Dans le noir

Lights Out takes some queues from Japanese-styled ghost stories, so it will be attractive to that audience. It has a strong chill-factor but a somewhat average formula, and it could have used fewer back-story explanations to make it more mysterious, especially since those elements did not feel original.

Based on chill factor alone, it ranks higher than Dark Water, The Forest, Paranormal Activity, The Others, The Babadook, and The Boy, and lower than The Ring, Ju-On / The Grudge, and other Japanese-styled ghost stories, as well as any horror James Wan himself directs. Comparing it to masterpieces like The Exorcist and Poltergeist has no value.

I would say its chills rank somewhat evenly with The Woman in Black and It Follows, without being as original as the latter.

The ghost itself is creepy enough, but the overall movie didn't have the creative twists that we enjoyed from movies like The Boy, The Others, The Sixth Sense, and 10 Cloverfield Lane. It also didn't have the storytelling chemistry of James Wan's own Insideous or The Conjuring movies.

I am a fairly difficult person to frighten. I have been seeing horror movies at the theater since the 70's, and I am usually only interested in the ones that have a supernatural or fantastical element to them. So I am very critical of them, and the only ones I collect on disc are either fun (Tremors), scary (the Grudge), or both (An American Werewolf in London). I will collect this one.

Ghost stories are done to death. It is very difficult to come out with anything scary that is original. I think Lights Out could have used the guided hand of a third-party master horror writer, mostly revising the back-story revelations and using the character relationships to build suspense and mystery surrounding what is going on. Then, perhaps working up to a punch line at the end so that suddenly the back- story rushes in on the audience in one moment, with one simple revelation. It is very difficult to think of how that can be done, but other movies have done it, and the payoff is huge.

I think Lights Out tried to do that a little but got confusing in the attempt.

But all-in-all it's a nice little scary movie with a smaller production value but a satisfying ghost.

Its brilliance lies in its simplicity. Lights out doesn't attempt to confuse anyone, nor does it look to introduce a totally original idea. Instead, it boldly and unambiguously taunts the audience with the message, "you were all afraid of the dark as kids and most of you still are."

Never has a scary movie villain had such an easy foil—light. Literally any kind of light—sun, fluorescent, bright. They each work perfectly well. Shine any sort of light in the direction of this movie's monster and she disappears. Poof. She's gone and everyone is safe. Writing this, I recognize that this doesn't sound even the tiniest bit scary. Yet somehow, as I sat in my well-lit house after watching the movie, I felt afraid.

A brief telling of the plot: there's a monster-demon-ghost-girl named Diana that lives only in darkness because light hurts her, and sometimes she kills people. She haunts other people in the movie who try to not be killed by her and also they try to defeat her. That's really all there is to know. Yes, it's a very simple plot, but still an enjoyable one, at least in this instance.

Something about the beautiful simplicity of the scare tactics just worked. Nothing confusing, nothing shocking. There weren't even very many classic hanging suspense moments interrupted by loud, jolt scares. These we textbook jump scares. A seemingly safe moment with normal amounts of sound that slowly drifts to silence then POW! A jump scare.

You may be thinking, "this sounds lame. How does this brutally basic approach yields effective scares?" Great question, my astute and thoughtful reader.

I've thought about this question and come up with a few explanations. First, we owe a tremendous credit to the actress who played Diana (Alicia Vela-Baley). Her intimidating posture and sickly contorting and Freddy Kruegerish flailing arms bring to life a terrifying character, whose mere presence on screen is enough to leave viewers unsettled. There's something about crouching, and Vela-Baley is great at it. Seeing a person crouch in a well-lit area is comical. But looking at a crouching figure in the shadows, that will make your skin crawl. The other explanation that I will offer is the visceral nature of the scares. Much of the movie takes place in the dark and the dark is scary. We are evolutionarily predispositioned to fear the dark. It's a survival instinct. Don't argue with me on this. I'm right.

Anyway, the dimly-lit, shadowy settings are the perfect playground for visceral and pure jump scares. Director David F. Sandberg hits all the right beats in framing and lurking camera movement to maximize this simple and smart approach.

So, that's it. If you can't stand jump scares or scary movies, don't see Lights Out. Honestly, I'm not sure why you're even reading this review if you don't like scary movies. If you do like jump scares and scary movies, watch Lights Out. And maybe buy a couple extra lightbulbs or a nightlight before you do.

Mystery and horror movie including chills , intrigue , terrifying happenings and it's certainly better than most other films of the same genre concerning a diabolic and mysterious terror appearing at a house . Enjoyable horror movie with thrills , chills and strange events , while the roles scream and panic her way through most of their scenes and including limited CGI . One of the film's strongest points is the fact that there's quite a lot of fun to be had with the supernatural aspects of the storyline . Stars Rebecca (Teresa Palmer) who must unlock the horror behind her traumatized little sibling's (Gabriel Bateman)grisly experiences that once tested her sanity , bringing her face to face with a supernatural spirit attached to their mother (Maria Bello) . At mother's house takes place a series of strange and eerie incidents . Later on , Rebecca is shocked when to be aware about the weird person there inhabits . Everything then changes in eerie way and things go wrong . You were right to be afraid of the dark. Darkness will consume you. Every Child Need To Feel Loved.

A creepy and thrilling film about a haunting house where lives a weird being , it packs inexplicable disturbing occurrences , shocks, thrills , suspense , chills, hair-rising events and surprising final twist . This starts off at the very beginning occuring mysterious happenings , as the camera lurks suspensenful behind its actors and beside them and above them and everywhere else . A scary and unsettling flick that garnered very positive reception on the internet in spite of its short budget , as the picture goes on growing more and more and developing little by little until the unexpected conclusion . The main and support cast are pretty well , giving attractive performances such as Teresa Palmer , Maria Bello , Gabriel Bateman , Alexander DiPersia and brief acting by Billy Burke as unfortunate father.

The pic contains a dark and colorful cinematography by Marc Spicer . Equally, a mysterious and suspenseful musical score by Benjamin Wallfisch , composing a sinister atmosphere . The motion picture was competently directed by horror expert David F. Sandberg who made the decision to focus on practical effects and avoided as much computed generator effects as possible . Being feature film debut of David F. Sandberg . As David decided to expand his original short film Lights out (2013) into a feature film thanks to producer James Wan , the latter has financed and directed notorious horror movies , such as : Swamp Thing , The Curse of La Llorona , Saw saga , Annabelle: Creation , Conjuring saga , Insidious saga , Demonic , Annabelle , among others . While fimmaker David Sanberg has made a few films all of them limited to short movies and terror genre as Annabelle : Creation , adding a peculiar superhero movie : ¡Shazam! (2019) . Rating 6.5/10. Acceptable and decent terror movie. Well worth watching.

Martin is a little boy hounded by a monster in the dark. His dad (Billy Burke) is killed by a woman in the dark. His mother (Maria Bello) seems to be talking to that mysterious being called Diana. Children's Services calls in his step-sister Rebecca (Teresa Palmer) who has commitment issues unwilling to even let Bret keep one sock at her place. Rebecca takes Martin to her home upon seeing her mother in dire mental state.

The visual concept of a lurker in the dark is quite compelling. The movie could have done more with a slower burn. It does a big kill right at the beginning which leaves the shock of discovery less overwhelming. It becomes the same move over and over again. It's a great move but it would work so much better with a gradual ramp up. The mother's madness is intriguing. A little more thought could be used to maximize the story.

This is the full length film that all horror fans waiting for after watch short movie at YouTube.

Great storyline and great acting from al cast.

The atmosphere is there and wayyy to many jump scare plot.

In the film, a young woman must confront her childhood fears to protect her brother from a vengeful supernatural entity holding a mysterious attachment to their mother.

In a textile factory during closing hours, an employee named Esther encounters a silhouette of a strange woman with claw-like hands when the lights are off, but cannot see it when the lights are on. After she leaves, her boss Paul encounters the woman and tries to run away, but he is killed.

You guys need to watch this.

After the short film's success, Sandberg announced a film adaptation based on his short film.

Really recommended. Enjoy and entertaining movie.