Welp

That's an advice anyone participating in a horror movie should follow. But if they did, we wouldn't have a movie, would we? So if you like a good slasher/horror/backwoods movie, you will "enjoy" this. It won't redefine the genre, but it knows its rules and where to go without losing the audience.

A European horror movie that has the template down, the acting is OK, the effects are really good too. It's not too explicit (only from time to time there's a violence spike), but when it is, you get to see quite a bit of violence. The ending might confuse a few people, but I liked the way it prepared us for what was about to happen ...

More story and lots more originality than usual for this gerne. The music score unfortunately wasn't my cup of tea. There's a rule in cinema to avoid working with kids or animals, but not too much harm done in that section apart from the character of Sam. This could have done with a few more real scares, but points for bringing something fresh.

"Welp" generated quite a hype here in our lovely little country of Belgium because it allegedly is the very first horror movie to emerge from here; - or at least from the geographical Dutch speaking part named Flanders. That just isn't true since we previously had horror (and cult) classics such as "Devils of Darkness", "Lucker", "Parts of the Family", "Afterman" and "Engine Trouble". It's even debatable that this is the first horror film to be spoken entirely in Flemish because there exists also "Linkeroever", "Alias", "De Potloodmoorden" and an obscure little dud called "The Antwerp Killer". But, seriously, who cares if it isn't the first? It also isn't the most inventive horror movie and it certainly isn't the greatest horror movie ever made, but what counts most is that "Welp" is inarguably a highly entertaining Belgian horror outing with a tense & gripping atmosphere, strong acting performances and a bit of nasty gore footage. The protagonists in "Welp" are all junior boy scouts, which was a terrific idea of writer/director Jonas Govaerts, as this is a typically Belgian phenomenon. Practically everyone in this country joined some kind of scout federation in their youth. Yours truly didn't, and I can assure you that I was quite the outcast in school because of this. On Wednesday afternoons all my classmates went to the woods to play scout games, while I went home to my couch and watch horror movies that I wasn't allowed to watch yet. Ah, memories…

One of the boy scouts, Sam, is a bit of an outcast as well. On their way to the Southern Belgian backwoods (called "The Ardennes") for their annual survival camp, Sam spots a mysterious shape and secret hideout place between the trees, but nobody believes him. Little Sam is right of course, as the forestry area soon turns out to be the turf of a vicious serial killer and his bewildered infant sidekick. The other cubs constantly humiliate Sam and the scout leaders are too busy with making out and being arrogant, but they won't be able to ignore the deadly booby-traps that are placed all around the woods. "Welp" features a large number of clichés and stereotypes, but I suppose that is almost inevitable when you're making a slasher throwback movie. The parts that are similar to "Friday the 13th" and other classics could also easily be referred to as homages, for that matter. More important is that director Jonas Govaerts perfectly knows the true meaning of the term "horror" and he isn't afraid to break through taboos or insert shocking plot twists. For example, there are a couple of disturbing death sequences involving young children and even a scene where a dog is used as a piñata! Furthermore is the atmosphere of the film continuously macabre and unsettling, with an almost complete lack of humor in the script, but a strong presence of tenebrous camera-work and frightening music. The acting performances are terrific, too. The young actor Maurice Luijten impresses the most, but also Titus De Voogdt and the lovely Evelien Bosmans are very good as the scout leaders. Stef Aerts gives the best grown-up performance as the arrogant and self-centered scout leader Baloo. His behavior might seem exaggerated, but according to several former cub friends of mine, idiotic leaders like him apparently do exist.

There's little coherency in Cub, it's supposed to be a horror but half of the film is one kid getting harassed. In attempt to create any thrill it relies too much on convenience plot devices such as traps placed just in the right spot as plot demands it or the so called monster appears literally out of nowhere. If there's a message to be had here, it should be not to leave your impressionable kids with unprofessional scout leaders. Pretty much the same thing since Friday the 13th.

The story follows Sam, a very unfortunate boy who is on the receiving end of substandard treatment from his peers and supervisors. He and his scout unit go into a forest for camping, only to find that there are others await them. It's a very straightforward plot, and to its credit the film tries to include child negligence issue, but the approach is too heavy-handed to be effective.

Its worst barrier is the illogical thinking and action of the characters. These people, even the adults, don't seem to be functioning that well. Sam himself is a bit passive and finicky, the film wants the audience to sympathize with him, but it's hard to relate since most issues can be resolved with basic communication skill. I've seen horror movies with bland plot device of odd kid who cries wolf, Cub takes it even further till the point of exhaustion.

Pacing isn't that smooth either, almost two third of the movie is Sam getting yelled at and the rest of characters fumbling around. It does have some good scares or tense atmosphere at times, although these moments are few in between the banters and also unrealistic at best. The cinematography is decent, the film admittedly has several presentable shots, especially during the day with good lighting. However, the sequences in night time are sketchy, which is unfortunate since last act happens entirely in darkness.

There are gruesome events, these are mostly for shock value. If it tries to reach any fundamental message, Cub simply doesn't have the direction to convey it. The film doesn't even offer plausible motive, back story or explanation. Things just happen, and it wants you to be okay with that.

Truly, the real horror is how anyone would let their children roam the forest of haunted past guided by a couple of unqualified leaders. Keep your children save.

At first this movie had a really weird juxtaposition between feeling like an introductory horror movie for a younger demographic while also having subject matter and language for adults. Then it switched to full adult and turned into a slew of violence with some perversions sprinkled in. However, that didn't happen until around the last third of the movie.

I wish it had hit its horror stride a tad earlier in the film, and then maybe we could have gotten a little more background on what was going on with the creepy characters and some of their origin.

The whole movie had an weird underlying sexual tension. The blossoming of sexuality with a bunch of young boys just discovering it, and the height of it with counselors in their early 20s. It was... interesting, for sure.

The whole thing felt like a narrative on the loss of innocence, on many levels. That didn't become super apparent to me until later in the film. Acting wise the kids did a great job, especially with what the two had to do towards the end.

Over all I was entertained and quite honestly shocked with what this ended up being... I wasn't expecting that. Would definitely recommend.