Dot York 2018

After two decades in tech, I realise phones and social media won’t be going away, so we work with them. My take is that I now need to seek positive digital tools that connect more of us to the non-digital world and really benefit our lives.

Tuesday, August 21st, 2018

Design Laws in Nature by Jordan Moore

A deep, deep dive into biomicry in digital design.

Nature is our outsourced research and development department. Observing problems solved by nature can help inform how we approach problems in digital design. Nature doesn’t like arbitrary features. It finds a way to shed unnecessary elements in advancing long-term goals over vast systems.

Wednesday, January 31st, 2018

Monday, May 1st, 2017

Springer Nature frontend playbook: house style guide

I like it when organisations share their in-house coding styles. This one from Springer Nature not only has guides for HTML, CSS, and JavaScript, but it also has a good primer on progressive enhancement.

Thursday, June 2nd, 2016

Richard Dawkins, Mount Improbable: Play With Evolution

A lovely interactive demonstration of evolution, based on the original code Richard Dawkins used for Climbing Mount Improbable.

Wednesday, April 22nd, 2015

100 words 031

Spring is well and truly springing. The days are getting nice and long. The sky is often clear and blue. The temperature occasionally reaches levels conducive to T-shirt and shorts.

These are good days to be enjoyed by the sea in Brighton. Lately though, I’ve been spending quite a few of these days travelling to and from London on client work. But even then, trapped in a train travelling the vertical line of the compass, the view on the countryside outside can look downright glorious—luminously green fields filled with signs of newborn animal lives illuminated by the springtime sun.

Saturday, October 4th, 2014

Tabletop Whale

Beautiful visualisations of science and nature.

Made with love by a designer with a molecular biology degree.

Thursday, March 21st, 2013

Why Americans Are the Weirdest People in the World

A truly fascinating and well-written article on how changes are afoot in the worlds of psychology, economics, and just about any other field that has performed tests on American participants and extrapolated the results into universal traits.

Given the data, they concluded that social scientists could not possibly have picked a worse population from which to draw broad generalizations. Researchers had been doing the equivalent of studying penguins while believing that they were learning insights applicable to all birds.

Wednesday, September 17th, 2008

Camille Seaman Photography -The Last Iceberg Series II - NEW, The Last Iceberg, A Penguin's Life - NEW, The Big Cloud - NEW

Camille Seaman's stunning pictures of icebergs and clouds make me feel small and insignificant. But in a good way.

The Art of Jim Denevan

The circlemakers work with vegetation. Andy Goldsworthy works with the landscape. Jim Denevan works with sand.