Arthur's Whisky

Super dumb, yet it somehow kinda worked for me.

'Arthur's Whisky' is a very low budget picture, I mean just look at that unintentionally hilarious attempt at portraying a visit to Las Vegas (!!). The plot is very silly and, obviously, nonsensical but in the end I kinda dug it, to be honest. The film does plateau at around the hour mark, though the heartfelt conclusion brought it back to win me over.

I guessed the general vibe (slow paced story of oldies being oldies) of this movie based on the poster and I was mostly correct, though the opening minutes of this made it look like a proper adventure/fantasy was on the way - it evidently wasn't, so quite the jarring beginning!

Diane Keaton, Patricia Hodge and Lulu lead onscreen events and the trio do well enough, as a three they worked better than they did individually. What actually probably helped this for me was the three that played their youngers. Genevieve Gaunt, Esme Lonsdale and Hannah Howland are good. Adil Ray's whole subplot with Lulu/Howland is very cringe, mind you.

Looking around, this has not been received all that positively - though a deeper look around does suggest a more even split of opinion, it does work for some. Just look at that expired tomato website - 80%/14% for critics/audience! Fascinating, really.

Three friends enjoy a tipple of whisky after a funeral, what they quickly realise, is that the whisky has special powers, the ability to turn back the years....for a short few hours, the girls must use their limited stash wisely.

I get the criticisms about this film, and I'll start with the gripes, and there are several, it is so syrupy, it's enough to give you diabetes, and of course it ticks every single box under the sun, imagine Disney renaming Death becomes her, but removing the magic.

The efforts to create Las Vegas were a little cringe worthy, even Murder, she wrote fans would raise an eyebrow.

However, it's hard not to enjoy the wonderful cast, Diane Keaton, Lulu and the magical Patricia Hodge, the talents of the trio manage to make it watchable for me.

A real waste of Bill Patterson, Hayley Mills and Joanna David, none of them had enough to do.

It could have been so much better, as it stands it not bad, it's sweet, it's well meaning, if only it had focused more on the actual story telling.

I'll give it a very generous 6/10.

Wow, don't judge this one by its rating folks. I don't know if a lot of people are just ageist or sexist or what, but this movie is by no means as bad as the 1 or 2 star ratings would suggest. It's very humble and genuinely charming. The three leads have fun, make scenes that would be otherwise stale beautiful and enjoyable and overall I laughed, I cried, and got way more than I thought I was in store for. It's plot is paper thin and maybe that doesn't set right with a lot of people but it doesn't need an overly glamorous string of intricate plot outlines to be a good and gentle movie. This won't win any Oscars or Golden Globes, but damn it was it enjoyable, and I just love Diane Keaton. Thumbs up!

Arthur's Whisky (2024) is a mess of movie despite the cast. Badly written and directed and with that annoying non-stop Disney pixie music.

Yet another story where three old friends meet at a funeral (apparently older women only meet at funerals, at school reunions, or when they go on road trips) to bury Joan's eccentric husband. Joan (Patricia Hodge) has never been especially happy. There's also Linda (Diane Keaton) and Susan (Lulu) who are also alone. When they decide to clean out the husband's shed (where he invented things) they come upon a bottle of whisky and of course quickly drink it.

The plot starts way to fast. We have no real idea who these women are. So with virtually no backstory, we learn that the whisky turns them into 20-year-olds. Off to the clubs we go. But the transformation only lasts 6 hours.

From there on we get a bunch of disjointed narratives about wasted lives and lost youth and then we end up in Vegas at a Boy George drag show. Nothing flows. Nothing makes much sense. We never know who these women are except at the end when the Hodge character meets up with an old friend (Hayley Mills).

Wasted talent in a film that was never developed.

I enjoyed this but it didn't flow. It's hard to say why. In parts it felt like a BBC kids tv show - the sort where they have a ripping adventure. Things happened with little preamble and a lot of jaunty music, then we were off to the next thing. The conversations often seemed brief and slightly stilted, as if the actors were simply conveying information. I think that was down to the script rather than the acting. "I hate you, mother. You don't know what it's like to be me." "When you were six, you had meningitis and I would have done anything to change places with you." "Righty-ho, mother. I don't hate you so much now. Cheerio." I'm exaggerating, of course, although it's not too far off the mark. However, the premise was good and there were some genuinely funny moments. I'd sum it up as entertaining but a little awkward.