Two teenage assassins accept what they think will be a quick-and-easy job, until an unexpected target throws them off their plan.Two teenage assassins accept what they think will be a quick-and-easy job, until an unexpected target throws them off their plan.Two teenage assassins accept what they think will be a quick-and-easy job, until an unexpected target throws them off their plan.
Chris Colombo
- Hardware Store Perp
- (as Chris Columbo)
Francesca Chaney
- Doll Hospital Girl
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film tell the story of two young assassins who encounter a difficult situation when they do a job to finance the newest designer dress.
"Violet & Daisy" starts off exciting and very promising, as it successfully plays on the contrast between the angelic and innocent faces of the two leading girls, and they violent nature of what they do. However, the greatness was not sustained, and there is much slack after the intense beginning. The plot just dragged on with a lot of unneeded conversation. Though such scenes are to show their developing ambivalence towards their target, it becomes tiring and irritating. Why can't they just do it already! I think "Violet & Daisy" is an adequate film, and I really enjoy the two leading girls' performances. However, if there is more action thrown in that delays their kill, instead of just talking all the time, it would have been much better.
"Violet & Daisy" starts off exciting and very promising, as it successfully plays on the contrast between the angelic and innocent faces of the two leading girls, and they violent nature of what they do. However, the greatness was not sustained, and there is much slack after the intense beginning. The plot just dragged on with a lot of unneeded conversation. Though such scenes are to show their developing ambivalence towards their target, it becomes tiring and irritating. Why can't they just do it already! I think "Violet & Daisy" is an adequate film, and I really enjoy the two leading girls' performances. However, if there is more action thrown in that delays their kill, instead of just talking all the time, it would have been much better.
Too Cute by Two, this is Another in the Girls with Guns Subgenre that can be Entertaining like Hana (2011) and Kick-Ass (2010). It also Borrows Heavily from that Tarantino Sensibility of Colorful Excess and Slightly Removed Ambiance. But there is Little Wit here that makes these Things Joyful Jaunts into Comic-Book Land.
The Movie Looks Good and the Actors All seem to be On but the Story is so Weak and the Dialog so Trite and the Side Characters and Stories are so Uninteresting that the Film comes off as an Idea not Realised and a Script from the Reject Pile that was Dusted Off but Never Polished.
In the End it is Attractive Visually but is not At All as much Fun as it Thinks it is and that is definitive Pretentiousness. The Lollipop Licking and the Bubble-Gum Blowing are more Cringe than Creative and more Obvious than Clever.
It is a Misfire that Overall, it really doesn't Matter because the Film is Shooting Blanks.
The Movie Looks Good and the Actors All seem to be On but the Story is so Weak and the Dialog so Trite and the Side Characters and Stories are so Uninteresting that the Film comes off as an Idea not Realised and a Script from the Reject Pile that was Dusted Off but Never Polished.
In the End it is Attractive Visually but is not At All as much Fun as it Thinks it is and that is definitive Pretentiousness. The Lollipop Licking and the Bubble-Gum Blowing are more Cringe than Creative and more Obvious than Clever.
It is a Misfire that Overall, it really doesn't Matter because the Film is Shooting Blanks.
Violet (Alexis Bledel) and Daisy (Saoirse Ronan) are two innocent looking hired guns. Daisy just turned 18. They worship style icon Barbie Sunday. Russ (Danny Trejo) has an easy gig for them. The Guy (James Gandolfini) stole from their boss Chet. However the job gets a little more complicated.
Precious screenwriter Geoffrey Fletcher tries to do a Tarantino style assassin movie. He has the central concept of girls with guns. He brings in a Gilmore Girl and the great Saoirse. He has Gandolfini who always has his A game. However he doesn't have the sharp quirky dialog or any new inventive style. This is rather bland. Despite all the great pieces, it doesn't add up to anything interesting.
Precious screenwriter Geoffrey Fletcher tries to do a Tarantino style assassin movie. He has the central concept of girls with guns. He brings in a Gilmore Girl and the great Saoirse. He has Gandolfini who always has his A game. However he doesn't have the sharp quirky dialog or any new inventive style. This is rather bland. Despite all the great pieces, it doesn't add up to anything interesting.
The movie is great at its best moments. And almost boring to death (no pun intended) in its worst. It's almost a shame that it does not find a way to stay even throughout. The two main actresses (Kudos for going that way, which also provides the movie with some of its best moments) are very different from each other. I'm not saying it's borderline cliché, but some people may expect a lot of the "twist" turns in the plot that the filmmaker thought of.
So while I would have loved to like it even more (I still think it's a decent movie overall), there are too many moments in it, that just don't work. On other news, it seems like someone was watching the Sopranos! You're not only getting Mr. Soprano himself (Mr. Gandolfini) in a completely different role, but you also get one of the regulars from that show to appear here.
So while I would have loved to like it even more (I still think it's a decent movie overall), there are too many moments in it, that just don't work. On other news, it seems like someone was watching the Sopranos! You're not only getting Mr. Soprano himself (Mr. Gandolfini) in a completely different role, but you also get one of the regulars from that show to appear here.
Violet & Daisy is about 2 teen girls assassins who take on one last job in order to buy some dresses they really want. This is the first movie I watched from writer/director Geoffrey Fletcher, reviewing his profile he didn't do much else beside this movie and you can kinda tell.
The movie is somewhat disjointed and the script feels like it's been written by a 12 year old girl. Strangely enough the somewhat childish dialogue and behaviour of the characters combined with the well-done action/violence kinda works for this movie and I was quite sucked in. The 2 teenage assassins played by Alexis Bledel and Saoirse Ronan are well cast and perfectly fill the role of naive assassins.
I wouldn't recommend this movie to anyone expecting an action flick or a deep/moral story. If you're just looking for an easy to watch movie with some good-looking young woman you'll probably like it 7/10
The movie is somewhat disjointed and the script feels like it's been written by a 12 year old girl. Strangely enough the somewhat childish dialogue and behaviour of the characters combined with the well-done action/violence kinda works for this movie and I was quite sucked in. The 2 teenage assassins played by Alexis Bledel and Saoirse Ronan are well cast and perfectly fill the role of naive assassins.
I wouldn't recommend this movie to anyone expecting an action flick or a deep/moral story. If you're just looking for an easy to watch movie with some good-looking young woman you'll probably like it 7/10
Did you know
- TriviaCarey Mulligan was originally cast as Violet but opted to do Drive (2011) instead. She was replaced by Alexis Bledel.
- GoofsWhen the girls shoot their guns with their eyes closed, Violet's gun also empties with the slide back, but in the next shot she fires once more, and then again the gun has the slide in the empty position.
- Crazy creditsUnder the main title "Violet & Daisy", it says in small letters: "In Hi-Fi, Color & Spectacular 2-D"
- ConnectionsReferences Les Petites Marguerites (1966)
- SoundtracksAngel of the Morning
Written by Chip Taylor
Performed by Merrilee Rush & The Turnabouts
Courtesy of Arista Records, Inc.
By arrangement with Sony Music Licensing
Saoirse Ronan Through the Years
Saoirse Ronan Through the Years
Take a look back at Saoirse Ronan's movie career in photos.
Details
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $17,186
- Opening weekend US & Canada
- $9,982
- Jun 9, 2013
- Gross worldwide
- $108,139
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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