IMDb RATING
6.0/10
1.7K
YOUR RATING
Set in Dublin, 'Glassland' tells the story of a young taxi driver who gets tangled up in the world of human trafficking while trying to save his mother from drug addiction.Set in Dublin, 'Glassland' tells the story of a young taxi driver who gets tangled up in the world of human trafficking while trying to save his mother from drug addiction.Set in Dublin, 'Glassland' tells the story of a young taxi driver who gets tangled up in the world of human trafficking while trying to save his mother from drug addiction.
- Awards
- 2 wins & 10 nominations total
Dairíne Ní Dhonnchú
- Bridie
- (as Darine Ní Dhonnchadha)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I bought this movie on DVD on Amazon UK a few weeks ago and I have no regrets ! It's a small but pretty impressive indie from Ireland with top-notch acting. Will Poulter is funny and believably boy-next-door, his accent flawless; Michael Smiley brings hard-won compassion as an alcohol counselor and the always magnificent Toni Collette gives once again a splendid performance. But this is Reynor's film and he holds the screen like a pro – always thinking, tapping, twitching with silent fury. John's a good guy but he looks like he wants to kill someone. That no such eruptions occur makes Glassland's power all the more remarkable. Well done.A must see.
Jack Reynor and Toni Collette both do extremely powerful work in this study an Irish working- class lad in his early 20s trying desperately to deal with his mother's raging suicidal alcoholism. There are a number of deeply disturbing scenes between them, and other that are truly heartbreaking. It's not often we see two actors bring such complexity to what could easily have been familiar and forced.
But there's something off in the film – the script tends to go wordy and oddly theatrical at times, although at others it's gratifyingly understated. (It's much better when it's showing instead of telling). And the interesting - but seemingly left field - story line/moral dilemma of the last 15 minutes seems weirdly stuck onto the far more interesting and coherent central plot.
Still, it's very worth seeing for the performances (including Will Poulter as Raynor's only good friend), but it feels like an interesting film that sadly missed a shot at being a great one.
But there's something off in the film – the script tends to go wordy and oddly theatrical at times, although at others it's gratifyingly understated. (It's much better when it's showing instead of telling). And the interesting - but seemingly left field - story line/moral dilemma of the last 15 minutes seems weirdly stuck onto the far more interesting and coherent central plot.
Still, it's very worth seeing for the performances (including Will Poulter as Raynor's only good friend), but it feels like an interesting film that sadly missed a shot at being a great one.
Here is an engaging, well-told story about addiction and the relationship between mother and son. Sounds melodramatic, and in aspects it could be, but it never feels like such a film. The whole thing is fully realized, very well-written, with a clear, true eye for the characters and who they are. The two leads are fantastic, especially Jack Reynor who I was previously impressed by in What Richard Did. He's a true leading actor, and he has proved to have the talent to really dive into raw, strong material. The film would be worth it just for him, but all of the actors are committed. This is definitely very recommended for all filmgoers.
Glassland is both a love story without sex, and a crime story without violence—a decided anomaly among just about every other film about life in an Irish slum. The love is between an overworked cabdriver named John (Jack Reynor) and Jean (Toni Collette), his alcoholic mother. As Jean drinks herself closer and closer to the grave, John's desperation to get his mother into a rehabilitation clinic despite their poverty leads him to question his own moral boundaries. Glassland is a melancholy, understated look at the combination of poverty and self-destruction that is so common in our society. Collette delivers a performance that jumps back and forth between snarling addict and penitent matriarch, and Reynor captures the pain and frustration of seeing a loved one spiral out of control. Despite the powerful performances by the film's actors, the film suffers from pacing issues that occasionally derail the film's momentum and muddle the narrative. Regardless, Glassland is a refreshingly modest take on issues that are typically addressed with more gratuitous filmmaking. –Alex Springer
12/8/17. This was actually a very good portrayal about what alcoholism does to a family. Reynor does a phenomenal job as the young adult son of Toni Collette's alcoholic mother at the verge of dying because of her excesses with drink. This is the first time I have seen such a sensitive portrayal about a son who is torn apart by having to be a caretaker of a parent with a severe substance abuse disorder. You can feel his pain as he dutifully does all he can to try and save his mother from herself. While totally depressing, this movie is worth watching to remind us that when people have a substance use disorder, they are not the only one in pain, it affects EVERYONE around them. Also, a good portrayal of those who provide services to these people and their families.
Did you know
- TriviaThe three leads have been in an Ari Aster movie; Toni Collette in Hereditary (2018), and Jack Reynor and Will Poulter in Midsommar (2019).
- How long is Glassland?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Гласленд
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €250,000 (estimated)
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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