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True Detective
S4.E3
All episodesAll
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IMDbPro

Night Country: Part 3

  • Episode aired Jan 29, 2024
  • TV-MA
  • 58m
IMDb RATING
6.3/10
13K
YOUR RATING
Kali Reis and Aka Niviâna in Night Country: Part 3 (2024)
True Detective: Part 3
Play trailer0:37
1 Video
5 Photos
CrimeDramaMysteryThriller

While searching for Clark, Prior asks Danvers about the case that strained her partnership with Navarro. Sifting through Clark's trailer, they find a lead about another Tsalal worker. Danver... Read allWhile searching for Clark, Prior asks Danvers about the case that strained her partnership with Navarro. Sifting through Clark's trailer, they find a lead about another Tsalal worker. Danvers clashes with her stepdaughter.While searching for Clark, Prior asks Danvers about the case that strained her partnership with Navarro. Sifting through Clark's trailer, they find a lead about another Tsalal worker. Danvers clashes with her stepdaughter.

  • Director
    • Issa López
  • Writers
    • Nic Pizzolatto
    • Issa López
    • Alan Page
  • Stars
    • Jodie Foster
    • Kali Reis
    • Finn Bennett
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    13K
    YOUR RATING
    • Director
      • Issa López
    • Writers
      • Nic Pizzolatto
      • Issa López
      • Alan Page
    • Stars
      • Jodie Foster
      • Kali Reis
      • Finn Bennett
    • 65User reviews
    • 17Critic reviews
  • See production info at IMDbPro
  • Videos1

    True Detective: Part 3
    Trailer 0:37
    True Detective: Part 3

    Photos4

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    Top cast41

    Edit
    Jodie Foster
    Jodie Foster
    • Liz Danvers
    Kali Reis
    Kali Reis
    • Evangeline Navarro
    Finn Bennett
    Finn Bennett
    • Peter Prior
    Isabella LaBlanc
    Isabella LaBlanc
    • Leah Danvers
    • (as Isabella Star LaBlanc)
    John Hawkes
    John Hawkes
    • Hank Prior
    Diane E. Benson
    • Bee
    • (as L'Xeis Diane Benson)
    Aka Niviâna
    Aka Niviâna
    • Julia
    June Thiele
    June Thiele
    • Nurse Ivy
    Nivi Pedersen
    Nivi Pedersen
    • Annie Kowtok
    Ippiksaut Friesen
    • Grace Oopik
    Tanya Tagaq
    • Doula
    Varna Marianne Nielsen
    • Doula
    Nancy Mike
    • Doula
    Charlotte Qamaniq
    • Doula
    Johnathan Anderson
    • Trooper Davis
    Dan Cade
    Dan Cade
    • Trooper Willson
    David Katrinarson
    David Katrinarson
    • Officer Cooper
    • (as Davíð Þór Katrínarson)
    Grace Anderson
    Grace Anderson
    • Lulu
    • Director
      • Issa López
    • Writers
      • Nic Pizzolatto
      • Issa López
      • Alan Page
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews65

    6.312.8K
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    Featured reviews

    6matiasbockerman1707

    Untrue detective

    This is starting to feel like a waste of time. If you want to see a good detective series with a damaged strong woman, check out Mare of easttown. Or if you want to see maybe a best detective shows out there, watch Sherlock.

    If you want to see a good cop series watch Line of duty, unforgotten or Bosch. The reason why Liz and Evangeline have no longer worked together seems superficial, tedious and implausible. Nothing superintriguing back story there. Atmosphere feels very forced. Even acting sucks. Don't get me wrong, Jodie Foster is a good actress, but I don't think this role suits her, like she's pretending all the time and holding something back. There is a complete lack of depth and humor witch are vital elements of True detective standards.

    It seems so freaking forced! I get it: this is a small and disturbed village, but it fails to credibility create that frightening atmosphe what this series trying to do.

    I think I'll stop there. My rate is six and that's mercyfull estimate.
    5micke-bystrom

    General story interesting and Lopez abuses and overdoes the supernatural

    Jodie Foster comes off as a little better acting in this episode, but I can't help but think she's been misdirected by Lopez. How can you do that to a star like Foster? I can buy the character being the type of person as she's in this story, but it needs to be held together with something and not be made to feel like loose bits and pieces in a Sheriff's uniform.

    I do think the general story is both interesting and most actors do a pretty good job. But too many details are botched and the dialogue is weaker than it should be. When we spend so much time with characters they need to be compelling and not simply one-dimensional.

    Unfortunately it would seem at this point that Lopez, as a writer at least, will go on to destroy not only her own season, but drive the whole series into the grave. She JUST cannot handle the supernatural element, that she's chosen, well at all. It's part of the story, but does that mean it must be presented in an unbelievable way? I said this, I believe, also in my review of the first episode of season 4, that in season 1 the supernatural may be part of the story, but it's never seen, except in one scene. Which makes it truly great. Because you FEEL it. Lopez feels like she must point out to us that: "This is scary and mysterious now! Do you understand?". C'mon!

    Here we're on C horror flick level. I think Lopez should be ashamed saying she's been inspired by "The Thing". Even when as off the wall as that stuff was back then, it worked. The banal supernatural parts aren't working at all in TD Season 4. You can only laugh at the screen. It's so bad. Does Lopez think the all of the audience are in their early teens or what?

    This is quickly going downhill. I'll stay for the ride down into the sea, where I'm sure this once great TV-series will stay buried from the last episode on.
    7AnotherMrHolland

    Some good scenes, some boring, inexplicable musical choices

    First of all, this won't be a regular review, sorry. I wouldn't even be writing it if it weren't for my utter puzzlement by the inexplicable choice of songs in these episodes.

    Wait, I'm not saying they're bad songs. Though most of them aren't my cup of tea, I'm relatively open minded and can accept that some like and love songs like these. They're not terrible to listen to. I mean they would not be terrible to listen to in a melancholy romantic comedy or in an arthouse movie, or in a supermarket, or in an elevator or something. They're, in my opinion, totally out of place here, though. Whenever there's some nice build up of tension or something, a beginning, suddenly some mellow, slow, wailing lady or a cheery pop song or something like that comes on, and destroys the mood, the horror, the immersion, and makes me wanna either fall asleep or quickly switch to a different radio station. I'm sorry, but that's how I feel. Your mileage may vary, and I do hope it does, because in that case you're getting more out of this show than me, which is fine.

    Seriously, give a listen to the title sequence. Who the heck thought that song would evoke even a fragment of the dread and the cosmic horror the corpsicle and all the other weird stuff and all tries to build... and why? And why did they get a job on this show? No, I'm not wishing them anything bad, it's all subjective and all. I just am truly puzzled, and would love to understand.

    Otherwise not a bad show, though a far cry from season 1, but not worse nor better (so far) than, say, season 2. (No blood-curdling, though. At all. And it's partly the music that's responsible for that.)
    6eoinageary

    A Binge show not weekly release

    Yea this just isn't hitting the spot for me unfortunately which is annoying because this show was my most anticipated of the year !!

    The episode picks up with Liz and Navarro both having flashbacks to a previous case that links to information with our current issue, we get deeper connections to the Native American storyline and the crew are trying to piece this mystery together.

    The first 30 minutes bar the flashback is pointless, there is no progress in the story. The last 25 minutes is again strung along, the only thing saving this for me is the good acting and score, and setting, it gives such a sense of eerie horror and the setting building is outstanding BUT the case is slow and the pace is also poor, hoping it gets better.

    Not hating because I love the show, this just isn't it so far, 6/10.
    5sfh_inc

    Much more X Files than True Detective.

    They are overdoing the horror element and are now entering the recovered footage trope. In the first season, something supernatural was only implied, while here it's full on with these posessions, awakenings, etc. This might somewhat work as a standalone series, but they had to go and slap it with a recognizable brand to play it safe with the viewership.

    Conducting a search spread so thin that everyone is basically alone, with a head lamp that illuminates several meters ahead at best is another forced attempt at creating tension. The problem is by now I don't care if anyone gets eaten by a polar bear or snatched by whatever it is that they have awaken. In fact, I will take the twist of a major character getting offed.

    Bad acting keeps getting worse. Jodie is still very much miscast and highly unconvincing. While say Rust was dangerous like a tight rope on the brink of snapping, the police here command no respect or confidence, let alone intimidation. No wonder they are being told to get lost on more than one occasion.

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Liz Danvers (Jodie Foster) is listening to a white noise track while working. White noise can reduce fatigue, improve overall concentration, and help memory when used at night. It also creates a consistent background sound that allows for better attentiveness.
    • Goofs
      The characters are supposed to be above the Arctic Circle. Yet, they never have their faces covered, their collars are often open, no scarves. This casual way of dress would get one frozen in the area the show is supposed to be in.
    • Connections
      References Le lauréat (1967)
    • Soundtracks
      bury a friend
      Written by Billie Eilish, Finneas O'Connell

      Performed by Billie Eilish

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    Details

    Edit
    • Release date
      • January 29, 2024 (France)
    • Country of origin
      • United States
    • Languages
      • English
      • Inupiaq
    • Production companies
      • HBO Entertainment
      • Truenorth Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 58m
    • Color
      • Color

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