La dame en noir 2: L'ange de la mort
Original title: The Woman in Black 2: Angel of Death
IMDb RATING
4.8/10
30K
YOUR RATING
40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrives, awakening the house's darkest inhabitant.40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrives, awakening the house's darkest inhabitant.40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrives, awakening the house's darkest inhabitant.
- Awards
- 2 wins & 2 nominations total
Millie Pidgeon
- Joyce
- (as Amelia Pidgeon)
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Featured reviews
'THE WOMAN IN BLACK 2: ANGEL OF DEATH': Two and a Half Stars (Out of Five)
The first movie of 2015 might actually be one of the worst. This sequel, to the 2012 supernatural horror flick 'THE WOMAN IN BLACK' (which stars Daniel Radcliffe), was directed by Tom Harper and written by Jon Croker and Susan Hill (Hill also wrote the novel that the first film was based on). It stars Phoebe Fox, Jeremy Irvine and Helen McCrory and takes place 40 years after the events of the first movie, during World War II. A group of schoolchildren are taken to the haunted 'Eel Marsch House' and terrorized by the angry ghost there. I like the atmosphere and decent production values, of the film, but it's also a complete bore.
The story begins in London, during the Blitz of WWII. A group of schoolchildren are evacuated to the countryside by their headmistress, Jean Hogg (McCrory), and her aid, Eve Parkins (Fox). They meet up with an air raid warden, named Dr. Rhodes (Adrian Rawlins), who takes them to the 'Eel Marsch House' to hide out in. They soon realize they're not safe there either, as the ghost of Jennette Humfrye (Leanne Best), also known as 'The Woman in Black', begins to haunt them.
I enjoyed the first film, to a certain extent, but I wasn't overly impressed by it either. This movie is even slower-paced and less frightening. Like I said it looks good and has the right mood and atmosphere for a decent supernatural thriller, but it never feels scary and it isn't the least bit involving. It's not an amateurish or poorly made film, really, but it is painfully dull (which is the worst crime a movie can commit, in my opinion).
Watch our movie review show 'MOVIE TALK' at: https://youtu.be/GZMz2QipSqQ
The first movie of 2015 might actually be one of the worst. This sequel, to the 2012 supernatural horror flick 'THE WOMAN IN BLACK' (which stars Daniel Radcliffe), was directed by Tom Harper and written by Jon Croker and Susan Hill (Hill also wrote the novel that the first film was based on). It stars Phoebe Fox, Jeremy Irvine and Helen McCrory and takes place 40 years after the events of the first movie, during World War II. A group of schoolchildren are taken to the haunted 'Eel Marsch House' and terrorized by the angry ghost there. I like the atmosphere and decent production values, of the film, but it's also a complete bore.
The story begins in London, during the Blitz of WWII. A group of schoolchildren are evacuated to the countryside by their headmistress, Jean Hogg (McCrory), and her aid, Eve Parkins (Fox). They meet up with an air raid warden, named Dr. Rhodes (Adrian Rawlins), who takes them to the 'Eel Marsch House' to hide out in. They soon realize they're not safe there either, as the ghost of Jennette Humfrye (Leanne Best), also known as 'The Woman in Black', begins to haunt them.
I enjoyed the first film, to a certain extent, but I wasn't overly impressed by it either. This movie is even slower-paced and less frightening. Like I said it looks good and has the right mood and atmosphere for a decent supernatural thriller, but it never feels scary and it isn't the least bit involving. It's not an amateurish or poorly made film, really, but it is painfully dull (which is the worst crime a movie can commit, in my opinion).
Watch our movie review show 'MOVIE TALK' at: https://youtu.be/GZMz2QipSqQ
The clumsily titled "The Woman in Black 2: The Angel of Death" is a Hammer horror sequel to the very effective 2012 horror vehicle for Daniel Radcliffe, which itself was based on the jump-fest of a London stage show.
Set 40 years after the original, the spooky Eel Marsh House is the destination for a headmistress (Helen McCrory – Malfoy from Harry Potter), her spoonful-of-sugar-style teacher Eve (Phoebe Fox) and a class of WW2 evacuees from the London blitz.
One child in particular (Tom, played well by young Jude Wright) has been struck mute by being recently orphaned and becomes the focal point for the supernatural activity. Eve strikes up a relationship with a handsome and square-jawed young airman (Jeremy Irvine from "War Horse") on the train, who proves to be a useful asset when the going starts to get tough.
Let's start with the good. One of the most important people on a movie like this is not the lead actor or the director or the make-up artist, but the editor – and Mark Eckersley deserves a call out for effectively delivering some very good jump scares. And Phoebe Fox and Helen McCrory are both very good in their roles: Phoebe Fox, in a feature lead debut, is a personable and very attractive actress that should be given something better to work on.
There are also some high production values in terms of the atmospheric sets, locations and the cinematography, no less then you would expect from the UK film industry.
Unfortunately, these positives are poorly served by a whole heap of negatives. The story is a jumbled mess, linking back to elements of the first story that I (at least) can't remember the details of and only referencing in passing the spooky core of the Woman in Black premise (that when someone sees her a child dies). The effective jump scares are added rather at random, which perhaps is what makes them even jumpier. However, apart from one scene where Eve returns to the house alone, there is little in terms of a build-up of tension that made the Radcliffe version so effective.
All in all, rather a damp squib, and the trailer is actually a lot better than the film. It's not that bad that if you see the Woman in Black a part of your soul dies but there are better films to occupy you at the moment.
(If you enjoyed this review please see my other reviews at bob-the-movie-man.com and register your email to receive them automatically. Thanks.)
Set 40 years after the original, the spooky Eel Marsh House is the destination for a headmistress (Helen McCrory – Malfoy from Harry Potter), her spoonful-of-sugar-style teacher Eve (Phoebe Fox) and a class of WW2 evacuees from the London blitz.
One child in particular (Tom, played well by young Jude Wright) has been struck mute by being recently orphaned and becomes the focal point for the supernatural activity. Eve strikes up a relationship with a handsome and square-jawed young airman (Jeremy Irvine from "War Horse") on the train, who proves to be a useful asset when the going starts to get tough.
Let's start with the good. One of the most important people on a movie like this is not the lead actor or the director or the make-up artist, but the editor – and Mark Eckersley deserves a call out for effectively delivering some very good jump scares. And Phoebe Fox and Helen McCrory are both very good in their roles: Phoebe Fox, in a feature lead debut, is a personable and very attractive actress that should be given something better to work on.
There are also some high production values in terms of the atmospheric sets, locations and the cinematography, no less then you would expect from the UK film industry.
Unfortunately, these positives are poorly served by a whole heap of negatives. The story is a jumbled mess, linking back to elements of the first story that I (at least) can't remember the details of and only referencing in passing the spooky core of the Woman in Black premise (that when someone sees her a child dies). The effective jump scares are added rather at random, which perhaps is what makes them even jumpier. However, apart from one scene where Eve returns to the house alone, there is little in terms of a build-up of tension that made the Radcliffe version so effective.
All in all, rather a damp squib, and the trailer is actually a lot better than the film. It's not that bad that if you see the Woman in Black a part of your soul dies but there are better films to occupy you at the moment.
(If you enjoyed this review please see my other reviews at bob-the-movie-man.com and register your email to receive them automatically. Thanks.)
I have not scanned all the reviews, but in the case that that none have praised the splendid set designs, I wish to do so here. It is evident that much thought went into the sets and the props for this movie, just like in the first; and I was completely convinced that I was seeing Eel Marsh house and Crythin Gifford forty years after Arthur Kipps. The dismal and melancholy atmosphere was much less in the sequel, but perhaps this was because of the size of the cast. If Hammer would undertake to produce remakes of the excellent BBC M.R. James stories, I would welcome such enthusiastically. And if Susan Hill were to pick up her pen again and weave another story involving remote and lonely British locales, ruined or dilapidated houses, and nineteenth century tragedies haunting the present day, I would be transported!
I wasn't overly impressed with the first WOMAN IN BLACK film, starring Daniel Radcliffe, which I thought was okay but a bit lacklustre in comparison to the excellent but little-known 1980s adaptation. However, the first film looks like a masterwork in comparison to this cheap sequel.
The first thing that becomes apparent about THE WOMAN IN BLACK 2: ANGEL OF DEATH is that it's so blooming dark. Every scene seemingly takes place in near pitch blackness, which makes 90% of what's going on really difficult to make out. I suspect that the poor lighting was due to hide deficiencies of budget and the like - poor sets for example - but it makes for a frustrating viewing experience.
Otherwise, the plot is a rehash of the first film's, except with different characters and a larger cast. The backdrop is WW2 but doesn't really play an important role in the proceedings, and the lead, Phoebe Fox, is saddled with a very dull character. Helen McCrory is a little better, but the 'horror' content is limited to repetitive jump scares and there's little to nothing in the way of genuine atmosphere or real plotting. Instead, this WOMAN IN BLACK feels like stumbling down a flight of stairs in the dark; there's the odd jolt or two, but you'll regret it afterwards.
The first thing that becomes apparent about THE WOMAN IN BLACK 2: ANGEL OF DEATH is that it's so blooming dark. Every scene seemingly takes place in near pitch blackness, which makes 90% of what's going on really difficult to make out. I suspect that the poor lighting was due to hide deficiencies of budget and the like - poor sets for example - but it makes for a frustrating viewing experience.
Otherwise, the plot is a rehash of the first film's, except with different characters and a larger cast. The backdrop is WW2 but doesn't really play an important role in the proceedings, and the lead, Phoebe Fox, is saddled with a very dull character. Helen McCrory is a little better, but the 'horror' content is limited to repetitive jump scares and there's little to nothing in the way of genuine atmosphere or real plotting. Instead, this WOMAN IN BLACK feels like stumbling down a flight of stairs in the dark; there's the odd jolt or two, but you'll regret it afterwards.
I'll be honest, I really don't understand the people who liked the first movie and hate this one for being just like the first movie.
The only noticeable difference between both of them is that, in the first movie, there was a sense of isolation because of one person in the house, over a bunch of children and their two teachers.
The awful jump "scares" are still here and the non-scary character of "Woman in Black (WiB)" returns. In-fact, they repeat the same mistakes from the first movie and try to explain way too much and show too much of the WiB character. Keeping WiB's character in shadows and not showing her terrible CGI/makeup caked face would've provided more terror than using her face for jump "scare" here and there.
My complaint with both movies is the same. Despite having good acting (both of them) and good atmosphere, they fail to create proper horror the moment WiB shows up and her shtick of moving items and opening/closing doors begins all over again. They NEED to keep her in the dark and only show her dress, which some scenes actually DO.
Unlike the first movie (6/10), I am giving this one 5/10 despite enjoying the acting of the lead actress and even the children, more than the last one (Radcliffe, nope.. did not like him much in that movie). One point taken off for shooting some key scenes in horrible lighting. The scenes in cellar are the ones I am talking about. The characters keep looking at items for so long and all you're doing is trying to squint and make out what in the hell they are actually looking at. All cellar scenes are intentionally shot under one candle-light or a lamp, and it's a bad idea.
In one of the horror scenes with all characters in cellar, they keep trying to light a candle but WiB keeps blowing it out (or wind being passed by her?). But then, when the scene ends, the male character turns on his flashlight. ARE YOU KIDDING ME? He didn't turn on the flashlight when everyone was scared of darkness but did it instantly at the end? Really? They didn't think people would question that? He didn't even try to turn on the flashlight before, AT ALL.
That said, this movie is NOT bad. It just does what the first one did. Ignore the people giving it 1/10 and whining about it being worse than the first one. They obviously had a hard-on for Radcliffe and gave that movie flying colors, despite him being average in that movie and rest of the movie being same as this one. Read the reviews of the first movie, many are first time horror viewers who are praising Radcliffe and obviously saw the horror movie cause they were Harry Potter fans. They then saw this movie thinking there would be some connection to Radcliffe but since he isn't here, they ended up focusing on the movie's flaws which were present in the first movie.
While we're at it, REALLY? Are you seriously setting up the ending for another sequel? We all know that they want to milk the WiB cow till they won't make any profit from her at all. Both movies had $15 million budget and first one made them $125 million while this one made them about $49 million dollars. This is a nice profit even if the movie is just average. The third movie will make them even less profit it seems.
Maybe end the movie as a trilogy then, cause we know they're gonna make a sequel. Just let it be the last one.
The only noticeable difference between both of them is that, in the first movie, there was a sense of isolation because of one person in the house, over a bunch of children and their two teachers.
The awful jump "scares" are still here and the non-scary character of "Woman in Black (WiB)" returns. In-fact, they repeat the same mistakes from the first movie and try to explain way too much and show too much of the WiB character. Keeping WiB's character in shadows and not showing her terrible CGI/makeup caked face would've provided more terror than using her face for jump "scare" here and there.
My complaint with both movies is the same. Despite having good acting (both of them) and good atmosphere, they fail to create proper horror the moment WiB shows up and her shtick of moving items and opening/closing doors begins all over again. They NEED to keep her in the dark and only show her dress, which some scenes actually DO.
Unlike the first movie (6/10), I am giving this one 5/10 despite enjoying the acting of the lead actress and even the children, more than the last one (Radcliffe, nope.. did not like him much in that movie). One point taken off for shooting some key scenes in horrible lighting. The scenes in cellar are the ones I am talking about. The characters keep looking at items for so long and all you're doing is trying to squint and make out what in the hell they are actually looking at. All cellar scenes are intentionally shot under one candle-light or a lamp, and it's a bad idea.
In one of the horror scenes with all characters in cellar, they keep trying to light a candle but WiB keeps blowing it out (or wind being passed by her?). But then, when the scene ends, the male character turns on his flashlight. ARE YOU KIDDING ME? He didn't turn on the flashlight when everyone was scared of darkness but did it instantly at the end? Really? They didn't think people would question that? He didn't even try to turn on the flashlight before, AT ALL.
That said, this movie is NOT bad. It just does what the first one did. Ignore the people giving it 1/10 and whining about it being worse than the first one. They obviously had a hard-on for Radcliffe and gave that movie flying colors, despite him being average in that movie and rest of the movie being same as this one. Read the reviews of the first movie, many are first time horror viewers who are praising Radcliffe and obviously saw the horror movie cause they were Harry Potter fans. They then saw this movie thinking there would be some connection to Radcliffe but since he isn't here, they ended up focusing on the movie's flaws which were present in the first movie.
While we're at it, REALLY? Are you seriously setting up the ending for another sequel? We all know that they want to milk the WiB cow till they won't make any profit from her at all. Both movies had $15 million budget and first one made them $125 million while this one made them about $49 million dollars. This is a nice profit even if the movie is just average. The third movie will make them even less profit it seems.
Maybe end the movie as a trilogy then, cause we know they're gonna make a sequel. Just let it be the last one.
Did you know
- TriviaThe original concept was that Eel Marsh House had been requisitioned as a hospital for mentally ill soldiers but this was dropped.
- GoofsIn the blackout in the cellar, why don't they switch on the pilot's torch whilst trying to light the candles?
- Quotes
Hermit Jacob: Died on Sunday, seen on Monday.
- ConnectionsFollows La Dame en noir (2012)
- SoundtracksJennet Humfrye Nursery Rhyme
Composed by Jack Arnold
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Details
- Release date
- Countries of origin
- Language
- Also known as
- The Woman in Black 2: Angel of Death
- Filming locations
- King's Cross Station, King's Cross, London, England, UK(exterior scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $26,501,323
- Opening weekend US & Canada
- $15,027,415
- Jan 4, 2015
- Gross worldwide
- $48,854,305
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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