Into the Deep

Into the Deep (2025) is an absolute mess of a film. The plot is shallow and riddled with clichés, the characters are completely forgettable, and the dialogue feels like it was written by someone who gave up halfway through. It tries to be a serious thriller, but instead, it drags on with predictable twists and zero suspense.

The sharks, which should be the highlight, are laughably bad. The CGI is outdated and unconvincing, completely robbing the movie of any tension or excitement. Instead of creating a sense of fear, it feels like the filmmakers didn't even try to make the visuals remotely believable.

Honestly, even Sharknado is way better. At least that film is entertaining in its absurdity. Into the Deep doesn't even manage to be fun-it's just dull and forgettable. Don't waste your time.

I enjoyed the movie. Not the best shark movie I've seen, however I must say that the message that Richard Dryfess teaches his granddaughter and others in the movie about how the ocean is their territory, is amazing and so true!! I must say that his message to the audience at the end about ocean conservation and how sharks are beneficial to our ecosystems, was something that everyone should see and be educated in, especially with how they are more beneficial to us alive than dead. Please support and donate towards ocean conservation and please stop consuming shark fin soup and stop killing sharks. We need them more than we know and even though they are terrifying in movies, they should be more terrified of us in real life!! Thank you Richard, you're correct!!

If you're looking for a shark movie that keeps you on the edge of your seat, Into the Deep (2025) falls short. The film relies on predictable tropes, with scares that don't land and a story that doesn't bring anything fresh to the genre. The characters lack depth, and the visual effects, while not terrible, don't make up for the lack of tension.

That said, it's not entirely unwatchable. If you're in the mood for something mindless to fill some time, it's serviceable as casual entertainment. Just don't expect to be thrilled or deeply engaged. For shark movie fans, it might scratch the itch, but it's not a standout. It's the kind of movie you can have on in the background, but it won't leave a lasting impression.

I really wanted to like this movie. Director Christian Sesma has made a bit of a name for himself in low budget, indie, action and Scout Taylor-Compton has worked on a number of low budget, indie flicks. I like that commitment to the thinner edge of the film making wedge.

I wondered throughout the movie why Richard Dreyfus agreed to it. There's a lecture on shark conservation during the closing credits that answers that.

In the end though, it's just not very good. The dialogue is weak, the effects are poor and it offers nothing really to the pretty saturated genre of shark movies. Some friends get coerced into diving in shark infested waters by some modern pirates. The leader of which is so over-the-top I just couldn't invest. The main protagonist has a tragic backstory involving sharks and there are a number of flashback scenes where she remembers how she came to terms with the dangers of the ocean. This culminates in a literal face off with a shark that just might be the movie's highlight and low point at the same time.

I'm really trying hard to find something to like but I'm forcing it. It just isn't any good.

I usually enjoy cheesy/campy "thrillers" like this, but this one was tough to get through. It's pretty obvious that the director only had about 30 minutes of plot, so he filled in the rest of the movie with long, boring, meaningless and unnecessary flashbacks in order to stretch the movie and give Richard Dreyfuss something to do so they could slap his name on the poster in order to give the movie some legitimacy. I wasn't expecting high art, but I was hoping it would at least be entertaining. Bad dialogue, plot holes, cheap looking CGI, and hammy acting were expected (and delivered) but they could have at least added some semblance of a plot and anything to hold your attention. The flashbacks were so redundant and drawn out. Dreyfuss was just mailing this one in. He probably received a nice big check, shot all his scenes in a day or two, took a nice vacation, then hoped and prayed that this movie would never see the light of day. Out of respect for the legendary Richard Dreyfuss, please skip this movie and we can all just pretend that it never happened.