A young American woman moves with her husband to Bucharest, and begins to suspect that a stranger who watches her from an apartment window may be a serial killer.A young American woman moves with her husband to Bucharest, and begins to suspect that a stranger who watches her from an apartment window may be a serial killer.A young American woman moves with her husband to Bucharest, and begins to suspect that a stranger who watches her from an apartment window may be a serial killer.
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"Watcher" follows Julia, an American who moves to Bucharest with her husband, Francis. While Francis is fluent in the language--his mother is Romanian--Julia is not, and struggles with the language barrier. Even worse, she also finds herself being watched by a man in the adjacent apartment building, and comes to believe that not only is he stalking her, but that he is a serial killer.
It goes without saying that "Watcher" is playing with a familiar concept--this is a premise we have seen in a large number of films, most famously in Hitchcock's "Rear Window," but "Watcher" also pays respects to Roman Polanski's "apartment" films, most notably (and effectively) "The Tenant" (the other two being "Rosemary' Baby" and "Repulsion"). What makes it stand out, however, is that it is well-acted, visually elegant, and at times throttling in its suspense. There are a number of scenes in this film that (no pun intended) grab you by the throat.
"Watcher" is the breed of film that toes the line regarding whether or not the fears and paranoias of the protagonist are legitimate, or the product of something else, but director Chloe Okuno telegraphs it intelligently by positioning the audience in tandem with Julia--as we watch her sink into her isolation, we are isolated alongside her--and it is because of this that her fears play out as believable, despite her husband's skepticism. The writing here is both subtle and smart, and there are a few key moments that are as dislocating to the viewer as they are to the protagonist; the screenplay is multi-pronged in a way that makes the audience question not what they are seeing, but rather, what it is indicative of. Julia's disconnect from the language only helps to reinforce a sense of suffocation, and the gloomy, rain-soaked Art Deco architecture of the city only amplifies the sense of unease.
Of course, none of this would work without a believable lead, and Maika Monroe plays this character very effectively. Burn Gorman is also extremely effective as the mysterious creep across the way. The film's finale, though tense, is still fairly downbeat (which is the status quo in this film), but it offers enough grand guignol to be memorable and shocking. In the end, while "Watcher" is not necessarily revelatory, it is a well-crafted, nervy take on a well-worn concept. There are some standout moments in this film that make it worth watching for any genre fan. 7/10.
It goes without saying that "Watcher" is playing with a familiar concept--this is a premise we have seen in a large number of films, most famously in Hitchcock's "Rear Window," but "Watcher" also pays respects to Roman Polanski's "apartment" films, most notably (and effectively) "The Tenant" (the other two being "Rosemary' Baby" and "Repulsion"). What makes it stand out, however, is that it is well-acted, visually elegant, and at times throttling in its suspense. There are a number of scenes in this film that (no pun intended) grab you by the throat.
"Watcher" is the breed of film that toes the line regarding whether or not the fears and paranoias of the protagonist are legitimate, or the product of something else, but director Chloe Okuno telegraphs it intelligently by positioning the audience in tandem with Julia--as we watch her sink into her isolation, we are isolated alongside her--and it is because of this that her fears play out as believable, despite her husband's skepticism. The writing here is both subtle and smart, and there are a few key moments that are as dislocating to the viewer as they are to the protagonist; the screenplay is multi-pronged in a way that makes the audience question not what they are seeing, but rather, what it is indicative of. Julia's disconnect from the language only helps to reinforce a sense of suffocation, and the gloomy, rain-soaked Art Deco architecture of the city only amplifies the sense of unease.
Of course, none of this would work without a believable lead, and Maika Monroe plays this character very effectively. Burn Gorman is also extremely effective as the mysterious creep across the way. The film's finale, though tense, is still fairly downbeat (which is the status quo in this film), but it offers enough grand guignol to be memorable and shocking. In the end, while "Watcher" is not necessarily revelatory, it is a well-crafted, nervy take on a well-worn concept. There are some standout moments in this film that make it worth watching for any genre fan. 7/10.
Great visuals. They did a good job of filming every scene to make everything look super creepy. Acting is mostly good, but I absolutely hated the husband's character. I get that he had to be that way to keep the story going, but man it's frustrating.
I didn't really know much about "Watcher" before I started watching it. In truth there's not all that much to know to be honest:
A couple moves to Romania. Husband works while wife sits around waiting for him to come home. Wife believes that somebody is stalking her and husband thinks she is going crazy.
It sounds ridiculously simple because it is. We've seen it before - HOWEVER - Okuno clearly set out to make a brilliantly executed suspense flick and did just that.
The movie is contained and everything in it is there for a reason. Cinematography and especially the sound design is incredibly well done and makes the simplest thing like shopping for groceries an unnerving experience.
And finally the biggest praise has to go to Monroe. She has come a long way from "It Follows" and here she brings this simple movie to life with outstanding (and very believable) acting that successfully makes you question her sanity. Hopefully she'll bless us with her talent in many more (horror) movies to come.
Now obviously "Watcher" isn't the perfect movie even though everything is done so well. The fact is that we've seen it all before - countless times - and Okuno plays it extremely safe here by taking no chances whatsoever. This makes for an underwhelming movie experience as a whole and will no doubt bore some viewers.
Do I recommend "Watcher"? If you love suspense - YES. To witness Monroe's brilliant performance - YES. If you're looking for a great movie - NAH, go find something else.
A couple moves to Romania. Husband works while wife sits around waiting for him to come home. Wife believes that somebody is stalking her and husband thinks she is going crazy.
It sounds ridiculously simple because it is. We've seen it before - HOWEVER - Okuno clearly set out to make a brilliantly executed suspense flick and did just that.
The movie is contained and everything in it is there for a reason. Cinematography and especially the sound design is incredibly well done and makes the simplest thing like shopping for groceries an unnerving experience.
And finally the biggest praise has to go to Monroe. She has come a long way from "It Follows" and here she brings this simple movie to life with outstanding (and very believable) acting that successfully makes you question her sanity. Hopefully she'll bless us with her talent in many more (horror) movies to come.
Now obviously "Watcher" isn't the perfect movie even though everything is done so well. The fact is that we've seen it all before - countless times - and Okuno plays it extremely safe here by taking no chances whatsoever. This makes for an underwhelming movie experience as a whole and will no doubt bore some viewers.
Do I recommend "Watcher"? If you love suspense - YES. To witness Monroe's brilliant performance - YES. If you're looking for a great movie - NAH, go find something else.
What would you do, some blokes looking out at you, in a place that you've just moved, leaves you a bit more than bemused, seems to follow you around, when you're wandering in town, you're keen not to lose your head, though it's making you see red.
Julia becomes increasingly concerned about the attention she's receiving from a mysterious neighbour, although her pleas go unheard by both the local constabulary and her partner, leaving her increasingly isolated and psychologically challenged.
Not the most original thriller you've encountered but well made and performed and Maika Monroe may well be an actor going places.
Julia becomes increasingly concerned about the attention she's receiving from a mysterious neighbour, although her pleas go unheard by both the local constabulary and her partner, leaving her increasingly isolated and psychologically challenged.
Not the most original thriller you've encountered but well made and performed and Maika Monroe may well be an actor going places.
This was a fantastic paranoia thriller. Maika Moore is fantastic as the lead actress and the villian was also perfectly cast, he was quite menacing. The story here is very well done, albeit derivitive and at times you must suspend some levels of your disbelief, but it provides just enough twists and turns throughout to keep it from getting stale. With that said, the movie can also be kind of slow in parts, but I feel like it was a slow burn done right. Hitchcock would be proud of this film. The ending does it right, however I would've enjoyed an extra five minutes just to know what ended up with these characters, but I think I got the jist of it, so I digress. If you're looking for a good paranoia horror/thriller, this would be a great choice and you could definitely do worse. I recommend to people who enjoy a go slow burn that leads up to creepy conclusion. 3.5 creepy creepertons out of.
Did you know
- TriviaThe original screenplay depicted the events as being set in Brooklyn, New York.
- GoofsWhen Julia researches on the decapitated girl in the cafe, the date on her laptop changes from Tuesday to Wednesday between shots.
- ConnectionsFeatured in Half in the Bag: I Love My Dad, Watcher and Vengeance (2022)
- SoundtracksThe Well-Tempered Clavier - Prelude in C Major
Written by Johann Sebastian Bach
Published by Extreme Productions Music USA
- How long is Watcher?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Observada
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,961,207
- Opening weekend US & Canada
- $826,775
- Jun 5, 2022
- Gross worldwide
- $3,199,952
- Runtime
- 1h 36m(96 min)
- Color
- Sound mix
- Aspect ratio
- 2.00 : 1
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