You'll Never Find Me

The challenge with single-location thrillers or Chamber Pieces (as they call it in cinematic term) is the scarcity of inciting incidents.

Due to the narrative being confined to a singular space with limited number of characters and resources, there is minimal room to expand or experiment

As a result, stories often become repetitive, caught in tiresome cycles. Only exceptional performances from the ensemble and a captivating script with impressive dialogue writing can elevate these elements beyond the anticipated stillness.

I'm pleased to report that "You'll never find me" possesses all of the above qualities and more.

The remarkable cinematography and stunning sound design immediately draw us in from the opening shot, The narrative style keeps us on our toes, with morsels of information prompting us to question the unfolding events. Not to mention, the dynamic between the two central characters maintains our interest until the very end.

There were indeed some moments of ambiguity in the storyline that mandated clarification, I still consider it to be one of the standout psychological thrillers that came out in the recent times.

Once again, a glorious reminder that in order to be impactful, horror movies don't need a big budget. "You'll Never Find Me" effortlessly proves this point, delivering a very tense and impactful experience that lingers long after the credits roll. "You'll Never Find Me" doesn't rely on cheap jump scares; instead, it builds a slow-burning tension that keeps you on the edge of your seat. This Australian horror gem is a testament to the fact that a well-crafted story, combined with thoughtful direction and a dedicated cast, can create an atmosphere of dread and suspense that rivals any blockbuster production. It's such a joy seeing a passion project work so well on all levels.

I feel sorry for those who can't develop critical thinking and understand the meaning behind what's shown to them.

This movie is meant for those who can catch simple details AND PAY ATTENTION to the dialog. Everything you'll need to know is there, between the lines: the reason why Patrick thinks the woman's face is familliar, the reason why the woman "changes" her story (where she came from, why she initially says she wants a lift...).

The movie got me hooked till the very ending, when it all made sense.

For me it's a solid 7, they made the best they could with what they had, and succeeded....

If twisty turny stories are your thing, then look no further.

Is it an arthouse movie? Is it a horror? A psychological drama? Is it all of the above?

Without giving too much away, I would say that some people will hate the very slow and deliberate script, direction and editing of the 'action'.

I loved the to and fro of the dialogue in the first hour which makes you think the story may go one way or another. Then, when the movie makes its decision it is still compelling, The end was a little contrived for my liking but still, those with a little patience will love the movie.

Has to be said the acting is first class.

There will be no middle ground on this one. If you don't like slow burns, and psychological horror then move on. Other viewers will be in for a treat.

There are fair comparisons to "Maniac," but unlike the 1980 cult classic, I don't think you'll see the twist coming. Brendan Rock is phenomenal in the lead role of Patrick. The cat & mouse game of paranoia between him and Jordan Cowan keeps you guessing.

No spoilers here, but stick with the film to the end. It is absolutely a slow burn. But the third act grabs ahold, takes you on a psychotic ride, and makes you ask "What the Hell is happening?!"

Then it all comers together in a really clever ending. Everything was laid out for you the whole time. Just pay attention and enjoy.