Ankur Arora Murder Case

Similar stories have come up, but this strains on medical negligence. The secondary aspects are various forms of crime that are ubiquitous and known. But what is unique here is the topic and the makers have carved it well to touch where it hurts.

Cast performance is very good, especially Kay Kay Menon showing absolute genius. Editing & music is a let-down. The underlying relationships actually worked against suspense plot. Dialogs are worn-out. Certain sequences were useless but still the screenplay keeps the viewers hooked, just because we want to know what happens next. It is a very fine thriller based on borrowed factors.

BOTTOM LINE: A engaging watch and a must for budding doctors. Recommended! 7.0/10.

Can be watched with a typical Indian family? YES

Profanity: Very Mild | Sex: No | Nudity: No | Foreplay/Mouth-Kiss: Mild | Vulgarity: Mild | Violence: Mild | Gore: Very Mild | Smoking: No | Alcohol: Mild

The movie proved to be highly disappointing.From the useless romantic starting to the predictable basic ending it was not able to reach my expectations . The major flaw was the highly uncreative name which makes the starting 30 minutes quite slow and boring coz you know what's going to happen. The plot is also quite basic, no efforts are made to make it a good thriller, some points or scenes were good but were ruined by the upcoming script. The performances were also mediocre except Kay Kay Menon, who as usual has done a marvelous job.Tisca Chopra has also played her character well. The dialogues were simple conversation lines except for few which were amazing. Yes , it took a nice topic about the dark inside of the medical field, but the movie would have been better if it would have portrayed the topic well. I would not recommend you to invest your 2 hrs in this movie.

Just two shows on the first day and less than 10 viewers in the theater for a rare Bollywood film made on the subject of medical malpractice! Why?

Because in our country we don't really like to see or talk about the real problems and just wish to enjoy a fantasy world presented along some action, dance and music, featuring our favourite actors. As a result, neither the exhibitors are willing to give any major attention to off- beat projects like these, nor the viewers are interested in WASTING their time on such meaningful, preachy and socially relevant movies quite frankly (Pun intended).

So in that scenario, when one clearly knows that it will be tough to get a good number of shows as well audience into the theaters, I would first like to congratulate the producers of ANKUR ARORA MURDER CASE, who had the blessed vision to finance such a film for a market which is widely known to stay aloof and discourage this kind of film-making from last few decades.

Talking about the film itself, usually I am not supportive to projects which unofficially borrow from some hidden foreign sources heavily. But ANKUR ARORA MURDER CASE can be left as an exception since it does raise a very important issue of our Indian society at present, regarding the questionable status of life saver DOCTORS & their Private Hospitals. The whole medical premise of its script and the proceedings of the court with the mention of number 1 being changed to 9 is straight away taken from Sidney Lumet's THE VERDICT starring Paul Newman, which itself is a true masterpiece from the West revealing the ugly commercial aspects of this noble profession.

However getting over with the inspired status of the film, AAMC is a decently made flick focusing on an irresponsible mistake by a famous and reputed doctor, who instead of admitting & apologizing, tries to cover up the case with his powerful influence. As the truth comes out, a case is filed on the hospital and the doctor, turning the film into a court room drama in its second half which is both intense and emotional in its execution. Now though it surely could have been much more hard hitting and impressive in its overall portrayal of the issue as expected. Yet it is no doubt a pretty decent and worth praising attempt from the entire team for sure, including many spellbinding performances from the cast led by Kay Kay Menon.

In few words, AAMC deserves to be seen both for its crucial issue raised, as well as for its brilliant key performance by Kay Kay as the culprit doctor, Tisca Chopra as the helpless mother and Arjun Mathur as the honest intern together. No one can deny the fact that Kay Kay is one of the most under-rated actors we have at present who truly deserves more good roles and praises both. But here Tisca Chopra shines even brighter in the film as the silent mother witnessing the justice denied by the court with only her tearful eyes looking into the dark. Arjun Mathur makes the best use of the opportunity given in the role of a revolting intern having a 'still alive conscience' and Vishakha supports him well as his colleague. In the court room sequences, Paoli Dam delivers a powerful act playing the lawyer with some great dialogues and Manish Chaudhari, Vishesh Tiwari (The Kid) and Harsh Chhaya perform just fine. The camera captures the tragic emotional sequences in the film beautifully and the Background Score gives it full support in generating the desired impact.

Admittedly, it's not a great classic film which would force you to stand up and clap as you might be thinking. It has its own set of flaws, like an unwanted sub-plot of suicide attempt along with the love angle & few songs, as usual. But still it does successfully makes you think about the state we are living in, wherein the established doctors are more worried about their huge hospital running expenses and the intern doctors are more worried about their future careers instead of admitting the mistake they all had made in the operation theater.

It makes you fearful, watching the way a reputed doctor performs a minor operation with an absent mind and over confidence leading to some adverse consequences beyond control. And it even forces you to question that have we lost this noble God-like profession too in the current monetary race of our blind society?

AAMC also needs to be considered as a trend setting film because we have simply stopped making projects talking about our own social issues quite sadly and moreover the viewers too have stopped showing any kind of interest towards such relevant movies. In fact that is what we have lost in our Hindi Cinema since the 80s and the only film which was made on this issue of 'Medical Malpractices' happened to be NASOOR in the year 1985 almost three decades back. Honestly it was quite surprising to see the film written & presented by the recent 'Horror specialist' Vikram Bhatt and skillfully directed by a not so known director Suhail Tatari. So these two men also deserve their own share of praises for coming up with this thought provoking film in the present commercial times.

As a concluding message, we need to grow up and support films like ANKUR ARORA MURDER CASE because it's a universal cause the film has been made for. A medical condition doesn't differentiate between a rich or poor coming from any region or religion and thus the film should be taken as a "Wake Up Call" for every single person reading this review, especially the aspiring doctors and the ones currently practicing the divine profession.

Ankur Arora Murder Case, produced by Vikram Bhatt and directed by Suheil Tatari is a celluloid dramatization of a real incident on medical negligence which led to the death of the patient. Dr Astana(Kay Kay Menon) is a very reputed surgeon and Romesh (Arjun Mathur) is a medical intern working under him in the same hospital. Romesh idolizes Astana until one day, a patient, Ankur Arora dies on the operation table due to the sheer negligence of Astana who is unwilling to take responsibility of the same. Conscience hits Romesh and he sets out on a turbulent journey for justice , against his mentor and the hospital.

Emotional drama has been the forte of Vikram Bhatt and he returns to this zone after a hiatus , with a gripping subject which has not been experimented by most in the bollywood fraternity. The initial reels lack the requisite intensity and the plot is marred by a floundering screenplay, but the narrative only gains momentum when the action switches to the courtroom. Tatari makes his characters believable, by infusing the elements of human flaw in each of the individuals, succeeds in absorbing the viewer's attention by creating a tense atmosphere catalyzed by some well-written dialogues.

The film is effectively salvaged by some commendable performances. Arjun Mathur delivers a convincing act with the portrayal of a whistle-blower at crossroads of fight against the system.Tisca Chopra is simply brilliant as Ankur's hapless mom, depicts the emotional rupture with phenomenal capacity.Kay Key menon is outstanding with his grey shades.The arrogance, the indifference that he portrays on the screen and his climactic outburst is unquestionably attention-grabbing!Paoli Dam and Manish Chaudhry are efficient. Vishaka Singh is adequate, but she could have been better in the sequences where she has to choose one between her ambition and conscientious boyfriend.

On the whole, this is a touchy and sensitive film, and handled thoughtfully. A heartfelt effort for sure. Rating : 3/5

Good Movie. Everybody acted very well in the movie. Songs were not needed in the movie. BGM in the movie was good. The movie was so interesting at 1st half. The movie lagged and bored a lot at 2nd half. Good Movie.