The Guest

THE GUEST is a fun, if derivative, little movie from Adam Wingard, the guy who also brought us the familiar-yet-entertaining YOU'RE NEXT. It's a belated addition to that whole psycho-thriller sub-genre of the 1990s in which ordinary families were menaced by mysterious forces, and it achieves plenty on what is clearly a tight budget.

There are shades of THE TERMINATOR and the BOURNE trilogy here and it has to be said that the story is simplistic and straightforward. The denouement will surprise nobody, for example. However, like DRIVE before it, THE GUEST is all about the execution. It looks cool, it looks stylish, and it sounds cool too thanks to that thumping soundtrack. Dan Stevens is excellent as the suave and sophisticated guy who turns up to make a few waves, and Maika Monroe shows some of the promise that she displayed in IT FOLLOWS. Plus we get Lance Reddick, being exceptionally good again after his turn in JOHN WICK.

In fact, THE GUEST has quite a lot in common with IT FOLLOWS, especially the horror-style unfolding of the plot. These films share likable young cast members and a fresh feel despite the familiarities of the situations in which the characters find themselves. Certainly nothing about THE GUEST is original, yet it's thoroughly entertaining at the same time. And that's all I need from a movie.

It feels almost inaccurate to refer to this movie as The Guest when in reality it was entirely carried by a wonderful performance by Dan Stevens. I enjoyed it thoroughly, which isn't at all to say it's what I would normally call a good movie. The movie is highly campy, reminiscent of '80s-'90s action movies / thrillers, and Dan Stevens brings in an excellent all around tongue in cheek tough 80's anti-hero performance.

Stevens' acting is well matched by strong action that is to the point and not drawn out, as well as superbly chosen music, particularly in the climactic scenes.

For any gamers out there, if you enjoyed Far Cry 3: Blood Dragon for the nostalgia and humor, you'll likely love this movie as much as I did.

I moonwalked my way out of the dimly lit, Hong Sang-zooom overly meditative crypt of arthouse flicks - no shade to Apichatpong, definitely anticipating his Cemetery of Splendour, and I'm like, totally psyched for Zulawski's Cosmos, his comeback after, like, a decade! And Phil Stevens's Flowers (2015).

But my acid-wash soul yearned for a film with the visual fidelity of an 80's VHS tape. Enter "The Guest," a moniker so aggressively pedestrian, I half-expected a movie about a polite stranger who overstays his welcome, eats leftovers, flexes lame jokes to cousins (barf!), or does a plumber sleeps-with-cliched-clientele bit like in an Xhamster masterpiece, lol!

Anyway, I had already seen Joe Swanberg, the mumblecore guy's You're Next (2011), and it was Adam Wingard's gory fun direction that made the film worth watching. I got a small hint about the plot and thought Dan Stevens was gonna sacrifice his white butt for a soldier's family and pull off a Denzel Washington (totally radical!). I was wrong as this film is very laid out with a simple plot, crazy climax, with lots of blood, adrenaline that blends the sensibilities of classic John Carpenter (totally awesome!) with some really Giallo aesthetic and a little Nicolas Winding Refn vibe. I don't want to share more about the story or the character arc. But I guarantee this, an entertaining blood feast awaits for those who dig the classic exploitation genre, full of action with an insanely kickass soundtrack and an atmosphere that will keep you hooked until the final credit.

Creepy stranger premise has been used in horror or mystery to varied effect, the latest Jennifer Lopez's flick is an example of how not to welcome this premise. Luckily, The Guest has the luxury of having suave lead actor and good atmosphere for a thriller. Some of the kinks are predictable, but the dark humor as well as bizarre revelations offer much needed novelty to the movie.

David (Dan Stevens) arrives at the Petersons resident, claiming that he was a friend of their fallen son. He's well-mannered and seems trustworthy, thus the family welcomes him openly. Upon his stay, strange accidents begin to happen, and suspicion arises with the casualties. The most important hook is Dan Stevens' portrayal of David. He looks like a rugged debonair, this is not average smooth, this is Ryan Gosling's level of smoothness.

Stevens delivers a wide variety of emotions, he can be either friendly or deadly. Backed by good cast, such as Maika Monroe as the Anna Peterson and Lance Reddick as Mayor Carver, the movie has a solid degree on acting performance. The exchange of banter is enjoyable, often resulting in manipulation or downright violence for David's benefit. It elevates the human drama between him, the Peterson family and whoever unlucky enough to be in their immediately vicinity.

Mystery of David's real identity is crafted slowly and it's compelling enough to pique interest without revealing too much. The film also has a touch of humor, albeit slightly crude. Strangely, in the third act it changes tone drastically for the climax. This shift is a bit odd considering it plays the thriller aspect with steady pace for the majority of early parts, although this explosive tone does have the merit of being entertaining.

There are short bursts of Hollywood style carnage, but they are modest, not all out gunblazing from the start like Bourne or the recent John Wick. Action sequences are well choreographed, it has both devastating and ridiculous impact.. Good practical effect for the blood and explosion as well as its highly unorthodox soundtracks make the faster pace scenes more satisfying.

Having good mesh of action, mystery and comedy, The Guest is enigmatically fascinating.

So a guy who claims to know your dead son turns up at your house one day. He seems nice and looks like that bloke off of Downton so you let him stay for a while... That is pretty much all I knew about this film before I went to see it. What follows is an enjoyable thriller with laughs aplenty and an excellent central performance from Dan Stevens (more on that later).

The plot, at the end of the day, is fairly nonsensical and there are some troubling loose ends that I found a little unsatisfactory. I can't say that any of the story is particularly surprising or original but what does that matter when everyone making it and everyone in the audience seems to be having so much fun? The cinema I was in was probably around half full and while there was nobody in full-on hysterical laughter, there was a satisfactory amount of appreciative chuckling (me included).

I feel that the majority of my enjoyment of this film should really be credited to Dan Stevens in the main role. His character is charming, pleasant and helpful and yet strangely sinister and unsettling from the outset and he plays it absolutely perfectly. You can't help but like him even though you're not sure that you should. Apart from a smallish role in "The Fifth Estate", I am only familiar with Stevens from Downton Abbey and his role in this couldn't have been more different from both of these. I look forward to seeing how his career progresses but this was an excellent example of his versatility as an actor.

Overall a good Saturday night out at the cinema but I can't imagine it is the kind of classic film I would watch again and again.