Arjun Sarkaar, a top HIT officer from Visakhapatnam, is sent to Jammu and Kashmir to investigate a series of brutal murders. As he pursues a group of elusive killers, the case tests his skil... Read allArjun Sarkaar, a top HIT officer from Visakhapatnam, is sent to Jammu and Kashmir to investigate a series of brutal murders. As he pursues a group of elusive killers, the case tests his skills and his bravery.Arjun Sarkaar, a top HIT officer from Visakhapatnam, is sent to Jammu and Kashmir to investigate a series of brutal murders. As he pursues a group of elusive killers, the case tests his skills and his bravery.
Pavani Gangireddy
- Shraddha
- (as Pavani Gangireddi)
Chaitu Jonnalagadda
- Diwakar
- (as Chaitanaya Jonnalagadda)
Featured reviews
Nani never disappoints! Wall Poster Cinema and Unanimous Productions have delivered great production values. Mickey J. Meyer's background score is peak-level excellence. Sanu John Varghese's cinematography is outstanding. The action and stunts are mind-blowing!
Writer and director Sailesh Kolanu has made a strong comeback with Hit 3. Nani, Srindhi, and the rest of the cast deliver impressive performances. The first half is engaging, with a gripping investigation and Nani's witty dialogue. The second half is packed with intense action sequences that keep you on the edge of your seat.
Every character is utilized effectively, and the climax is full of surprises. While the movie does contain violence, it's justified by the story. Overall, Hit 3 is a thrilling ride that lives up to expectations.
Writer and director Sailesh Kolanu has made a strong comeback with Hit 3. Nani, Srindhi, and the rest of the cast deliver impressive performances. The first half is engaging, with a gripping investigation and Nani's witty dialogue. The second half is packed with intense action sequences that keep you on the edge of your seat.
Every character is utilized effectively, and the climax is full of surprises. While the movie does contain violence, it's justified by the story. Overall, Hit 3 is a thrilling ride that lives up to expectations.
HIT 3 is the third installment in the HIT series, and this time, Natural Star Nani plays the lead. Nani has been on a solid streak lately-not just as an actor delivering back-to-back hits, but also as a producer, backing films like Court. He has that relatable, common-man charm, and he often says he listens to stories as an audience member first, not with any box office calculations in mind.
However, lately, he seems to be making a serious effort to rebrand himself as an action hero-with films like Dasara, Saripodhaa Sanivaaram, and now HIT 3. This film feels like another attempt in that direction, but unlike his earlier efforts, it doesn't quite land.
In his previous films, the strength of the story helped audiences accept him in intense roles. But HIT 3 lacks that grip. It feels like a mashup of various recent movies and internet stories, without a clear, fresh voice. Director Sailesh Kolanu had an interesting premise-mystery murders happening across India-but he failed to explore the characters deeply, especially the hero and the villain.
Nani plays Arjun Sarkar, a brooding, angry cop. But we never get a proper explanation for his rage. Is it childhood trauma? Personal loss? Without those layers, his character feels forced. For someone like Nani, who's known for his boy-next-door charm and emotional depth, we need a well-written role to justify this kind of aggression-like in Saripodhaa Sanivaaram, where his intensity was rooted in a solid backstory. That kind of writing is missing here.
The villain is another big letdown. Why cast someone just because they're tall and muscular when they can't even speak proper Telugu? It's not about appearance-HIT 2 had a villain who was just a regular dental doctor, yet he sent chills down the spine with his performance. That kind of impact comes from acting, not abs.
Also, I didn't understand the need for so many cuss words. Is it to sound edgy? It just felt unnecessary. Big action films like KGF, Leo, or Vikram have intense violence and mass appeal, but they don't rely on foul language to make an impact. It's possible to be gritty without being vulgar.
Another misfire is the background music by Mickey J Meyer. I'm not sure who thought he was the right choice for an adrenaline-pumping action thriller. His music is generally soothing and melodic, which doesn't match the mood this film needed. With the right BGM, several scenes could have had a lot more impact. Also, the track between Nani and Srinidhi Shetty feels too similar to something from a recent Venkatesh film. And that scene where Srinidhi uses AI to make Nani's mother speak through an old photo? It was awkward and out of place. I don't know how that made it past editing.
To be fair, the screenplay has its moments, especially in the action sequences. But overall, the film leans more on stylish stunts than strong writing or emotional engagement. The final sequence dragged on too long-I found myself checking my phone until the cameo appearances showed up. Introducing the HIT 4 hero at the end was a nice idea, but if Sailesh continues in this direction, it's going to be hard to build any real excitement around the series.
This film might still do decently at the box office thanks to Nani's popularity. But as a movie, it's just average.
However, lately, he seems to be making a serious effort to rebrand himself as an action hero-with films like Dasara, Saripodhaa Sanivaaram, and now HIT 3. This film feels like another attempt in that direction, but unlike his earlier efforts, it doesn't quite land.
In his previous films, the strength of the story helped audiences accept him in intense roles. But HIT 3 lacks that grip. It feels like a mashup of various recent movies and internet stories, without a clear, fresh voice. Director Sailesh Kolanu had an interesting premise-mystery murders happening across India-but he failed to explore the characters deeply, especially the hero and the villain.
Nani plays Arjun Sarkar, a brooding, angry cop. But we never get a proper explanation for his rage. Is it childhood trauma? Personal loss? Without those layers, his character feels forced. For someone like Nani, who's known for his boy-next-door charm and emotional depth, we need a well-written role to justify this kind of aggression-like in Saripodhaa Sanivaaram, where his intensity was rooted in a solid backstory. That kind of writing is missing here.
The villain is another big letdown. Why cast someone just because they're tall and muscular when they can't even speak proper Telugu? It's not about appearance-HIT 2 had a villain who was just a regular dental doctor, yet he sent chills down the spine with his performance. That kind of impact comes from acting, not abs.
Also, I didn't understand the need for so many cuss words. Is it to sound edgy? It just felt unnecessary. Big action films like KGF, Leo, or Vikram have intense violence and mass appeal, but they don't rely on foul language to make an impact. It's possible to be gritty without being vulgar.
Another misfire is the background music by Mickey J Meyer. I'm not sure who thought he was the right choice for an adrenaline-pumping action thriller. His music is generally soothing and melodic, which doesn't match the mood this film needed. With the right BGM, several scenes could have had a lot more impact. Also, the track between Nani and Srinidhi Shetty feels too similar to something from a recent Venkatesh film. And that scene where Srinidhi uses AI to make Nani's mother speak through an old photo? It was awkward and out of place. I don't know how that made it past editing.
To be fair, the screenplay has its moments, especially in the action sequences. But overall, the film leans more on stylish stunts than strong writing or emotional engagement. The final sequence dragged on too long-I found myself checking my phone until the cameo appearances showed up. Introducing the HIT 4 hero at the end was a nice idea, but if Sailesh continues in this direction, it's going to be hard to build any real excitement around the series.
This film might still do decently at the box office thanks to Nani's popularity. But as a movie, it's just average.
Before I delve into the issues I have, I would like to express my admiration for certain aspects of the film, first & foremost, Nani's performance, and the script's able handling of intense scenes, be it the investigative segments or the climactic confrontation in the final half of the story.
Now coming to the problems, I found that the whole plot lacked emotional resonance; it couldn't effectively harness emotions in a meaningful way.
Now as for someone who enjoys relentless gore and bloodshed, I found the kills and the overall bloodbath in the final hour to be engaging. However, I was left with a sense of dissatisfaction, mainly because these moments of violence did not feel 'earned' or 'justified.' They appeared to be mere byproducts of style and encashing the present day trend rather than yielding substance with some meaning.
Whilst, Nani's performance left a significant impression on me, his character could have benefited from deeper material.
If the filmmakers had taken the time to elaborate on his troubled past, it would have enriched his character and provided a more compelling understanding of his eccentric personality.
Now coming to the problems, I found that the whole plot lacked emotional resonance; it couldn't effectively harness emotions in a meaningful way.
Now as for someone who enjoys relentless gore and bloodshed, I found the kills and the overall bloodbath in the final hour to be engaging. However, I was left with a sense of dissatisfaction, mainly because these moments of violence did not feel 'earned' or 'justified.' They appeared to be mere byproducts of style and encashing the present day trend rather than yielding substance with some meaning.
Whilst, Nani's performance left a significant impression on me, his character could have benefited from deeper material.
If the filmmakers had taken the time to elaborate on his troubled past, it would have enriched his character and provided a more compelling understanding of his eccentric personality.
Hit 3: One of the craziest and most violent movie in the Indian movie history!
Director takes us through a genre of Kill Bill and John Wick, with a blend of investigative psycho thriller and a touch of Indian romance.
Nani goes berserk with full fledge violence ripping and cutting baddies apart. One of his best in terms of anger, blood boiling emotions and hair rising action sequences.
Srinidhi Shetty plays a pivotal role.
The plot keeps you hooked till the end and background music is terrific.
Few pleasant surprises in the climax that gives you pure goosebumps.
It is only for 18+ audience as it has plenty of gore. Not for faint hearted or eye closing audience!
Director takes us through a genre of Kill Bill and John Wick, with a blend of investigative psycho thriller and a touch of Indian romance.
Nani goes berserk with full fledge violence ripping and cutting baddies apart. One of his best in terms of anger, blood boiling emotions and hair rising action sequences.
Srinidhi Shetty plays a pivotal role.
The plot keeps you hooked till the end and background music is terrific.
Few pleasant surprises in the climax that gives you pure goosebumps.
It is only for 18+ audience as it has plenty of gore. Not for faint hearted or eye closing audience!
HIT was a suspense, murder mystery thriller.
This was more of an action movie.
I was promised Biryani, I got Korean fire noodles.
It's not bad, but it was not what was promised.
This is not subverting expectations.
And this too fell into the recent trend of gore-action, follows in the same path as leo, kill, marco etc.
What next?
We went from blood, hitting women, dismembering body parts, killing kids, what's next?
Audience will get used to this too.
And to give the shock factor, the makers will have to up the violence. So what's next?
Yes, people may like it. Movie will make money.
But it's not my cup of tea.
If i want tea, I'll go buy tea, don't sell me coffee, and ask wasn't it nice.
TLDR: If you're a fan of HIT series, you can treat it as a normal movie and skip.
If you just want to watch a movie, you can consider it.
This was more of an action movie.
I was promised Biryani, I got Korean fire noodles.
It's not bad, but it was not what was promised.
This is not subverting expectations.
And this too fell into the recent trend of gore-action, follows in the same path as leo, kill, marco etc.
What next?
We went from blood, hitting women, dismembering body parts, killing kids, what's next?
Audience will get used to this too.
And to give the shock factor, the makers will have to up the violence. So what's next?
Yes, people may like it. Movie will make money.
But it's not my cup of tea.
If i want tea, I'll go buy tea, don't sell me coffee, and ask wasn't it nice.
TLDR: If you're a fan of HIT series, you can treat it as a normal movie and skip.
If you just want to watch a movie, you can consider it.
Did you know
- TriviaNani in an interview revealed that while the previous films in the HIT franchise were whodunit (who committed the crime) thrillers where the investigation started and the killer was revealed only in the end, HIT 3 was not about 'who' but about 'how'. He further added that the film did not justify police brutality.
- ConnectionsFollows Hit (2020)
- How long is HIT: The 3rd Case?Powered by Alexa
Details
- Release date
- Country of origin
- Also known as
- Hit: The Third Case
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ₹600,000,000 (estimated)
- Gross US & Canada
- $955,000
- Opening weekend US & Canada
- $955,000
- May 4, 2025
- Gross worldwide
- $1,420,344
- Runtime
- 2h 34m(154 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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