Pemandi Jenazah

"Pemandi Jenazah" (The Corpse Washer) is a deeply emotional and contemplative film that tackles themes of death, tradition, and the human condition. Set in a small Indonesian village, it explores the life of a young man who works as a body washer, preparing the dead for their final rites. Through his work, the film delves into the rituals and complexities of Indonesian Muslim culture, touching on personal grief, spiritual connection, and societal expectations.

The cinematography is beautiful, capturing the simplicity of rural life while juxtaposing it with the profound and often heavy subject matter. The performances are nuanced, particularly the lead actor, who brings a raw and authentic portrayal of a man struggling with his role in life and his personal loss.

While the film is slow-paced and reflective, it may not be for everyone due to its heavy, introspective nature. However, for viewers who appreciate films that explore life's deeper questions, "Pemandi Jenazah" offers a rewarding, thought-provoking experience.

"Pemandi Jenazah" (The Gravedigger's Wife) is an Indonesian horror film that explores themes of grief, guilt, and the supernatural. The film centers around a young woman named Nova who, after the tragic death of her husband, takes over his job as a gravedigger to support her family.

Strengths: * Atmospheric and Eerie: The film effectively creates a chilling atmosphere through its use of sound design, lighting, and a haunting score. The isolated setting of the graveyard and the eerie rituals associated with death contribute to the overall sense of dread.

* Strong Performances: The lead actress delivers a compelling performance, conveying Nova's grief, resilience, and growing fear convincingly.

* Exploration of Grief and Trauma: The film delves into the complexities of grief and the psychological impact of trauma on its protagonist. Nova's struggles with guilt and the lingering presence of her deceased husband provide a poignant and emotionally resonant core to the narrative.

Weaknesses: * Predictable Plot: While the atmosphere is well-established, the plot itself may feel somewhat predictable to seasoned horror fans. The supernatural elements, while effective in creating suspense, might not offer significant surprises.

* Reliance on Jump Scares: The film relies heavily on jump scares for its scares, which can feel repetitive and detract from the more nuanced psychological horror elements.

* Pacing Issues: The pacing can feel uneven at times, with some scenes dragging while others feel rushed.

Overall: "Pemandi Jenazah" is a decent Indonesian horror film that effectively utilizes atmosphere and strong performances to create a chilling experience. While the plot may be somewhat predictable and the reliance on jump scares can be excessive, the film's exploration of grief and trauma provides a compelling emotional core. It's worth watching for fans of atmospheric horror and those interested in Indonesian cinema.

The problem with Indonesian and Hollywood horror is their over-dependence on ineffective, predictable jump scares. Atmospheric horror is something the Indonesian have always failed to execute, despite the country's rich cultural tradition and beautiful landscapes.

The lazy use of conventional camera angles is almost as disappointing as the wheat flour on the ghosts. It is almost as if the film-makers aren't horror fans at all.

Story-wise, from the get go it was a bit too obvious, with the nosey ladies bickering over widowhood. Lela being tasked with cleaning the corpse completely unaided also does not reflect the reality of a typical Southeast Asian village-what happened to fardhu kifayah and gotong-royong? There's always that one monosyllabic, antisocial guy/gal to inject a feeling of mystery, and I'm really really tired of seeing this.

The only fresh element is how the evil spirits were portrayed to seem unfazed by the quranic verses and loud chanting of the mourners; a trope more commonly seen in western horror films. I imagine this would create some form of controversy among the more conservative audiences in places like Malaysia.

At least Indonesia is moving away from softcore porno in their horror films.

Another disappointment, unfortunately.

Lela works with her mom Siti as corpse washer before the funeral. Lela is not happy to continue this family profession while her brother has taken up a different job. When a friend of Siti dies mysteriously, she is disturbed by it. This is followed by Siti's death which shook Lela and she realizes, these mysterious deaths were actually murders. As she decides to investigate, another lady dies and all of them belong to her mother's friend group. With families refusing for police interference, Lela takes it upon herself to gather the evident to prove these deaths as murders and to put an end to it. Will she be able to succeed in saving the village, forms rest of the story.

The film's core strenght lies in how it uses the women characters and the crucial moment in the film is the gossip spread by them which instantly elevated the story. Setting aside the supernatural angle, the narrative is kept grounded with occasional jump scares and keeping the police away looked deliberate. The performances were good enough and I wish there was more to these women. The flashback is only brief and we never get to fully know the story of Nur. Probably that would have made the film more generic with the good vs evil angle but atleast it would have answered the major question rather leaving it unanswered. The Corpse Washer makes for a decent watch aided by good performance by the lead actress.

Watched this with a bunch of friends with no expectations coming into it, and it absolutely met those expectations. This film does nothing interesting to me and in times kinda drags on with the more yappy scenes. While I do appreciate it tries to add an aspect of mystery to the story it's attempts just ends up messing up the pacing of it a little and I do find it to be a bit out of nowhere at times. However, credit where credit's due I did enjoy the more graphic scenes towards the end as it was the least dull part about the horror of the film and, I do appreciate the message the film tries to send. Besides, I can't be too harsh on the film as I did find it to be decently watchable and not too bad in the end.