Pollen

Because of the ridiculous minimum character count I'll be repeating myself several times. This is NOT a horror movie. I have no idea what movie the other reviewer saw, but it couldn't be this one. The characters, all are not relatable, not sympathetic and the actors portraying them just can't. Nothing redeeming about this movie. Nothing enjoyable. Do yourself a favour and pass on this one.

Not a horror, NOT a horror, not a horror, Not a horror, NOT a horror, not a horror, not a horror, NOT a horror, NOT a horror, Not a horror, NOT a Horror, Not a horror, don't be duped this is NOT a horror. No.

Despite looking like a rather promising creature feature horror movie, Pollen ends up being a metaphore for the sexual abuse and metal trauma faced by women.

While being about a very real and serious subject matter , pollen is just the usual rehashed "men bad" message reheated and served in yet another format.

Quality of dialogue and atmosphere varies significantly during the movie, going from pretty decent to rather amateurish levels.

A bit sad over all, lead actress is quite good and her talentes seem a bit wasted on Pollen's meandering plot.

I personally would not reccomend this to any of my friends.

Pollen is a 2023 psychological horror film directed by D. W. Medoff and starring Ava Rose Kinard. The film tells the story of Hera, a young woman who is assaulted by a senior coworker at her dream job. As she tries to keep her career together, she is tormented at work, at home, and in her dreams by a mysterious tree monster.

Pollen is a well-made and disturbing film that explores the themes of sexual assault, workplace harassment, and trauma. Kinard gives a powerful performance as Hera, and the film's visuals are striking and atmospheric. The film is not for the faint of heart, but it is an important and timely film that is sure to stay with you long after you watch it.

Positives

Strong performances from Ava Rose Kinard and the supporting cast Striking visuals and atmospheric cinematography Thought-provoking exploration of the themes of sexual assault, workplace harassment, and trauma Negatives

The film can be slow-paced at times The ending may be unsatisfying for some viewers Overall, Pollen is a well-made and disturbing film that is sure to stay with you long after you watch it. The film is not for the faint of heart, but it is an important and timely film that is worth watching.

Recommendation

I recommend Pollen to fans of psychological horror films, as well as anyone who is interested in films that explore the themes of sexual assault, workplace harassment, and trauma.

I am a little surprised how low its rated on IMDB. The film really is well made, well casted and well acted. Perhaps the slasher seekers don't understand the point of this film. The work environment depicted in this film is quite common in the professional office space. The only area I think it could have been better was the ending scene where the higher up is killed in the girls apartment. It just didn't fit the rest of the film. I think a better smarter revenge should have been written into the story at the end. But other than that, this feels like a A24 film.

I think this was written by a first year women's studies student, and not a good one. The main character is an extremely emotionally immature woman, who mistakes the work place for a mating habitat and proceeds to be taken advantage of by her stereotypical "bad-misogynist" boss. She has a fellow female co-worker who takes part in mocking her as if this is a middle school lunch room, rather than a professional work place. She then proceeds to confuse reality with horticulture, having dreams of plant monsters and a slew of non-scary attempts at being a horror film.

In the end, it's very sophomoric and not scary. If I was Miss Smith's eight grade drama teacher, I'd tell her to try harder and focus less on the made up stereotypes in her head, and more on making character real.

Yes, it's that bad; like an after school special that's not close to being special. Whoever writes this trash should be a gardener themselves, because movie making just doesn't suit you. That's not a glass ceiling, that's a concrete reinforced bunker. Find a new career.

An innocent young woman, who has recently landed her dream job, gets roped into a toxic sexual relationship with a senior coworker.

As a result of the trauma she endures from the relationship, she ends up in a particularly fragile mental state.

During which she takes on a pot of flowers- given to her, as a gift, by the man- as her best friend, and confidant.

Only for it to become a monstrous beast, that torments her both in waking life, and her nightmares.

She uses the flowers as a stand in for the partner she wants him to be.

But it's quite clear, they have taken on the toxic form of his actual personality.

At least in the back of her mind.

Though, the lines between the real and psychological are blurred by a series of synchronicities she experiences through her niece.

Forcing her into a state of cognitive dissonance...that causes her to question reality.

And puts her at risk of losing her job.

The whole scenario acts as a metaphor for rejection.

Particularly how such an experience can affect empathetic individuals, like Hera, here.

Encouraging them to retain a connection to toxic aspects of their life, despite the fact that they are destroying them, from the inside out.

Making the monster she sees, a projection of her own mental state.

As she spirals toward delusion, as a result of the trauma she has endured.

An experience that is exacerbated, amidst the pressure of trying to make it, in a fast paced environment, where the men around her are continuously trying to exploit her (in order to satiate their own lustful desires).

All of which gives the film an air of dark humour...despite the rather serious subject matter it seeks to confront.

In regards to how being rejected by someone, only acts to make us, as humans, seek their approval, even more.

Often times, to the detriment of the more healthy relationships in our lives.

Of course, Hera is not the monster here (as if that even needs to be said).

The only monsters are those who use their positions of power over her to exploit her innocence.

Leaving a broken girl, in their wake...where a proud young woman, full of potential, once stood.

Making this a cautionary tale about the dangers of obsession, and hanging on to toxic relationships.

With a welcome ending, to a clearly tragic tale.

To cap off, what is a great little indie film.

In which a symbol of torment, is subverted into a symbol of empowerment.

A solid freshman feature from writer/director D. W. Medoff.

With a great performance by Ava Rose Kinard.

Talk about synchronicity...

6.5 out of 10.