The Boy

"The Boy" presents us with an interesting premise from the start. A young American woman takes a job as a nanny to an elderly couple's child in Britain. Only when she gets to their large, creepy mansion does she learn the "boy" is really a doll that the couple treats as if it is alive and their son. Much of what ensues after this is fairly predictable. We know the doll is going to end up doing creepy things, or at least we'll be led to believe this is the case. We also know there will be something more going on than what meets the eye. Lauren Cohan does a very good job, which is essential because she has to carry most of the movie. Many scenes are with her and the doll alone. Also, the setting and the doll itself do a great job of creating the mood. The film does well at holding the viewer's attention; however, once we see the final "twist" we understand that it was really the only reasonable explanation--although it is really not all that reasonable. There are a few scenes where the dialog and impact fall a little flat. I recommend the film to those who really like this genre, because there is enough there to make it worthwhile; however, do not expect a masterpiece.

NO spoilers

OK, OK, i understand most peoples problems with this flick. It has some gaps, and some missing story elements. I read a couple of reviews, and people complained about things not being explained and impossible scenarios. But this move was super entertaining. I did not want to turn away, it kept me glued, and was fun. What else do you really want from a horror or mystery movie? It was original, and inventive, and the acting was good. Was it a perfect movie, no... but it was definitely worth watching, and if your on the fence about it, don't be, watch it. And i am picky.

Being Norwegian myself, I love everything English, their rich history and beautiful castles.

This is almost gothic, but set in modern times.

Lauren Cohan plays a nanny who relocates from the US to England to take up a position looking after an elderly couples son. Things become a bit weird immediately when it turns out her new charge is actually a lifesize porcelain doll named Brahms that they treat like their son.

Spooky scenery, gorgeous house, good story and fine enough acting.

I liked it. I did not predict the ending, which is always a plus when watching a movie.

If you must compare doll movies, its much, much better than the first Annabelle movie, (which frankly was awful).

This movie was a lot better than I expected with good acting, good character development, and a good plot. When I first heard about this movie I thought it was going to be anther disappointing horror movie, but instead it was a really surprising and well pacing movie with an amazing twist no one's going to see coming.

The characters in this movie are likable, and smart. Even though I never heard of anyone who acted in this film, I think they did an amazing job delivering, and making the movie more intense and entertaining.

The director does an fantastic job with this movie. Letting the viewers know what's going on though the whole movie. Making scenes very suspenseful and having a good pay off.

You ever watch a film, and at a certain point, you get the feeling that the final product is obviously a heavily edited (if not outright- butchered) re-working and simplification of an otherwise great idea? Like a studio-suit-type got their hands on a really cool and original script that defied convention... but then that same studio- suit got cold feet, and had a legion of ghost- writers re-work it into something more generic and "audience friendly"?

Yup. That's the feeling I got watching "The Boy."

Don't get me wrong, there's still fun to be had. And despite its rather obvious faults, I was thoroughly entertained and had a good time. It's just... so obviously a great concept that feels like it's been tampered with by studio committees and producer interference to dumb it down to certain level that can only be described as "lowest common denominator." At times I could even swear that the film feels like it was the product of two or three different scripts that were haphazardly mushed together in a last- ditch effort to try and make it more of a broadly-appealing (aka "generic") thriller than a unique spine- tingler.

The film follows Greta (the adorable Lauren Cohan), an American woman who has been hired to act as nanny for a prim and proper older couple's child overseas in the UK. However, Greta is taken aback after learning that the "boy" is actually a child-sized doll that is treated by his "parents" as if he was a real, living being. He's fed and taught lessons and kissed goodnight... a routine Greta is informed she must definitely follow. But when she begins to stray and ignore the rules set for her, strange things begin to happen, and it becomes all too clear that the doll might just be more "real" and "alive" than she could have imagined.

The film works for the most part mainly due to the charm of the two lead cast-members, and for the well-executed visual storytelling.

Cohan is a lot of fun as our lead, and she's a great choice for the role of Greta... she's able to convey her initial annoyance over her situation, the paranoia of her character as the story progresses, and even has a lot of really good pathos due to her fairly good development and backstory. And co-star Rupert Evans (probably best known for his roles in the delightful "Hellboy" and the underrated "The Canal") is charming as can be as Malcolm, a local grocery man who delivers food to the home and develops feelings for Greta as the story progresses. They're the main focus for much of the running time of the film, and they're both perfect in their roles, creating a lot of care from the audience.

Director William Brent Bell also does a wonderful job in his visual storytelling, and he elevates the material. I honestly haven't been a fan of his work in the past... "Stay Alive" was a lazy and very condescending attempt to cash-in on the growing popularity of video-games over the last 20 years. And "The Devil Inside" was a terrible mis-judgement, with its infamous final act still viewed as a low- point in the world of horror. But here, Bell is actually able to get a lot of great work done, and show he does have the chops to make a good creep-fest if he really puts his mind to it. He revels in the atmospheric visuals of the old, enormous house and nearby woods. He glides the camera organically in slow, lingering shots that are a breath of fresh-air compared to the lousy "shaky cam" nonsense polluting other horror flicks. And he even for the most part strays away from relying too much on loud jumps and noises. I particularly admired a wonderful sequence where Greta tries to demonstrate to Malcolm that the doll can move on its own... great stuff there.

It's just a shame that the film is dragged down so badly due to its issues with the script and storyline.

Honestly, I wouldn't be surprised that if at one point in development, the film was more of a psychological drama about an emotionally damaged person forging a deep connection with an inanimate doll... because this film's best moments- and indeed the moments that feel the most complete and developed- are the sequences where Greta begins to learn about what's happening and become more and more attached to the idea that the doll just might be alive. It's wonderful in certain scenes, and it feels disturbing in all the right ways.

But then other sequences contradict this... particularly the scenes that play more as straight-forward horror. They feel like scenes out of a different film. And without spoiling it, the final act feels like it comes out of left-field in a very inorganic way... almost as if the climax from a completely different script was tacked-on and retro-fitted to feature the characters from this film. It almost gave me whiplash to see how much it changed in the third act.

If they had just ran with the idea of a woman in a house being forced to take care of a creepy doll like a real child, and explored the ideas of isolation and paranoia associated with the situation... it could've been a great film. (Almost a "horror version" of the wonderful indie flick "Lars and the Real Girl.") But the tacked-on scenes added to manufacture generic haunted-house thrills diminishes the impact... as does the frankly bizarre climax.

Still, the performances and atmospheric direction make it worth seeing for fans of horror, and I would by lying if I said I didn't get a kick out of it.

I give "The Boy" a slightly-above-average 6 out of 10. It doesn't quite come together 100%, but it's definitely a fun time.