Lettres d'amour d'un inconnu

A story about fragility. Well crafted, good example of tension driving and the change of relation. But the basic virtue is the main actor. His body, his look, his fears, his memories. And, for many motives, seems to be the axis of film. His presence seems enogh for the ambiguity ruling this film about letters, their sender, memories from army and sexual confusion near the academic succes. The good story, at the first sigh, using fair the conflict of couple, few beautiful scenes, , nice acting, provocative subject, not , at first sigh, decent end but a faithful picture of a time and its traits.

I'm confused. And I'm still thinking about the whole storyline of the movie. But yeah, it's good! Still worth watching.

First off, the lead actor is incredibly handsome if you're into a tall dark and handsome look. This is an interesting film that would never work today (which is why they placed the storyline in 1989 and into the early 90's). The film is about a gorgeous male protagonist who is receiving anonymous letters from a male admirer and, I leave it at that so you can watch for yourself. Basically, the film is also about the lead character's struggle with his own sexuality. Beautifully filmed with a lot of beautiful male actors. The lead actor and the male actor in the park when they're on the bench together was pretty easy to look at. Great little film and one I'd watch again and again.

It's 1989, Boaz (Yoav Eruveni), an extremely alluring and captivating linguistic student is receiving anonymous letters. He goes everyday to the post office to check on the status of a pending scholarship. Instead, he receives obsessive letters detailing very inner feelings from someone very close to him who's invaded his inner peace with emotionally suggestive and romantic overtones. These letters have a deteriorating effect on his psyche as well as his relationship with live in girlfriend Noah (Moran Rosenblatt). As the letters progressively consume the daily thoughts and dealing of Boaz, his inner anguish is unleashed upon his girlfriend, hence having a threatening and corroding effect on him. Paranoia takes over when everyone he meets becomes a possible suspect of the daily correspondence. Doubt ensues as a very conflicted, emotionally fragile and volatile Boaz goes on a quest to find himself while trying to maintain some semblance of sanity as he comes to grips with the reality that his life will no longer be the same courtesy of this secret admirer. Filmmaker Yariv Mozer has assembled an eloquent, intriguing and sexually charged whodunnit drama that slowly unravels the different layers of the main characters inner self. The arrivals of these letter are only the catalyst to which the main character reacts in order to find and deal with his inner demons. Once he's found the cause for the way he's feeling, his passage to acceptance ultimately prove to be sobering and freeing.

This is an excellent and involving film from Israel which reflects the many conflicting layers of despair as the hidden realities of relationships within the confines of higher education propels true feelings to surface forcing the conflicting main character to find himself in the process, as he tries his hardest to blend in with family and society's expectations.

Just watched this film, and as other reviewers have indicated, the cover photo is misleading.

I think those reviewers who refer to the hero as homosexual, are missing something. Boaz has always been afraid of his own same-sex attraction, and as often as not, strikes out against any gay man who approaches him. One could label him a gay-basher. Homophobic bisexual probably fits him more accurately.

The story takes place in 1989, one year after homosexuality has been decriminalized in Israel and four years before gays could serve openly in the army. As such, it takes place in a time of great change. This factoid may have also played a part in his inner struggle.

Yoav Reuveni, beyond eye candy, gives a nuanced performance. The production is well-paced and professional (a far cry from the early Israeli-gay films). I'm glad to see that Eytan Fox is not the only great Israeli director of gay-themed films.