Eden

An extremely interesting story, based on true events, an accomplished director, a top cast, Hans Zimmer behind the score. A smash hit? At least not at the box office, the budget is not even close to being recouped. In terms of feeling, 'Eden' was not represented in the media at all, apparently these days there is a lack of the muse to be caught up in realistic darkness and human abysses. The only partially resolved 'Galapagos Affair' sheds light on the hopes and utopias of conquering a new land or escaping the old world in order to build an alternative civilisation there, and how human nature buries all dreams again. The supposed heaven turns into a hell of envy, jealousy, selfishness and vanity. Not forgetting the harsh reality of the supposed island paradise. All the supposed and proven events are almost unbelievable, which makes this survival trip all the more fascinating. A real true-crime story. The film adaptation does justice to this, the well-known cast performs excellently and there is little to criticise in terms of craftsmanship. The response does not do justice to the result, so I recommend it.

I went into this movie blind, it was a Monday Mystery Movie at Regal.

It's a philosophical journey of the human condition and the troubles that we have with each other. As the story unfolds you could definitely find something in it that resonates with the way you see the world. Finding out that this was based on a true story makes me want to read the two perspectives of what happened on the island. Not a bad movie, I think the critics might have been too critical of the movie.

Set in the Galápagos Islands, but filmed in Australia.

I was able to see the press conference that Ron Howard and the four main stars gave. Howard explained that he had the project in mind for a time, worked on it some during the recent COVID pandemic and lockdowns. He knew it would not be a project that a typical studio would go for so he went at it his way.

The movie is a fictional drama based on real people and their attempt to find their own Eden in the Galápagos Islands (filmed in Australia). It doesn't work out as hoped because, in the end, people are people and they can cooperate together for only so long.

This is analogous to the theme that played out in the year 2000 movie, "The Beach" with Leo Dicaprio. As I wrote in my comments for that one, "Even though these 20 or 30 men and women all went to the island for "pleasure seeking", ultimately roles need to be taken, duties accepted, not everyone agrees, jealousy starts to erode relationships, certain people seek power, and when some get seriously injured, "out of sight, out of mind" is the remedy so as not to upset "paradise." In other words, they end up creating on a smaller scale the same world that they sought to escape from. Eventually this "house of cards" starts to fall down, and ultimately everyone realizes paradise is internal, not some idyllic place."

Good for Howard to bring this story to the screen.

The film industry produces alot of films, and this is a good one. Everything about it was quality. Well cast (and nice to aee Jude Law again), beautiful dramatic filming of scenary as well as dialogue well filmed. Excellent pacing and not predictable. I felt the interactions between the well defined characters was fantastic such that it could easily be made into a stage play. To be honest I feel the whole team deserve to be congratulated on work well done.

Basis of story is a very private and intellectual doctor and his adoring wife go to the Galapagos and then a highly practical German couple arrive, followed by a very devious and morally dubious woman qnd her two lovers. What results is a character interaction which creates tension, drama and some twists.

Ron Howard is never afraid to explore new genres and here he definitely immerses you in the social experiment of posh post-war expats trying to make a way of life an island in the Galapagos. Unfortunately the vision of Dr. Ritter and his wife Sue Storm as well as the machinations of the Baroness along with the stresses of the environment prove too much for the bourgeois marriage of Margaret Wittmer (cutie Sydney again!) and her husband Daniel Bruhl. Still, the cast is gorgeous, the island indeed like a paradise from another era, and Howard reiterates yet again a lesson learned by every wannabe Robinson Crusoe and Hemingway in the 1920's: just find your favorite cafe in Paris, spend six weeks writing a novel about your friends which when they read will have them hating your guts, then thirty years later move to Cuba and create your own Eden. Those are your and my happy days.