Eleven

If you're tired of overhyped star-studded films packed with unnecessary drama, romance, and item numbers, Eleven is your antidote. This indie mystery crime thriller cuts through all the cinematic noise with a tightly written plot, sharp direction, and an absolutely gripping narrative.

With no big stars, no familiar faces, and zero reliance on glamour, Eleven does what many high-budget films fail to - it keeps you hooked from start to finish. The story unfolds with a slow burn, but the build-up is masterfully executed, pulling you deeper into the mystery with every scene.

There are no distractions - no forced love angles, no song breaks, no over-the-top action. Just pure storytelling, rich atmosphere, and a web of twists and turns that hit hard when you least expect them. It respects your intelligence and rewards your patience.

What truly stands out is the tight script and editing - every scene matters. The characters, though unfamiliar, feel real and grounded. You won't find a single wasted moment or flashy gimmick here.

In short, Eleven is a refreshing, raw, and absolutely worthwhile watch for anyone who craves real thrillers - no fluff, just story.

Eleven is a Tamil-Telugu thriller that roars like a masala-fueled rocket.

Freshman director Lokkesh Ajls, a Sundar C protégé, unleashes a wild ride with ACP Aravind (Naveen Chandra) chasing a twisted serial killer torching twins in Vizag's gritty streets. It's got Se7en's dark pulse but with a spicy South Indian kick.

Chandra is a total boss, his steely cop vibe oozing intensity... think brooding hero with a badge. Shashank and Abhirami bring solid backup, but Reyaa Hari's heroine feels like a soggy dosa, undercooked and out of place.

Lokkesh's direction pops with neon-soaked visuals, and Karthik Ashokan's cinematography makes Vizag a moody, menacing star. D. Imman's score slaps, though some tracks are louder than a Diwali cracker.

The first half rockets with slick chases and chilling kills, but the middle stalls with a draggy love track and overdone flashbacks that sap the buzz. Clocking in at 136 minutes, it could've shed 15 for max impact. The climax, though, is a firecracker, delivering a twist that's juicy, if a bit guessable.

Eleven's a bold, bumpy banger-perfect for thriller junkies. 7.5/10.

Eleven has a genuinely sparky core idea, especially with its twists in the latter half. However, the film ultimately settles for average due to its amateurish filmmaking and the equally unpolished performances from many of its new faces.

Upon reflection, the movie is riddled with logical inconsistencies. For instance, it's baffling why the police force, keeping aside the protagonist, don't consider searching for CCTV footage of a distinctive car operating in Chennai. Furthermore, the main character inexplicably overlooks two crucial names (Anjana and Dheeran) that coincidentally appear before him, only to later seek them out at their old school. These kinds of plot holes are abundant.

Despite these flaws, the lead actor delivers a decent performance. Eleven had the potential to be a good thriller in the hands of a more skilled filmmaker. Considering that, it might be worth a watch if you're willing to overlook its shortcomings.

I went to see this movie without even watching it's trailer just for a Sunday entertainment. But this turn out to be one of the fantastic thriller with exceptional story which I haven't seen in so many years.

The twist towards the end was 100% unpredictable, and the director packed with more twist even till the last minute which shows his brilliance.

The plot may look unnatural, but at the same time it is even unheard also gripping the audience till the end of the movie.

To put in short, this is not the usual crime thriller type of movies which you would be watching since a long time.

There are few loose ends towards the beginning of the movie, but the movie is purely worth watching.

Watched the Tamil film Eleven and walked away with mixed feelings.

To start with the strengths, the movie is gripping from the midpoint till the end. The narrative unfolds one twist after another, pulling the viewer deeper into the story. Abirami's storytelling stands out, structured, immersive and paced well. The hero, with his stoic expressions, fits the role perfectly and adds to the film's serious tone.

However, the first half is very slow. It could have been fastened a bit. No, not just a bit, a lot. The pacing drags and tests patience before the story picks up momentum. While suspense exists, it does not allow the viewer to play detective. The plot twist comes not with shock but with an air of detachment. The heroine's portrayal was a letdown. Her performance felt like theatre rather than cinema. There was emotional weight in the voice, possibly dubbed, but the acting lacked conviction and polish.

What resonates deeply is the emotional exploration of childhood trauma and its lifelong echoes. The school day flashbacks touch a universal nerve. While no one would ever condone the killer's actions, the film invites empathy, not justification, for how a disturbed mind is shaped.

Eleven may not be perfect but it attempts to probe the fragile line between pain and violence. Despite its flaws, it is engaging and thought provoking. It is a family watch that sparks reflection and discussion.