A family's dull life in a rural outback town is rocked after their two teenage children disappear into the desert, sparking disturbing rumors of their past.A family's dull life in a rural outback town is rocked after their two teenage children disappear into the desert, sparking disturbing rumors of their past.A family's dull life in a rural outback town is rocked after their two teenage children disappear into the desert, sparking disturbing rumors of their past.
- Awards
- 1 win & 6 nominations total
Morgan Junor-Larwood
- Slug
- (as Morgan Junor Larwood)
Carys Fulchs
- Neil's Daughter
- (as Carys Fuchs)
Featured reviews
I love Nicole. One of the best of her time. She normally chose good movies to be part of. Not this one, though. Can't understand what made her accept being part of this...thing. It started out well, but soon loses pace and logic. I couldn't see it thoroughly. Nothing happens. Ridiculous scenes...even sex scenes. Strange and ridiculous. The actors, couldn't deliver cause there's nothing to. A lot of scenes should be cut off, cause they don't make any sense at all. And the end, gosh, deplorable. Deplorable ending. I can't understand what's the point of this movie? For what purpose was it made? And what about the title? Strangerland?! My God! Awful!This movie could have been good.The ambiance, the actors...what a waste of talent and of my time!
Trouble is stirred up in a stifling hot Australian desert town after the two children of new arrivals Nicole Kidman and Joseph Fiennes go missing...and everyone who came into contact with them becomes a suspect in their disappearance. Well-acted study of stunted small town lives, with Nicole Kidman particularly gripping as the sad, desperate mother of the kids (a promiscuous teenage girl and her restless younger brother). Some of the drama has a prickly edge, and the dialogue is strong, however the supporting characters are not a terribly interesting lot, while the simmering tempers in this dust bowl town are not used to heighten the tension (director Kim Farrant treats it as subtext, preferring to focus on the embattled married couple). Repetitive aerial shots of the mountain terrain and surrounding desert grow tiresome (arty yet unrevealing), but the complicated scenario is enough of a draw for admirers of character studies. ** from ****
This film tells the story of a family that moves to a small town to escape from a dark past. Unfortunately their children goes missing, and in the search, it seems everyone has something to hide.
"Strangerland" depicts a mother who is in much distraught over the disappearance of her children. Nicole Kidman is very convincing as a very distressed mother, I empathise with her and feel so sorry for her pain and loss. The father, on the other hand, has a different approach to the circumstances, creating a stark contrast. The hunt for the missing children is long and less than fruitful, engaging me and making me hope for something good would happen soon. I think it's a heavy film with a heartbreaking and depressing story.
"Strangerland" depicts a mother who is in much distraught over the disappearance of her children. Nicole Kidman is very convincing as a very distressed mother, I empathise with her and feel so sorry for her pain and loss. The father, on the other hand, has a different approach to the circumstances, creating a stark contrast. The hunt for the missing children is long and less than fruitful, engaging me and making me hope for something good would happen soon. I think it's a heavy film with a heartbreaking and depressing story.
7sol-
Tensions flair between a couple living in the outback when their son and daughter disappear during the night in this Australian mystery thriller. The film is drooped in atmosphere with eerie aerial shots that emphasise the isolated nature of the outskirts town, some very moody skies and an absolutely haunting music score. There is a constant sense of something sinister afoot, and as the two parents learn increasingly shocking things about their children in their quest to find them, their disappearance serves as a catalyst: a wake-up call for just how out of control their kids are and how they have failed as parents. Everything progresses at a deliberately slow pace and it is understandable why some might not take kindly to the film since it plays out as more of a Michelangelo Antonioni mystery movie than a standard Hollywood thriller. There is, however, a lot going on beneath the surface and the chief drawback of the film, if anything, is how elusive this all remains by the end. There is the slightest hint of childhood sexual abuse, the vaguest suggestion of the kids being afraid of their own parents - but frustratingly, nothing is ever clear. The ambiguity with regards to their daughter's disappearance is, on the other hand, an excellent touch, highlighting that the film is primarily about the parents and their gradual, mutual realisation that they are not entirely satisfied with their lives and each other. Indeed, while the small town setting initially seems to represent freedom and escapism from past mistakes, in the end, the setting only forces them to confront their inner demons face-on.
The best things about this movie are the cinematography, the acting (despite the lame script) and the beautiful and haunting outback locales. The story is so strung out...so stretched. The whole thing could have been told in 30 minutes. As it is the story is padded out with long and luxurious takes of the outback, the stereotypical outback town (of which there are very few these days) and the side story of Kidman's character losing it big time.
I am thoroughly sick and tired of Australian films these days (yep-I'm Australian). They tell off-beat boring stories or focus far too much on the outback that the rest of the world must think we all live in the desert with koalas and kangaroos for pets, speak with an appalling twang and drink copious amounts of beer whilst swatting away huge flies.
Here's the reality... Most Australians live in large cities or suburbs not unlike LA (I know LA so I can compare our cities quite well). Few of our films deal with our cosmopolitan and multi-racial population. Aussie films either show whitebread Aussie families or Aboriginal families in distress. No mention or filming of the other ethnic groups here.
Now whilst trying to tell tales about your culture is a laudable thing, to make a film truly internationally interesting it needs to sell to a wider audience otherwise our film industry will always be relegated to the quirky sidelines while Hollywood conquers all.
I am thoroughly sick and tired of Australian films these days (yep-I'm Australian). They tell off-beat boring stories or focus far too much on the outback that the rest of the world must think we all live in the desert with koalas and kangaroos for pets, speak with an appalling twang and drink copious amounts of beer whilst swatting away huge flies.
Here's the reality... Most Australians live in large cities or suburbs not unlike LA (I know LA so I can compare our cities quite well). Few of our films deal with our cosmopolitan and multi-racial population. Aussie films either show whitebread Aussie families or Aboriginal families in distress. No mention or filming of the other ethnic groups here.
Now whilst trying to tell tales about your culture is a laudable thing, to make a film truly internationally interesting it needs to sell to a wider audience otherwise our film industry will always be relegated to the quirky sidelines while Hollywood conquers all.
Did you know
- TriviaGuy Pearce was originally cast in the lead role but dropped out to star in Strictly Criminal (2015). Joseph Fiennes was cast as a replacement.
- Quotes
[last lines]
Lily Parker: There is a stillness in the air, and I'm in it. There are no sounds, no whispers, no shadows, no darkness. And just for a moment, there is no 'you', no 'me'. And I'm not lost.
- Crazy creditsThe names of the actors and movie title in the opening credits are displayed on screen as if they were disappearing desert mirages (the desert surrounding the town in which the film takes place plays a significant part).
- SoundtracksKamikaze Origami
Written and performed by Jen Cloher
- How long is Strangerland?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Fırtınanın Ortasında
- Filming locations
- Canowindra, NSW, Australia(Nathgari)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $17,472
- Opening weekend US & Canada
- $17,472
- Jul 12, 2015
- Gross worldwide
- $111,107
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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