IMDb RATING
6.0/10
2.7K
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A young woman, kidnapped when she was a child, returns home to the family she barely remembers and struggles to feel at home.A young woman, kidnapped when she was a child, returns home to the family she barely remembers and struggles to feel at home.A young woman, kidnapped when she was a child, returns home to the family she barely remembers and struggles to feel at home.
- Awards
- 5 wins & 7 nominations total
Juan M. Fernández
- Reporter
- (as Juan Fernandez)
Nelson Mashita
- Public Defender
- (as Nelson Lee Mashita)
Jennifer Perito
- 911 Operator
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Leia (Saoirse Ronan) was abducted by stranger Benjamin McKay (Jason Isaacs) at the age of four. She lived in the basement believing the world had ended. After 17 years of isolation, she is reunited with her birth parents (Cynthia Nixon, David Warshofsky). She struggles to acclimate to them who are essentially strangers and even her real name Leanne. Her mother can't leave her by herself and is desperate to connect to her. The marriage is falling apart. Dr. Andrews (Rosalind Chao) is Leia's therapist.
Director Nikole Beckwith strips away any flash or music. The colors are washed out. It is deliberately quiet at times. It leaves the movie feeling dead for the first half. Saoirse is able to maintain interest by her sheer presence. Leia takes a turn around the midpoint. It's a big risk and it becomes bursts of overwrought awkwardness. She needs a connection outside of the situation. The obvious comparison is Room which is more cinematic and has more "life". This is trying to walk down the same path but not as scenic. The two women produce a compelling battle but I'm not sure if it's worthwhile.
Director Nikole Beckwith strips away any flash or music. The colors are washed out. It is deliberately quiet at times. It leaves the movie feeling dead for the first half. Saoirse is able to maintain interest by her sheer presence. Leia takes a turn around the midpoint. It's a big risk and it becomes bursts of overwrought awkwardness. She needs a connection outside of the situation. The obvious comparison is Room which is more cinematic and has more "life". This is trying to walk down the same path but not as scenic. The two women produce a compelling battle but I'm not sure if it's worthwhile.
The ending???? Come on!!!
It was ridiculously slow moving, and there was no character build up to anyone. I felt nothing for any of the characters -everything was flatlined. I was hoping towards the end there would be a little action or a nice wrap up and there was absolutely nothing. The ending offers nothing and leave you hanging the ending, which is the beginning didn't tell you anything at all. There was no background as to her situation from the time she was kidnapped until she was found so many details were missing that could've made things a lot better. The ridiculous ending again was a complete joke.
It was ridiculously slow moving, and there was no character build up to anyone. I felt nothing for any of the characters -everything was flatlined. I was hoping towards the end there would be a little action or a nice wrap up and there was absolutely nothing. The ending offers nothing and leave you hanging the ending, which is the beginning didn't tell you anything at all. There was no background as to her situation from the time she was kidnapped until she was found so many details were missing that could've made things a lot better. The ridiculous ending again was a complete joke.
I just watched this. I thought Cynthia Nixon was sublime. Her acting was truly captivating and engaging, so talented, I would love to see her in more roles so if anyone can suggest I would be grateful. I feel, dare I say (controversially) Sex & the City was beneath her really after watching this and if that is what she is mostly associated with.
It would've been nice if more detail was given behind the kidnapping. I appreciate the subtlety in a way however. It seems audiences were lost. It would've been nice if there was more insight into Leah's ordeal/experience.
Good film, enjoyed.
It would've been nice if more detail was given behind the kidnapping. I appreciate the subtlety in a way however. It seems audiences were lost. It would've been nice if there was more insight into Leah's ordeal/experience.
Good film, enjoyed.
Leanne/Leia (Saoirse Ronan) is a young woman who has had two crimes committed against her: she was stolen from her family, and she was robbed of a soul. She was kidnapped as a young child and confined to a windowless room by a kind but deranged stranger (Jason Isaacs) who raised her on lies and subtle influences to make her believe he was her only hope in life (hence the title "Stockholm" Pennsylvania). For obvious reasons, he intended to limit her understanding of the outside world and subsequently rendered her incapable of handling life beyond his walls.
Then it happens that Leia is freed and returned to her biological parents. It should be a happy, joyful reunion; unfortunately, it is anything but.
I'm a huge fan of Saoirse Ronan. She thrilled me in Hanna and ripped my guts out in the Lovely Bones. In this movie she has to play it down, as her character is emotionally stunted from captivity and psychically overwhelmed by the real world. She does a wonderful job as the detached escapee, conveying a wide range of emotions just with those big blue eyes and also with her control of subtle facial expressions.
Cynthia Nixon is also outstanding as the mother, who not only has to accept her own daughter's alienation of affection but also the horrible reality that Leia cannot accept her new situation. She and her flummoxed husband (David Warshofsky) struggle to rekindle the warmth and congeniality of a familial bond that has never really had a chance to exist, while battling with issues that no parent would ever want to have.
Strong praise for writer/director Nikole Beckwith for composing a riveting (if at times deliberately slow-paced) depiction of a true tragedy. Her scenes are at times difficult to endure, but the story is excellent.
Then it happens that Leia is freed and returned to her biological parents. It should be a happy, joyful reunion; unfortunately, it is anything but.
I'm a huge fan of Saoirse Ronan. She thrilled me in Hanna and ripped my guts out in the Lovely Bones. In this movie she has to play it down, as her character is emotionally stunted from captivity and psychically overwhelmed by the real world. She does a wonderful job as the detached escapee, conveying a wide range of emotions just with those big blue eyes and also with her control of subtle facial expressions.
Cynthia Nixon is also outstanding as the mother, who not only has to accept her own daughter's alienation of affection but also the horrible reality that Leia cannot accept her new situation. She and her flummoxed husband (David Warshofsky) struggle to rekindle the warmth and congeniality of a familial bond that has never really had a chance to exist, while battling with issues that no parent would ever want to have.
Strong praise for writer/director Nikole Beckwith for composing a riveting (if at times deliberately slow-paced) depiction of a true tragedy. Her scenes are at times difficult to endure, but the story is excellent.
I think it was a great movie but it lacked depth. They should have dived deeper into leia's character and her life when she was kidnapped. From the surface, all the kidnapper did wrong is kidnap her, otherwise he raised her quite alright, which is how Leia/Leanne seems to see it but they don't show us enough from her captured time to support that. We're thrown into the story halfway so it's hard to divulge fully into the characters and understand them. The movie seems to lean too much on our preceding knowledge of Stockholm syndrome.
Not the ending itself, but towards the end the story feels rushed, goes against the aura the movie gave out in the first half were they put effort to delicately build the story which I thought was special. The acting was astounding though, especially by Ronan (forgotten how to spell her first name tsss) very believable, feels like it was based on a true story. The plot line isn't the best, especially the twist at the end, a little off, but Ronan really made the best the best out of it.
Although it could have been, it's not exceptional, but I still think it's a good movie.
Not the ending itself, but towards the end the story feels rushed, goes against the aura the movie gave out in the first half were they put effort to delicately build the story which I thought was special. The acting was astounding though, especially by Ronan (forgotten how to spell her first name tsss) very believable, feels like it was based on a true story. The plot line isn't the best, especially the twist at the end, a little off, but Ronan really made the best the best out of it.
Although it could have been, it's not exceptional, but I still think it's a good movie.
Did you know
- TriviaNot based on any one story, Writer and Director Nikole Beckwith stated in interviews that it was important to her not to exploit anyone's actual trauma in the making of a fictional one.
- GoofsIn opening scene, police vehicles display a front license plate, Pennsylvania only issues one rear plate per vehicle except for some tractor trailers and official state vehicles display all blue license plates, not standard issue passenger plates.
- Quotes
Leia Dargon: Is this how people love? They become a room for you to live in and then they lock?
- ConnectionsReferences Star Wars: Épisode IV - Un nouvel espoir (1977)
Saoirse Ronan Through the Years
Saoirse Ronan Through the Years
Take a look back at Saoirse Ronan's movie career in photos.
- How long is Stockholm, Pennsylvania?Powered by Alexa
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