When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find t... Read allWhen Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.When Katie innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into a nightmare of rape, torture and kidnapping. Now, she will have to find the strength to exact her brutal revenge.
Yavor Baharov
- Georgy Patov
- (as Yavor Baharoff)
George Zlatarev
- Detective Kiril
- (as Georgi Zlatarev)
Kacey Clarke
- Sharon
- (as Kacey Barnfield)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
For his 2010 remake of Meir Zarchi's 70s rape/revenge classic I Spit On Your Grave, director Steven R.Monroe's aim was clearly to surpass the original movie in terms of nastiness; many might argue that he succeeded. For this sequel, he attempts to outdo his own remake, but in doing so, frequently verges on parody, the excessive sadism and violence perpetrated by ridiculous eastern European, Hostel-style stereotypes, and the plot taking several preposterous turns in order to prolong its protagonist's unimaginable suffering.
Monroe also makes the mistake of concentrating far more on the rape than on the revenge, with the latter half of the film feeling very rushed and consequently less satisfying, the sense of disappointment exacerbated by the lame manner in which several of the villains meet their fate (only Ivan's 'balls in a clamp' treatment seems truly befitting of his heinous crime).
From a technical point of view, Monroe's film is very impressive, with slick direction and editing, decent make-up effects work, and a bold and convincing central performance by Jemma Dallender—making it even more of a shame that in trying so hard to shock, the film fails to work in other departments.
Monroe also makes the mistake of concentrating far more on the rape than on the revenge, with the latter half of the film feeling very rushed and consequently less satisfying, the sense of disappointment exacerbated by the lame manner in which several of the villains meet their fate (only Ivan's 'balls in a clamp' treatment seems truly befitting of his heinous crime).
From a technical point of view, Monroe's film is very impressive, with slick direction and editing, decent make-up effects work, and a bold and convincing central performance by Jemma Dallender—making it even more of a shame that in trying so hard to shock, the film fails to work in other departments.
When you read the title I spit on your Grave 2, you do kind of think of some knock off sequel. I never saw the original but did see the remake of the original. I can remember the general gist of that movie however methinks it was not as uncomfortable as its sequel. The movie starts off relatively generic however there is an air of reasonable quality about the production which continues throughout, plus it's not entirely predictable, at least until the third and final act. All the actors perform well enough with the material they're given and only one plot point irks me. The movie is a gory revenge movie and therein lies the basics of the story. What ISOYG 2 does differently lies in the pretty graphic depiction on its events and you really feel so sorry for the lead actress that your almost cheering when she exacts her revenge. Some viewers may find this quite uncomfortable, you'd really need to have seen movies somewhat like this before. The strongest point however without a doubt in the film is the lead actress Jemma Dallender who really steers this film with a very strong performance and without whom this movie would certainly be a lesser work. An above average horror sequel not for the faint hearted.
It's for sure not a movie for people with a weak stomach. Raping and torturing for 90 minutes. With the raping parts I always have difficulty to watch because you can identify yourself in the victim and the pain and terror she is in, but with the torturing I have absolutely no problem even if this is really gore sometimes. They just got it coming and deserve every second of the torture. I guess it's like that with all those gory torture movies now, the victim part is always diffcult to watch but the revenge part is at least as brutal if not more but you can manage to watch it because you want them to suffer as much as possible. I thought the movie was really well done. The actors are all good and the storyline is good as well. Not a movie for everybody that's for sure, but never forget it's just a movie...
watched I SPIT ON YOUR GRAVE 2 ...compare to its prequel this flick is more brutal more gruesome more violent more eww more plight-full n more entertaining(if you like this genre)...this movie completes everything that its prequel lacked..well not everything exactly..it too has some loose ends...BUT do/should we even care about that?..in front of this girl(Jemma Dallender)'s acting..she did a tremendous job..for a moment you'll wonder if she is being violated for real!(I'm not being an assh*le BUT it has one of the best woman abusive scenes I've ever watched in a film_of- course)..above that she is beautiful..you feel sorry for her(movie's job done here)....this revenge film has a cheesy twist n they kinda turns it in another SAW in the end(though)..its not very good BUT its a nice film..if you like sick things(kidding)
its _WORTH A WATCH_
its _WORTH A WATCH_
An American wannabe model is raped, shipped to Europe and degraded until she escapes and plots her revenge.
Writers Thomas Fenton and Neil Elman offer a solid script, the claustrophobic NY apartment and then the European setting adds an air of danger for Katie's ordeals, it's pity the unsavoury Euro angle has be been done so many times already. In the vein of Hostel 2, Saw and following the format of the 1978's I Spit on Your Grave and its 2010 remake, director Steven R. Monroe's latest wincing film like its predecessor is nasty, arguably needless and borderline exploitation. Nevertheless, it feels more realistic than many of the films of its saturated genre and the cop and the priest play against expectations adding some surprise.
Jemma Dallender is first rate as Katie and gives a great performance but her character is not as liable as it's former lead Sarah Butler's Jennifer Hills. The supporting cast are all excellent notable are Mary Stockley, Joe Absolom who pulls off a good accent as Ivan and Valentine Pelka as Father Dimov.
It's a film of two halves, the first being the horrific abuse of Katie, the second revenge kills on her captors. Monroe's film looks good, it's slick with plenty of atmosphere, blood, great effects with the ominous lighting and locations heightened by Damian Bromley's photography. Corey A. Jackson's score also adds to the unnerving edgy scenes.
With the pro-woman, feminist, revenge angles already debated highlighted and explored with the 1978 version, this offering would have been a equal if not a better re-imagining than the 2010 remake but despite some great acting it's now left slightly redundant with even less to say.
Monroe's offering is commendable and as it is certainly not DVD fodder (like Hostel 3), it has cinema release execution and production values like his first instalment. Monroe needs a breakout movie but given the subject matter this just isn't it.
Writers Thomas Fenton and Neil Elman offer a solid script, the claustrophobic NY apartment and then the European setting adds an air of danger for Katie's ordeals, it's pity the unsavoury Euro angle has be been done so many times already. In the vein of Hostel 2, Saw and following the format of the 1978's I Spit on Your Grave and its 2010 remake, director Steven R. Monroe's latest wincing film like its predecessor is nasty, arguably needless and borderline exploitation. Nevertheless, it feels more realistic than many of the films of its saturated genre and the cop and the priest play against expectations adding some surprise.
Jemma Dallender is first rate as Katie and gives a great performance but her character is not as liable as it's former lead Sarah Butler's Jennifer Hills. The supporting cast are all excellent notable are Mary Stockley, Joe Absolom who pulls off a good accent as Ivan and Valentine Pelka as Father Dimov.
It's a film of two halves, the first being the horrific abuse of Katie, the second revenge kills on her captors. Monroe's film looks good, it's slick with plenty of atmosphere, blood, great effects with the ominous lighting and locations heightened by Damian Bromley's photography. Corey A. Jackson's score also adds to the unnerving edgy scenes.
With the pro-woman, feminist, revenge angles already debated highlighted and explored with the 1978 version, this offering would have been a equal if not a better re-imagining than the 2010 remake but despite some great acting it's now left slightly redundant with even less to say.
Monroe's offering is commendable and as it is certainly not DVD fodder (like Hostel 3), it has cinema release execution and production values like his first instalment. Monroe needs a breakout movie but given the subject matter this just isn't it.
Did you know
- TriviaAlthough all of the films in this series deal with violent rape, this is the only one to also touch on human trafficking.
- GoofsNo explanation as to how they kidnapped Katie and got her to Bulgaria while keeping her hidden. However human trafficking happens all over the world in all manner of ways. This is a fact. Just because it's not shown how it was done here does not make it a plot hole. What is important is whether or not it's possible, and it is.
- Alternate versionsThe UK release was cut, this film was originally seen for advice in an incomplete version. The distributor was informed that 27 cuts would be required across six scenes to remove various elements of sexual and sexualised violence. When the completed version of the film was submitted for formal classification, all the requested cuts had been made, and the film was classified 18.
- ConnectionsFeatured in Growing Up with I Spit on Your Grave (2019)
Details
Box office
- Gross US & Canada
- $809
- Opening weekend US & Canada
- $441
- Sep 22, 2013
- Gross worldwide
- $678,604
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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