Le vent se lève

"The Wind Rises" is a highly fictionalized version of the early years of aeronautical engineers Jiro Hirokoshi and Tatsuo Hori...with a very strong emphasis on Jiro. The fact Hiyao Miyazaki would make such a film isn't all that surprising, since he seemed to have a real sentimental attitude towards early airplanes in several of his films (such as "Porco Rosso"). However, I was a bit surprised when I learned about the film since the planes these two men made for Mitsubishi were important components of the extremely nationalistic Japanese military of the 1930s and 40s...an era many would probably choose to forget.

Not surprisingly, this is a Miyazaki film that is not at all intended for children. In fact, I wouldn't bother showing it to your younger audiences...they'd be bored. Plus some parents would object to all the smoking and cursing...and there's not a single Totoro or flying witch to be seen! As for me, I understand that many Japanese animated films are NOT intended for kids and that isn't a bad thing at all. In this case, Studio Ghibli managed to make one of the loveliest of all their films in "The Wind Rises". It is extremely touching in parts, especially when dealing with Jiro's fated romance. In fact, the film practically screams quality throughout and it's not at all surprising that it was nominated for the Best Animated Feature Oscar. Well worth seeing.

Incidentally, Jiro's infamous Japanese Zero was interesting because by the end of the war almost every single one of these aircraft had been destroyed...and I wonder how he felt about this. Ironically, one of the few Zeros to survive did so because it was captured and taken to the States for testing and evaluation.

I don't know if I loved it right from minute one, but then it doesn't quite start like any Miyazaki film (well, even with a dream scene). Its a little quieter, more natural, thoughtful and subdued, much like the main character will be through the film. And then earthquake hits. Its unlike anything you've seen in an animated film. It doesn't hype up its suspense or action. it simply shows Its protagonist, Jiro, react to a situation as calm and controlled as possible amid the debris and darkness and chaos, and help a couple of people in need. of course he doesn't know this young woman he saves will be an emotional foundation for his life. But as with any simple but splendid poetry we have a sense of the connection made.

Any other director might just make it a film about the 1920s earthquake that devastated Tokyo. Not Miyazaki. Soon after Tokyo is up and running and Jiro is after his passion which is airplanes. He dreams about them, and more than that dreams about the Italian icon of flying he looks up to as he gives Jiro advice and philosophical points about flying, inspiration and technology. And very soon after the film is more than anything about this man and his process - finding without any grandiose strokes what can make a plane fly quicker, faster, safer, with more agility and s look like no other. And, sometime soon, finding a love all his own.

Miyazaki has said (once again but probably for real this time) that he is done making films with the conclusion of the Wind Rises. If so, that's fine. I'm not sure if it's any sort of culmination of what his career has been or what he's said - Though you could certainly have a double feature with Porco Rosso, also about the wonder of flight but more in an adventure fantasy approach and have a fantastic several hours - and yet it's no less a marvel than anything else he's made. And if anything it just reveals more depths to how he feels for people and can show them in dimensions on screen than ever before. It is a biopic still, and a line here or there may be cornball, but so what. Its a fiercely intelligent film with genuine sentiment and a grace that comes from being a master letting your story unfold without rushing, letting scenes play out for full emotional weight, And ample colors and compositions painted with nostalgia for a mood (if not necessarily a side in history).

And yet you may think going in that there will be some sort of agenda politically speaking as it looks at a man who helped, ultimately, design planes that dropped bombs and shot and killed the US during world war two. It really isn't, or as simple as that. A couple of scenes with a German businessman of a sort voiced by Werner Herzog (yes the one and only, you'll know him when you hear him) lays out the futility in war and conflicts. And Jiro agrees. when someone speaks to him about what planes will be sent to fight whom, he is already resigned. "Japan will burn,' he says more or less. And yet he always stays more pragmatic, more about the work and the hard enough task to make the planes and make them fly high and well. This double edged sword also comes out when he is talking to his Italian guru in his dreams (especially the last one at the end of the war).

With all of this, the Wind Rises is a touching love story that seems possibly very doomed from the start - before getting engaged Jiro is told by Nahoko she has Tuberculosis and he doesn't care, or at least about that deterring him away - and how strong their bond is. How often do we get to see people in a movie, animated or otherwise, act like this to one another with kindness and compassion and a tenderness that (for the most part, maybe there's a bit of that "Japanese Disney" schmaltz but not much) is without any reservation? Not often really, at least like this as told at times without words at all; the high point of the picture is when there is a kind of wordless courtship as Jiro flies a paper plane around and it goes to the girl and she flies it back out as he chase to catch it and it repeats. The moving music, the amiable tone of the whole set piece, the mild peril... I'm at a loss to how much that just works because it feels true.

Did I mention its among the ten most beautifully animated films ever made? And I'm sure that group includes Mononoke and Totoro already. And I know full well a term like 'beautiful" is overused and tired. But Miyazaki crafts his works (or did) by hand with gorgeous, clear lines, water colors and maybe some cgi, and it both serves the story and its own sense of the world it's in: the earthy greens, the shiny clouds and blue skies, the metallic force of the planes, the drab grays of the offices and plane hangers. And yet you are still wrapped up in the tale of this man and those who cared about him or were inspired by and led by him, and is another rarity (easier to pull off in literature, trickier here and Miyzaki just about pulls it off): a mild wind that grows with power and energy, briefly, and then ebbs and flows with reality and, again, thought.

... maybe that's Miyazaki's secret, finally unveiled in his latest movie: "The Wind Rises".

You know, it's been three months since I discovered his work… and I never had to experience any kind of disappointment. And although I got used to his unequaled capability to catch my eyes and my heart, some of his movies really hit a sensitive chord, like "Kiki" or "Ponyo" and perhaps the action-less moments of "Nausicaa".

But I can't really describe the effect "The Wind Rises" had on me. For one thing, I'm glad I'm discovering it late because it's the film that best captures Miyazaki's love for airplanes. His passion never went unnoticed; how could it be? Almost half of his movies involve airplanes, flying devices or stunts in the air, but there has always been an element of fantasy that distracted from the personal approach he had to flying, even in "Porco Rosso" which was the most explicit homage to the Italian contribution to aviation.

But "The Wind Rises" made me realize how fantasy is perhaps the sincerest medium to convey passionate matters, because -to put it simply- it's all about dreams and vision that wait for the right wind to carry them a little and give them that extra push they need for flying. "The wind has risen, one must try to live" is the excerpt from Paul Valéry's poem that novelist Hori Tatsuo used as an inspiration for a tragic romance, and who else than Miyazaki could explore such a story, he who had dedicated all his life to things in the air, from feelings to… plain things (pun intended). One thing he had in common with Jiro Horikochi, the main protagonist.

The film deals with planes in a way that has never been touched by Miyazaki, it's not about flying but about the dreams of flying, their very blossoming in the fertile soil of a man's mind. In fact, the film is less devoted to planes than to the devotion of a boy, then a man, who designed the Imperial Army's most notorious aircraft. They were used in the war but the film has a point to make about war. Miyazaki believes in Jiro's humanism and expresses it through very riveting dreamy moments. Jiro is a dreamer, literally, and whenever he dreams, he meets his all-time idol, Italian Giovanni Caproni. Together they share their views about planes, their universal appeal and sadly their belligerent uses (or misuses).

But don't get it wrong, just because it's in the poetic vicinity of Miyazaki's usual works, the film is as realistic as any serious biography picture, although fictionalized with a romance adapted from the "Wind Has Risen" novel and many events that struck Japan from the Great Depression to Kanto's earthquake, and last but not least, the war. Jiro is portrayed as a witness of his time who must adapt to the evolution of society, a two-pace society with a feudal heritage yet trying to match the Meiji dream. The most emblematic image is the prototype being pulled by ox. This is Miyazaki's most personal film, it has Japan, it has humanism and well, it has planes.

And to give you an idea, this film is far more revealing about Jiro than "A Beautiful Mind" with John Nash. There was something so catching in Jiro's passion, in the way he kept focused on his job. I could even feel I was venturing into his mind as if Miyazaki met him in his dreams before making this film. I have no clues about planes but I do love a movie about passion, this is a film about a man who loves planes by a man who loves them. To judge a good biopic, I guess it all comes to the area of passion driving the maker. Having thick glasses, Giro could never fly but Caproni almost rhymes with epiphany, the Italian icon tells him that he can't even fly a plane, but there's just something far more exhilarating than creating. And Miyazaki wouldn't disagree.

The heart of the film is centered on the romance between Jiro and a gentle tuberculosis stricken girl, like Hori's wife who inspired the novel. And whenever they meet, the wind rises and make their encounter possible. Air is our universal heritage, in the film, it reunites people and give a proper meaning to their life. This air so fragile in "Nausicaa", this air that symbolizes peace in a world that prepares to war and about which the post-apocalyptic Nausicaa warned us. Miyazaki signs his best film. I enjoyed it so much it could have been twice longer, to the post-war period time.

But the film culminates with the tragic ending and doesn't show much of the war. It is anticlimactic to use a technical term, but I guess it's a fine ending because there wasn't much to add about Jiro once he designed the prototype, once the plane that started as a concept hidden behind a fish bone became a technological marvel. The film is dedicated to the engineer and to the poet. And the verse "The Wind Rises, one must try to live" is so beautiful it could work as an epitaph for Hayao Miyazaki, summing up his best contribution to animation: inviting us to dream, to pursue our dreams and to take them seriously like a poet, a bit like an engineer, always like a dreamer.

This is one of the greatest animated movies of recent times, and given how critical I was about "Frozen", I was shocked that it won the Oscar. From what I read, there was some controversy surrounding the peaceful nature of Jiro, a sugarcoating of the war and an overuse of smoking. I'd say "The Wind Rises" deserved better than being beaten by a film that tried to play the "socially relevant" card to death. But the masterpiece flies over "Frozen" like a zeppelin over a fish bone.

Miyazaki's swan song, most likely. It's an animated biopic of Jiro Horikoshi, a Japanese aircraft engineer who developed the Zero, the plane which would eventually bomb Pearl Harbor and do kamikaze attacks in WWII. The man himself was a pacifist (at least according to this film). Most of the film just deals with the man's love for flight, which obviously makes the story very dear to Miyazaki. In fact, a good portion of the film takes place in Horikoshi's dreams, where he can invent any crazy contraption. First and foremost, the film is gorgeous. Though it mostly deals with the real world, it finds the beauty in it. As good as the film is, it isn't one of Miyazaki's best. It's a little long-winded and slow (definitely don't take your kids to it, even if they're big Ghibli fans). Miyazaki kind of neuters the militaristic history of Japan at that time. You can feel some terrible stuff going on in the background, but, outside of the Germans, whom our hero visits at one point, all the characters whom we meet are perfectly nice people. I would have liked a more detailed picture of history at the time. Also, the romance that is depicted in the film, which is entirely invented, is a tad too maudlin (though it is quite nice up front). And, though I won't hold it against the film itself, the English language dub is awful. This may be due to the film's specific, Japanese setting, but I really felt the voice actors were just dull as Hell. I hate to say it, but Joseph Gordon-Levitt in the lead role is the worst. The least offensive performances come from Martin Short and Mae Whitman (the latter is a professional voice actress who is great on Avatar: The Last Airbender, though she is best known for her role as Michael Cera's dull girlfriend Ann on Arrested Development). I wish I had just seen the subtitled version instead (it was playing here, but at an inconvenient theater). I might like the film better seeing it subtitled. All those criticisms don't amount to too much, though. It's a wonderful film.

The Wind Rises is a fictionalized biography / character study of Jiro Hirikoshi and his story of becoming an Aviation Engineer. This movie had a great impact on me after seeing it in the theatre and I thought about what I had seen for the one hour drive home afterwards. In terms of pacing and how the movie focuses on the main character I was reminded of David Lean movies in its maturity and emotional grit. There were also times when watching that I thought to myself I have never seen hand drawn animation this good ever and will probably never see animation this good ever again. The character designs are beautiful. The backgrounds and color pallete are beautiful. The animation is breathtaking. But the story is just as beautiful as the artwork. The movie is about one mans journey to make beautiful airplanes but is also equally tragic in later scenes of the movie in the evolving love story and especially the last scene in the movie.

This movie does not explain at any time through dialogue what the character is feeling but instead it shows you and the subtle and at times powerful emotions which are the glue of what holds his story together. Some people may wonder why Miyazaki took creative risks with the real life story of Jiro Hirikoshi. The real life Jiro never married to a woman with Tuberculosis. Did he really fantasize about building airplanes? Was he really followed by a Soviet Spy? I think the way the character fantasizes about airplanes even when not dreaming is an honest depiction of how creative people like Hayao Miyazaki think.

Along with Porco Rosso this is probably Hayao Miyazaki's most personal movie. If you study Hayao Miyazaki's movies and read about his career like I have it becomes obvious that this movie is as much about Jiro Hirikoshi as it is about Hayao Miyazaki.

I recommend anyone who has ever been creative to go see the Wind Rises.

Hayao Miyazaki's Most Beautiful film.