Rumours, nuit blanche au sommet

For someone who is a bit behind on Guy Maddin (and yes, that "someone" is me), Rumours is probably a bad place to begin. It also makes sense, as this is a lot more accessible than his prior catalog of silent films (a phrase I am comfortable using without the addition of "tribute" or "pastiche", because they're just that faithful to how silent cinema used to look), so I'm definitely not alone in starting here -- though I may have lost some cinephile cred in admitting this.

Regardless of how well you know your Maddin, this is certainly a movie with a lot of personality. It's hard to compare to any other film released this or any other year -- although I'm tempted to name one particular sequence "a better adaptation of Color Out of Space than the actual Color Out of Space movie".

Every location contains strange colors and magical mists; the music choices are bizarre to the point of idiosyncratic brilliance; the characters -- from the inexplicably British US president (Charles Dance) to the Swedish Secretary General (Alicia Vikander) who knows the forest's secrets -- are delightfully odd, but sometimes irritatingly unintelligible. (Cate Blanchett's performance, which has been described as an impression of Sandra Hüller doing an impression of Princess Diana, is particularly bemusing.)

It is also a pretty funny movie. For a while, at least. It loses some of its steam and satirical edge in the second half, seemingly getting bored of itself. Regardless, I am eager to check out more of this man's catalog and deeply ashamed that I have not.

Rumours is a surreal, unsettling film that explores the impact of misinformation and societal control filled with dark metaphors, reflects on how power and propaganda can manipulate society, leaving people disoriented and distrustful.

Rumours is a dark, witty political satire with a sharp edge, leaning more into social commentary than typical horror or zombie fare.

It's a twisted comedy that highlights the darker side of our reality -where the "zombies" are actually us, the mindless followers.

Unlike the predictable Hollywood comedy, Rumours delivers biting humor through simple clever dialogue and surreal moments.

Lines like: "You see his pen*s has been severed and hung around his neck.

Sounds like a man to me."

"- Germany caught up into Dramatics. We've seen this before."

"- who is the best swimmer?

Italy: i only can go backwards."

The Huge Brain: symbolizes control over collective knowledge.

The giant brain is a central metaphor representing the source of societal knowledge and collective consciousness. It symbolizes the institutions or entities that control information-potentially a government, media conglomerate, or collective societal mindset. The brain serves as both a keeper of "truth" and a gatekeeper that decides what information reaches the public, emphasizing the idea that whoever controls information holds significant power over people's beliefs and actions.

Where Celestine's connection with the brain leads to an ambiguous fate, symbolizes the dangers and consequences of challenging established systems. Celestine's unique ability to communicate with the brain represents an individual's search for truth in a world clouded by lies, Her fate implies that those who dare to confront the powerful structures behind misinformation or societal manipulation may face suppression or retaliation.

Zombie-like Figures act as eerie representations of the manipulated public,Theys represent society's suppressed or marginalized voices, mindlessly manipulated by higher powers. They are symbolic of how people can be controlled or made to act against their own interests through fear or manipulation.

Rumours can be difficult to watch due to its heavy-handed symbolism and disorienting scenes.

Ending raises important questions about if exposing the truth can truly liberate society or if it merely makes the individual more vulnerable to those in control and how society interprets information and who controls that narrative.

I for one quite enjoyed it. Did not understand it completely, honestly could not pick out all of the symbolism, allegory etc, but it was interesting and fun to try. There are no laugh out loud moments, but smirks aplenty as connections and parallels are suggested and at times blatantly stated.

The cast, the script, the dialogue were convincing and never overplayed, these were serious politicians acting like real people in a surreal situation. The choice of subdued lighting in red tones, and a off kilter soundtrack kept everything suitably unreal. Direction and editing could not be faulted.

Would/could a film like this be made in an authoritarian country? Undoubtedly not.

Its a fun film that can be taken seriously.

Giving this an 6/10 rating

So bizarre is this film, six of us were in the screen when I watched it, and three walked out about 40 minutes into it, and too be fair, I can understand, this film is horror, comedy, satire and political drama, you get all of that, thanks to Evan Johnson, Galen Johnson and Guy Maddin. All three writing and directing this madness.

This is Guy Maddin, all over, so I expected it weird and arthouse, not making any real sense neither, well ,some kid of plot, which is there, thanks to the acting of Cate Blanchett, Charles Dance, and others with Alicia Vikander doing a some very odd work here. The cast had some real work to do in this, and with the most strangest dialogue and situations this year, it was not a total loss, not one to walk out on, if you knew what to expect, as I did.

Not in the worst film this year, that goes too 'The Crow', not sure if this is one that really will pull in much crowds, which is why it has such a limited showing. Had to travel a bit for this one and find good time as well, was not doing the 9pm slots that most cinemas are showing it.

I really didn't like this film. Fundamentally, almost nothing here worked for me. The satire can be summed up as 'politicians dumb', the photography is super weird and cheap looking, and the surrealist scenes are done without artistic reason. I have so much to say, and somehow this film has left me speechless.

Perhaps we can talk about some of the good? Cate Blanchett is okay in the lead role, but the material is so weak that it's hard to make heads or tails out of her actual performance. There are actually a couple good jokes sprinkled about its runtime. The jokes about trapping pedophiles and protestors attacking the leaders were pretty good, but only ephemeral glimmers of escape in the time warp that was this film. Perhaps another positive is that the characters in the group are all very distinctive, albeit mostly one dimensional.

On the whole, you can tell that this film is drawing from that Monty-Python-esque tradition of dry British satire, but there is so little endearing about the film. The characters are not particularly likeable, and the film makes no effort to make us want to root for the protagonists. The plot should be a straightforward zombie survival plot, but somehow we meander around with few goals or progress through the entire runtime. I'm sorry to say that the photography is awful. In day scenes, there is an ever present, odd cheesy glow. For the rest of the film, all shots are tight, despite being outdoors for virtually the whole film. It seems like just out of frame are the warehouse lights and HVAC system for the cheap and repetitive looking set. Nikki Amuka-Bird had a very poor showing in performance. Truly YouTube level acting.

Shockingly cheap film for a movie with real Hollywood actors in it.