A group who straps bombs to a Japanese bullet train in an attempt to extort money from the government.A group who straps bombs to a Japanese bullet train in an attempt to extort money from the government.A group who straps bombs to a Japanese bullet train in an attempt to extort money from the government.
Featured reviews
But this is really good! I like the 3D-effects regarding to the bullet train and I green screen effects where they made it exceptionally clear. In perspective this not really realistic as it is in Japan, 'cause it's too much of actions. But in general I liked the actor's character more their personalities that fits into the movie. I was surprised about the character's performance regarding to bomber that planted the bomb on the train. That felt so good with the twist in the good way. However that is, I'm not gonna spoil it. So watch the movie and enjoy actions felt with sweat and tears. You'll not regret it!
Not only was the story intense, but I really loved how they showcased the technical operations of the Tohoku Shinkansen - from the control room decisions to the real-time communication between the operator, conductor, and driver. It all felt incredibly authentic, like watching real professionals in action. Their calmness, precision, and teamwork during high-stress moments really stood out and added so much depth. As a Shinkansen otaku, seeing those accurate procedures and behind-the-scenes details was an absolute thrill and made the experience even more enjoyable. The attention to detail was remarkable.
I just finished watching Netflix's new "Bullet Train Explosion" (2025) and couldn't help but notice all the comments claiming it's "just a Speed ripoff." Oh, sweet summer children of cinema...
For those whose film history knowledge apparently begins with Keanu Reeves, allow me to enlighten you: "Shinkansen Daibakuha" isn't copying Speed (1994). It's a REBOOT of the ORIGINAL "Shinkansen Daibakuha" from 1975 - a Japanese disaster thriller released NINETEEN YEARS BEFORE "Speed" even existed.
That's right. The "can't slow down or it explodes" concept that everyone associates with "Speed" was actually pioneered by this Japanese film starring Ken Takakura, Sonny Chiba, and other legendary Japanese actors nearly two decades earlier. The original featured Japan's bullet train that would explode if it dropped below 80km/h, with criminals demanding ransom money.
So who copied whom? If anything, "Speed" borrowed from Japan, not the other way around. Shinji Higuchi's new Netflix adaptation is simply bringing a Japanese classic back to life for a new generation.
The irony of Western viewers accusing a Japanese reboot of copying an American film that may have been "inspired" by the original Japanese concept is absolutely delicious. It's the perfect embodiment of that meme where someone makes a joke, someone else says it louder, and gets all the credit.
For those whose film history knowledge apparently begins with Keanu Reeves, allow me to enlighten you: "Shinkansen Daibakuha" isn't copying Speed (1994). It's a REBOOT of the ORIGINAL "Shinkansen Daibakuha" from 1975 - a Japanese disaster thriller released NINETEEN YEARS BEFORE "Speed" even existed.
That's right. The "can't slow down or it explodes" concept that everyone associates with "Speed" was actually pioneered by this Japanese film starring Ken Takakura, Sonny Chiba, and other legendary Japanese actors nearly two decades earlier. The original featured Japan's bullet train that would explode if it dropped below 80km/h, with criminals demanding ransom money.
So who copied whom? If anything, "Speed" borrowed from Japan, not the other way around. Shinji Higuchi's new Netflix adaptation is simply bringing a Japanese classic back to life for a new generation.
The irony of Western viewers accusing a Japanese reboot of copying an American film that may have been "inspired" by the original Japanese concept is absolutely delicious. It's the perfect embodiment of that meme where someone makes a joke, someone else says it louder, and gets all the credit.
With all due respect to my fellow critics-whose insights I genuinely admire-I must gently (but firmly) tap the brakes on this recurring assertion that Bullet Train Explosion is little more than a Japanese Speed. Yes, both films hinge on the same pulse-quickening premise: a vehicle that must maintain velocity or detonate spectacularly. But before we declare Speed the originator of this trope, let's give history its proper due-and a little reverence.
Because long before Keanu Reeves fired off "Pop quiz, BLEEP," and Sandra Bullock white-knuckled her way into action-movie legend, there was The Bullet Train (Shinkansen Daibakuha, 1975). A Japanese thriller that introduced the world to a high-speed train wired to explode if it dipped below a certain speed. Sound familiar? It should. This was the first film to plant a bomb squarely under the concept of velocity. And it was brilliant.
But the lineage doesn't stop there. Even Speed's screenwriter, Graham Yost, credited his inspiration not as some divine spark, but as a cinematic handoff from Runaway Train (1985)-another nail-biter about an unstoppable locomotive hurtling toward oblivion. Here's where it gets even juicier: Runaway Train was originally the brainchild of none other than Akira Kurosawa. Yes, that Kurosawa. The auteur behind Seven Samurai and Rashomon. He wrote the screenplay in the 1960s, envisioning a deeply human, existential thriller set aboard a runaway engine. Though he never got to direct it, his vision survived and roared to life years later under Andrei Konchalovsky.
So let's be clear: Bullet Train Explosion isn't some derivative knockoff trailing behind Speed. It's part of a long, cross-cultural cinematic tradition that spans continents and decades. It stands proudly in a lineage that includes Kurosawa, Konchalovsky, and yes, Jan de Bont. To reduce it to "Speed, but Japanese" is to miss the point-and miss the artistry.
As a Gen-Xer, Speed is sacred to me. It defined a decade of action cinema. It made "mass transit terrorism" an oddly specific genre. And it will always be brilliant. But brilliance doesn't need to be first. And homage is not theft-it's a love letter. Bullet Train Explosion is exactly that: a loud, stylish, blood-soaked valentine to its forebears.
So instead of side-eyeing the similarities, let's celebrate the shared DNA. Let's honor Bullet Train Explosion as a continuation-not a copy-of a global cinematic conversation about speed, stakes, and what happens when you can't stop moving.
With admiration for my fellow Speed disciples (I am one of you), and with cinematic history riding shotgun, I rest my case.
Because long before Keanu Reeves fired off "Pop quiz, BLEEP," and Sandra Bullock white-knuckled her way into action-movie legend, there was The Bullet Train (Shinkansen Daibakuha, 1975). A Japanese thriller that introduced the world to a high-speed train wired to explode if it dipped below a certain speed. Sound familiar? It should. This was the first film to plant a bomb squarely under the concept of velocity. And it was brilliant.
But the lineage doesn't stop there. Even Speed's screenwriter, Graham Yost, credited his inspiration not as some divine spark, but as a cinematic handoff from Runaway Train (1985)-another nail-biter about an unstoppable locomotive hurtling toward oblivion. Here's where it gets even juicier: Runaway Train was originally the brainchild of none other than Akira Kurosawa. Yes, that Kurosawa. The auteur behind Seven Samurai and Rashomon. He wrote the screenplay in the 1960s, envisioning a deeply human, existential thriller set aboard a runaway engine. Though he never got to direct it, his vision survived and roared to life years later under Andrei Konchalovsky.
So let's be clear: Bullet Train Explosion isn't some derivative knockoff trailing behind Speed. It's part of a long, cross-cultural cinematic tradition that spans continents and decades. It stands proudly in a lineage that includes Kurosawa, Konchalovsky, and yes, Jan de Bont. To reduce it to "Speed, but Japanese" is to miss the point-and miss the artistry.
As a Gen-Xer, Speed is sacred to me. It defined a decade of action cinema. It made "mass transit terrorism" an oddly specific genre. And it will always be brilliant. But brilliance doesn't need to be first. And homage is not theft-it's a love letter. Bullet Train Explosion is exactly that: a loud, stylish, blood-soaked valentine to its forebears.
So instead of side-eyeing the similarities, let's celebrate the shared DNA. Let's honor Bullet Train Explosion as a continuation-not a copy-of a global cinematic conversation about speed, stakes, and what happens when you can't stop moving.
With admiration for my fellow Speed disciples (I am one of you), and with cinematic history riding shotgun, I rest my case.
"Bullet Train Explosion" is an action movie that feels like they used to make back in the day. It's reminiscent of "Speed" with Bullock and Reeves, but swaps the bus for a runaway train. It's perfect for passing the time lightly and enjoyably. It's not an Oscar-worthy film, but it's pleasant to watch despite its long runtime. The effects are decent, and some actors shine in their roles. That said, when it comes to the big reveal of the villain, you can't help but raise an eyebrow and mutter, "Seriously, that's the bad guy?"-it's a bit of a letdown.
I recommend it to anyone looking for an action flick to enjoy with a side of popcorn.
I recommend it to anyone looking for an action flick to enjoy with a side of popcorn.
Did you know
- TriviaThere is a character named Chiba. Sonny Chiba starred in the original Bullet Train in 1975.
- ConnectionsRemake of Super Express 109 (1975)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Pánico en el tren bala
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime2 hours 14 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content