The Garden of Words

I've seen most of Makoto Shinkai's anime. When I first saw 5cm per second, I was amazed at how well the emotions of the characters dwell in the environment around them.

Garden of words is no exception. The refined use of environment and ambient effects (sound, music, weather etc) contribute greatly to the film's story. There isn't much to say about how Makoto does it and if you're going to like the style but give it a watch and you'll know.

Overall, Garden of words is a really good piece of art. It's definitely filled with Makoto's signature style and a definite recommendation to watch.

I've always had mixed feelings about the works of Makoto Shinkai. Movies like 5 Centimeters per second are visually striking and evocative, but they are also essentially illustrated radio plays, where the story is told through words.

Garden of Words, surprisingly, is a movie that lets the images speak. While there's still a fair amount of narration, much of the story is told through its gorgeous visuals.

Thoughtful and touching, this movie proves I was right to keep watching Shinkai's films in spite of continual frustration and disappointment. I did it because I knew what he was trying for could work beautifully if he just learned to allow silence, and now he has. I hope this is a sign that he has matured into the animator I always hoped he'd be.

Just remember the technical brilliance of '5 Centimeters Per Second', the same director who curved this movie as well. So the expectation usually will be high for anyone who watched this filmmakers earlier movies. The movie was too short, not even it crosses an hour mark, but only a just below the 50 minutes.

Not only the filmmaker, but title as well impressed me. You know 'The Secret Garden' was one of my favourite so thought it would go similar fashion. Yeah, that's right the movie deals a story of a high school boy Takao who is passionate about shoe making. He goes to a nearby garden to the school to sketch shoes. One day during the rainy season he meets a stranger with beer in one hand and chocolates in another. Days passed by, they become very close and shares things to each others. How far this unanticipated relation takes them together and what are all changes make in their lives is follows in heartbreaking way.

''A faint clap of thunder. Clouded skies. Perhaps rain comes. And if so, stay with me.''

I can't say it was an unexpected surprise, it gave me what I was looking for, fulfills my desire. You know during the transition between two scenes some director will take an alternate route by showing skies, rain, clouds, insects et cetera for the few seconds. Those were very impressive and realistic. Technically it was spectacular, every minute details were incredibly good. It was a perfect meld between characters, story and the backgrounds.

The visuals were very charming in every frames of the movies just like '5 Centimeters Per Second'. Fine story as well, pure drama with more realistic mode covered with sentiments at the end. Could not ask better than this. The only worry was this movie is unbearably small. I was thirst to have extra more minutes, but I could not get. Ended seeing it with a disappointment but more than satisfied with the complete movie. For anime movie fans, it is a must see. Hope y'all get same excitement and pleasure like I had.

Although I don't make reviews of movies (only read and maybe comment with friends), Shinkai's movies just force me to. My first comment was of, in my opinion is this director's best work to this day, 5 cm per second, and so this is going to be my second comment.

With that long introduction said, I must say this movie surprised me, with a scenery a OST worthy of the highest regards (like Shinkai has us used to) and a character development spot on. Not the deepest analysis in each character (he couldn't do that in 45 min) but deep enough for the audience to understand them and know what they are going through which is the whole point of the movie. All this wrapped up with a spectacular climax. Although you feel the climax coming, you don't expect a climax like this, with that much energy, sentiment, and art, all in 2 min long.

To finish, a little opinion on Shinkai, I have seen all his movies and I sense that him, with this movie, just realized what are his strong points: not huge movies with 8 characters and lots of themes (a ground where Miyasaki flourishes) but little situations where few characters stand for being truly humane and how they confront problems that ,at that time, mean the world to them and shape them for the future. He's a director that likes to test new grounds (part coming from being a young) but he's also getting reaching his full potential. That's why "Voices from a distant star", "5 cm per second" and this movie are his best work to date and "Voices from deep below" and "place promised" being his not so good movies (although I liked them).

This movie is technically brilliant.

It's colour pallet suits it's mood. It is animated immaculately. It is a marvel to watch. It has this natural element to its shorts and it has inserts of random elements of nature that just looks insanely good. It is so impressive.

It also has a very pretty score that works well with its subdued mood.

The story is where I start to find issue with the movie. It is such a short film and I think there is so much packed into it that it gets lost somewhat.

I don't love the romance of the story I honestly think it would have been better being about friendship and two lonely people finding a friend in each other. I think that would have been much more poignant. The romance added this uncomfortableness to it which sort of flattened the story.

The other issue is that the story is very unclear in areas. I think if the film was stretched out a little and had its run time at an hour rather than 45mins, it would have benefited tremendously. It would have had a little more time to flesh out the storylines. They all seemed crammed in and I got a bit lost.

I think this is an incredible movie and with tiny changes it would have been amazing.