65 years after a masked serial killer terrorized the small town of Texarkana, the so-called "moonlight murders" begin again. Is it a copycat or something even more sinister? A lonely high-sc... Read all65 years after a masked serial killer terrorized the small town of Texarkana, the so-called "moonlight murders" begin again. Is it a copycat or something even more sinister? A lonely high-school girl may be the key to catching him.65 years after a masked serial killer terrorized the small town of Texarkana, the so-called "moonlight murders" begin again. Is it a copycat or something even more sinister? A lonely high-school girl may be the key to catching him.
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The whole thing is a bit of a mess. The victims are stupid, the cops are possibly even dumber and the kills feel rushed and never go on long enough to build any real suspense. Numerous times we are introduced to characters only moments before their imminent death. There are two flaws with this, one being that we can be certain that they are going to be victims because suddenly out of nowhere they have been awkwardly brought into the film like lambs to the slaughter, and secondly because we couldn't care less for the characters. We have no connection with them. Similar films like 'Scream' at least put some time and effort into the one scene their victim may have in an attempt to make us feel compassion for the character. That one scene can be enough if done right, but it certainly wasn't here.
The 'whodunnit' side of things is done well enough, I certainly didn't pick it. That's really about all this has going for it though. They really kept the runtime short at 86 minutes. I feel even another five minutes could have done the world of good just to extend some of the kill scenes and build characters a fraction more. It's certainly not unwatchable, but in a genre that has been quite stale for a while now is this adding anything new? I wouldn't have thought so.
This reviewer was hosting horror festivals when the original NIGHT OF THE LIVING DEAD came out, and the hardest thing to do in a horror flick is be subtle.
But this director has mad skills. And can do subtle.
The framing in many of the scenes is incredible, there are times you almost feel the characters on-screen are the only people left on the face of the earth.
And Gomez-Rejon also is shrewd enough to get more mileage out of Addison Timlin's face than a Prius.
And a nice face it is. I counted over 50 closeups and then stopped counting. Her character is the glue, the connection, for this story and she is set up as a shy girl who (quote) never gets asked out.
Which is why this story is fiction and not a documentary.
And you the viewer get to watch the whole story through her eyes.
The juxtaposition of the new movie and the "old movie" only makes my point -- putting this film alongside Whedon's Cabin in the Woods for cleverly deconstructing a tale from within the story arc itself.
Did you know
- TriviaThe character Nick (Travis Tope) mentions that his mother is a patient at "Trans-Allegheny". Trans-Allegheny is the name of a historic mental hospital located in Weston, West Virginia which ceased operating in 1994.
- GoofsAt the beginning of the film, the annual tradition of showing the original The Town That Dreaded Sundown plays at a drive-in. In real life, it is played at Spring Lake Park which is not a drive-in theater. Cars are parked in the parking lot and the audience views the film in portable chairs or on blankets in an open field.
- Quotes
Lone Wolf Morales: After our friend kills those kids with the trombone, who does he go after next?
Chief Deputy Tillman: In the movie after the trombone killing there's a double homicide at a farm house.
Lone Wolf Morales: Every damn house out here is a farm house.
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