Une bataille après l'autre

Granted it's good, and I like most of PTA's films, but it's not like this is anywhere near as brilliant as something like There Will Be Blood or The Master.

The plot is very simple, and while that's not a bad thing, I found it difficult finding anything substantial to grab onto. The performances are certainly good but again it feels like all the actors with the exception of probably Chase Infiniti and maybe Sean Penn aren't given a whole lot to do.

In my opinion this was far less interestingly photographed than something like Phantom Thread, and with less compelling characters than something like The Master, and lacked the spectacle and gravitas of something like There Will Be Blood.

Still better than most films releasing these days, but if you're looking at all the rave reviews like I was and expecting a masterpiece, from my perspective I'd be lowering my expectations.

It gets a 7/10 for being well performed and pretty well written, but I can't go beyond that because it lacked the depth I'd normally be seeking from filmmakers of PTA's caliber.

Paul Thomas Anderson's 10th feature film may as well be his most amusing & entertaining one to date. An incendiary adventure that comes brimming with a charged atmosphere, laced with rebellious spirit, packed with relevant themes and bolstered by a potent ensemble, One Battle After Another incorporates much of what's happening in present-day America to tell its tale of defiance & resistance.

Also written by Anderson (Phantom Thread & Licorice Pizza), the story concerns a group of ex-revolutionaries who reunite to rescue the daughter of one of their own when their past nemesis resurfaces. Volatile from the get-go, the film gathers momentum right away while exhibiting an undercurrent of tension & urgency that the picture not only sustains with effortless ease but also sprinkles with hilarious bits along the way.

The technical aspects are sound throughout, be it the steady camerawork, smooth pace, neat editing, interesting score & some expertly choreographed action set pieces. It is also an acting powerhouse, with the entire cast contributing with excellent inputs. Leonardo DiCaprio renders his role with stoned perfection and he's brilliantly supported by Sean Penn's intense showcase, Benicio del Toro's zen act & Chase Infinity's fiery performance.

Overall, One Battle After Another is crafted with controlled aggression, unfolds with a sense of chaos & emergency and delivers a thoroughly fun ride despite its politically & thematically rich layerings. Presenting the esteemed auteur in complete control of his craft and also impressive enough to rank amongst the best all-round films of the year, Anderson's latest feature further affirms his status as one of the preeminent filmmakers of his generation.

Paul Thomas Anderson's One Battle After Another is a film that wants to be epic but ends up didactic. There's no denying its technical accomplishments: the cinematography is vivid, almost painterly at times, and Leonardo DiCaprio and Sean Penn deliver performances that are magnetic, commanding your attention even when the story falters.

And falter it does. The film's ambition - to comment on political extremism - is undercut by its simplistic moral universe. One side of the conflict is portrayed as entirely evil, with no redeeming qualities or relatability. Every action they take is chaotic, violent, or manipulative, leaving the audience with no one to sympathize with on that side. This lack of nuance turns the movie from a story into a political lecture, making it feel less like cinema and more like ideological instruction.

In a moment when America feels more divided than ever, the timing of such a film is jarring. Its portrayal of chaos and extremism is so stark that it risks being taken too seriously by audiences at either extreme, rather than prompting reflection. More troublingly, it underscores how out of touch Hollywood can be with most Americans, presenting a world of ideological extremes that few viewers would recognize in real life.

Still, the film isn't without merit. Anderson's eye for detail, his visual inventiveness, and the sheer force of DiCaprio and Penn's performances make it watchable even when it preaches. But for a director capable of deep, character-driven storytelling, this attempt at political commentary feels like a missed opportunity.

Battle after another is a solid film with a lot of strong points. It's generally warm and even has a bit of light raunchiness at the start, yet it keeps you engaged. Leonardo DiCaprio's performance is outstanding-he plays an ordinary guy thrown into tough situations with incredible sincerity and conviction. Benicio Del Toro, though in a smaller role, adds charisma as well. The female characters, unfortunately, feel pretty shallow and lack depth.

The plot is simple but enjoyable, though there are minor logical gaps. The main downside is the antagonists: some feel too overpowered, while others seem weak, and the motives of many minor villains remain unclear. At times, their actions come off as clichéd, which slightly reduces the dramatic tension.

Overall, the film works really well-it's fresh, engaging, and visually impressive. It reminded me of Fargo, both the film and the series. If you like Leonardo DiCaprio or the Coen brothers, this movie is definitely worth watching.

Based on some of Thomas Pynchon's novel "Vineland", P. T. Anderson's movie is amazing in its uncensored satirizing of the right-wing takeover of America. The great acting, especially by Sean Penn in a dynamic role as the heavy (somehow sympathetic without pulling any punches) plus realistic filmmaking is a bold approach to material that is speculative fiction in a dystopian mode.

Of the many highlights, I especially liked the style of an extended sort of chase scene among three cars on a rolling elevation highway -pure cinematic suspense with thrilling photography and editing. The heavy quotient of dark humor throughout is brilliant.