A dark comedy about small-town private investigator Honey O'Donahue, who delves into a series of strange deaths tied to a mysterious church.A dark comedy about small-town private investigator Honey O'Donahue, who delves into a series of strange deaths tied to a mysterious church.A dark comedy about small-town private investigator Honey O'Donahue, who delves into a series of strange deaths tied to a mysterious church.
Coming soon
Releases November 12, 2025
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Well the trailer made it look pretty intriguing, but upon watching this latest effort from half of the Coen Brothers (Ethan), I'm afraid it's another disappointing bust!
I actually found it rather apt that gorgeous rising star lead Margaret Qualley has a bemused, confused look on her face throughout the entire flick... because I felt exactly the same!
While the piece retains some well known Coen hallmarks (good cinematography, sharp editing, decent music and many typically oddball characters), it seriously lacks more important elements. The usual dark humour is sorely lacking, the dialogue isn't as sharp, the script is a mess and the final pay-off is a major letdown.
Indeed, only Qualley and Aubrey Plaza come out of the overly woke sexually charged Coen-carnage with any performance credibility, while a miscast Chris Evans and the rest of the supporting cast are as hollow and throwaway as the lacklustre screenplay.
In truth, it's been far too long since either of the brothers have hit a 'HoF' homerun (No Country for Old Men in 2007!), and this is yet another strikeout for the undenable Hollywood legends who hardly put a foot wrong between 1984-2001! We live in hope (barely) of another 'Barton Fink', 'O Brother Where Art Thou' or 'Fargo' but I think it's been way too long now, they're done... Sad times.
I actually found it rather apt that gorgeous rising star lead Margaret Qualley has a bemused, confused look on her face throughout the entire flick... because I felt exactly the same!
While the piece retains some well known Coen hallmarks (good cinematography, sharp editing, decent music and many typically oddball characters), it seriously lacks more important elements. The usual dark humour is sorely lacking, the dialogue isn't as sharp, the script is a mess and the final pay-off is a major letdown.
Indeed, only Qualley and Aubrey Plaza come out of the overly woke sexually charged Coen-carnage with any performance credibility, while a miscast Chris Evans and the rest of the supporting cast are as hollow and throwaway as the lacklustre screenplay.
In truth, it's been far too long since either of the brothers have hit a 'HoF' homerun (No Country for Old Men in 2007!), and this is yet another strikeout for the undenable Hollywood legends who hardly put a foot wrong between 1984-2001! We live in hope (barely) of another 'Barton Fink', 'O Brother Where Art Thou' or 'Fargo' but I think it's been way too long now, they're done... Sad times.
The title should've served as a warning because this movie is just awful start to finish. Honey, please don't! Boring neo-noir that made me wonder how on earth I had no idea what I was up against. I'd seen the trailers several times and really expected this to be more of a mystery. I also expected more humor since it was a Coen film but I don't think I even giggled once. I did look at my phone several times which is something I never do at the movies. The characters are totally flat. The only reason I sat through it until the end was the lead actress. I will say the wardrobe person did a good job. The clothing & music definitely reminded me of a David Lynch film. I'm giving 4 stars for the beautiful wardrobe choices and colors used throughout the film. Also a pretty decent soundtrack although I wouldn't say it had much flow.
L would have traded some of the sex for some plot development. I wanted to care but couldn't. Some funny moments. Life in a trailer home, The wicked pastor. But what was the movie about? I don't know. Great scenery as our leading lady cruises around the starkness of the city that could be anywhere USA.
The movie had all the ingredients but came out as dull as grandma's green jello.
The movie had all the ingredients but came out as dull as grandma's green jello.
I just finished watching Honey Don't, and honestly, I left the theater scratching my head. The whole experience was a strange mix of sad, pointless, and-if I'm being blunt-sometimes flat-out boring. It felt like the film was trying to say something profound, but the tone was so off that it missed its mark entirely.
I truly don't know what audience they were aiming for. Too heavy-handed to be light drama, too scattered to be meaningful, and too dull to be entertaining. Characters drifted through scenes without much purpose, and while the story had the bones of something emotional, it never built to anything worth caring about.
The pacing didn't help either. There were long stretches where I caught myself checking the time, waiting for something-anything-to happen. Instead, it kept circling back to the same dreary mood that never paid off.
In the end, I can see why the studio released this movie in the dead zone of late August, right before Labor Day weekend. It feels like one of those "let's just get it out there and move on" kind of releases. Honey Don't isn't the worst film I've ever seen, but it's definitely one I won't be remembering-or recommending-anytime soon.
I truly don't know what audience they were aiming for. Too heavy-handed to be light drama, too scattered to be meaningful, and too dull to be entertaining. Characters drifted through scenes without much purpose, and while the story had the bones of something emotional, it never built to anything worth caring about.
The pacing didn't help either. There were long stretches where I caught myself checking the time, waiting for something-anything-to happen. Instead, it kept circling back to the same dreary mood that never paid off.
In the end, I can see why the studio released this movie in the dead zone of late August, right before Labor Day weekend. It feels like one of those "let's just get it out there and move on" kind of releases. Honey Don't isn't the worst film I've ever seen, but it's definitely one I won't be remembering-or recommending-anytime soon.
Margaret Qualley, who was great in Substance, acts like a private detective from a 50's movie, which was out of place with almost everyone else.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
Aubrey Plaza was great in her role, seemed very realistic amongst the other actors.
Chris Evans's character was over acted, which might have been the intent of the director, given other weird choices.
Ethan Coen, is a great director, but really couldn't pull this movie together as it seemed lost as to style or intent. I think he must have decided to throw in the several meaningless sex scenes that didn't advance the plot, to appeal to teenage boys.
All the rest of the actors were way over the top and unrealistic to the point of being a parody almost to Naked Gun level. Thus, there were a few laughs to be had.
Didn't hate it, but will never watch it again and regret paying to see it.
Did you know
- TriviaEthan Coen's second solo fiction feature film, after Drive-Away Dolls (2024). His third solo feature film as a director overall, having directed the documentary Jerry Lee Lewis: Trouble in Mind (2022).
- SoundtracksWe Gotta Get Out of this Place
written by Barry Mann and Cynthia Weil
performed by Brittany Howard
published by: Dyad Music Ltd (BMI) / Screen Gems-EMI Music Inc (BMI)
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Гані, люба, не треба!
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,950,000
- Opening weekend US & Canada
- $2,950,000
- Aug 24, 2025
- Gross worldwide
- $2,950,000
- Runtime
- 1h 29m(89 min)
- Color
Contribute to this page
Suggest an edit or add missing content