The night before their high school graduation, Jessie and her friends are guided by a 'Find My iPhone' app to recover her lost device from a house whose demented tenants are hell bent on mak... Read allThe night before their high school graduation, Jessie and her friends are guided by a 'Find My iPhone' app to recover her lost device from a house whose demented tenants are hell bent on making her a flesh and blood member of the family.The night before their high school graduation, Jessie and her friends are guided by a 'Find My iPhone' app to recover her lost device from a house whose demented tenants are hell bent on making her a flesh and blood member of the family.
- Director
- Writers
- Stars
Markos Zepeda
- Kent
- (as Markos Lomeli)
Alice McMunn
- VHS Victim #2
- (as Malice McMunn)
Joey Abril
- Loud Mouth
- (as Jose Abril)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
NOTE: I was given a screener copy of this film for the Dark Discussions Podcast.
Reverse home invasion films seem to be a thing this year. Films like Intruders and Don't Breathe tell tales of people breaking into the homes only to find something horrible waiting for them. I am sure there is something significant in that.
Unlike those other films, in which our protagonists are criminals trapped by bigger threats, Jess (Kirby Bliss Blanton), Logan (James Landry Hebert) and Miles (Alex Shaffer) are relative innocents drawn into a spider's web spun by the suburban equivalent of TCM's sawyer family.
How effective you find the film will likely depend on how much empathy you have for the teenage characters (Jess is about to graduate High School), who mostly act like teenage characters; in search of a good time, they lie to their parents, experiment with drugs, cheat on each other, and spend too much time on their phones. It is telling that the characters spend much of the film looking for Jess's phone, with little concern over the fate of their new friend Kim, who vanished along with it. Still, in a genre that is still grappling with how to deal with new technology in old tropes, using the phone as bait to draw in victims is inspired.
The film is a slow burn - though only 82 minutes long, more than half of that is spent leading up to the confrontation between Jess's friends and their would-be abductors. Once they arrive at the death trap that is the antagonist's home, there is still much Scooby Doo style investigation that takes place before Daddy gets home. Much of the action in the house is confusing, and I never got a handle on it's layout, but I suspect that was the director's intent.
Once the action does take place, I found the violence to be more authentic than stylish, with a few moments of good practical gore, and I rather liked the Phantom of the Opera tension between Jess and Edward.
Reverse home invasion films seem to be a thing this year. Films like Intruders and Don't Breathe tell tales of people breaking into the homes only to find something horrible waiting for them. I am sure there is something significant in that.
Unlike those other films, in which our protagonists are criminals trapped by bigger threats, Jess (Kirby Bliss Blanton), Logan (James Landry Hebert) and Miles (Alex Shaffer) are relative innocents drawn into a spider's web spun by the suburban equivalent of TCM's sawyer family.
How effective you find the film will likely depend on how much empathy you have for the teenage characters (Jess is about to graduate High School), who mostly act like teenage characters; in search of a good time, they lie to their parents, experiment with drugs, cheat on each other, and spend too much time on their phones. It is telling that the characters spend much of the film looking for Jess's phone, with little concern over the fate of their new friend Kim, who vanished along with it. Still, in a genre that is still grappling with how to deal with new technology in old tropes, using the phone as bait to draw in victims is inspired.
The film is a slow burn - though only 82 minutes long, more than half of that is spent leading up to the confrontation between Jess's friends and their would-be abductors. Once they arrive at the death trap that is the antagonist's home, there is still much Scooby Doo style investigation that takes place before Daddy gets home. Much of the action in the house is confusing, and I never got a handle on it's layout, but I suspect that was the director's intent.
Once the action does take place, I found the violence to be more authentic than stylish, with a few moments of good practical gore, and I rather liked the Phantom of the Opera tension between Jess and Edward.
I read the reviews on here and honestly the movie isn't as bad as they want to make you believe. It's for sure not the greatest thriller horror ever but also not the worst. It's mostly the last fifteen minutes that aren't that great. And also the dialogues aren't that great either. I think it could have used a bit more gore. But nonetheless there are a couple moments of suspense. The beginning isn't bad either. The cast is what you expect to be with this kind of movies, not the greatest but at least they gave it a shot. I would just have made the last part of the movie differently. But unlike other movies, with this one I don't really regret watching it. I won't watch it a second time though.
But well done as far as production. I guess you just gotta run with it. Pretty good acting. Pretty unbelievable storyline. It's worth watching for a laugh.
This starts with some men brutalizing a female captive. After catching a cheating boyfriend, Jessie (Kirby Bliss Blanton) and Kim (Rachel DiPillo) are new friends going out together into the night. Along the way, they are joined by Jessie's geek brother Miles (Alex Shaffer) and bad boy Logan (Samuel Larsen). Jessie loses her phone and Kim disappears. The remaining three uses an app to recover the phone.
The story is a little muddled about these characters. It turns out that there is a reason for that. While I like where this goes, it does come with issues. Most of this movie feels like a drunken night with a bunch of new friends who don't know each other. I've had those nights. I'm sure that all of you have too. Mostly, those nights end up with the group splintering. At times, that's this movie. It threatens to splinter into pieces. As for the ending, there are still issues and some of it doesn't make sense. They also keep doing the horror thing where nobody picks up a weapon or finish off the bad guys. Eventually, one does grab the hammer, but it is a frustrating trope.
The story is a little muddled about these characters. It turns out that there is a reason for that. While I like where this goes, it does come with issues. Most of this movie feels like a drunken night with a bunch of new friends who don't know each other. I've had those nights. I'm sure that all of you have too. Mostly, those nights end up with the group splintering. At times, that's this movie. It threatens to splinter into pieces. As for the ending, there are still issues and some of it doesn't make sense. They also keep doing the horror thing where nobody picks up a weapon or finish off the bad guys. Eventually, one does grab the hammer, but it is a frustrating trope.
Not the greatest directing so that made the acting not so great and the dialogue was awful, the ending summed up my feelings after watching the movie which was really, that's just stupid. This is the type of movie you watch with a group of like minded people and basically you talk the the entire movie about how bad it is, it's not even B movie bad or a cult movie bad, it's just bad. And the actors looked to close in age to be the parents of the so called high school students they almost looked the same age. I still don't get the "we can't get out of the house" smh or the make sure the person that is trying to kill you is either dead or they can't walk etc,and take a weapon and oh yeah the keys so you can unlock the doors and get out of the extremely raggedy house you are in
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Details
- Runtime
- 1h 22m(82 min)
- Color
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