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7.5/10
6.6K
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After suffering a stroke, an altruistic maid announces that she wants to quit her job and move into an old people's home.After suffering a stroke, an altruistic maid announces that she wants to quit her job and move into an old people's home.After suffering a stroke, an altruistic maid announces that she wants to quit her job and move into an old people's home.
- Awards
- 38 wins & 27 nominations total
Man-sze Yu
- Sharon
- (as Wendy Yu)
Elena Mei-Ye Kong
- Aunt Kam's daughter
- (as Elena Kong)
Chi-san Chan
- Jason
- (as Jason Chan)
So-Ying Hui
- Mui
- (as Ho So-Ying)
Raymond Man-Wai Chow
- Self (Guest appearance)
- (as Raymond Chow)
Felicia Chow
- Self (Guest appearance)
- (as Mrs. Raymond Chow)
Featured reviews
Ah Tao, an old maid in Hong Kong who have served Roger's family for four generations suffering stroke that make her deciding to retire and move into old people's place. She recover her stroke there, learns many thing and also is treated well. Every once a week, her master Roger visits her and accompanies her to take a walk. Sometimes, Roger's mom also comes to visit Ah Tao and bring her many useful things. Roger's family really love Ah Tao and feel thankful after what she has done for them about 60 years long by taking care of their family.
'A Simple Life' have shown that a simple story could give good impression and enjoyable to watch. The storyline is not complicated at all, the movie goes on slowly and very detail. Ann Hui as a director tries to make it safe and straight without any meaningful conflicts which sometimes could make audience feels bored watching it. The relationship between Roger and Ah Tao built really well, it shows how they support and take care one another even sometimes telling jokes. Credits should be given to Andy Lau and Deannie Yip, their acting is so natural as two characters who has known each other for a long time. Overall, 'A Simple Life' is a memorable Chinese movie I've seen recently. Actually I felt exhausted during watching 'A Simple Life' because of it's slow plot but when I rewind what I just saw, the movie isn't bad at all and has so much lesson to be learned from it. It teaches audience to respect and appreciate people who has done good things in lives and not forgetting their merit.
'A Simple Life' have shown that a simple story could give good impression and enjoyable to watch. The storyline is not complicated at all, the movie goes on slowly and very detail. Ann Hui as a director tries to make it safe and straight without any meaningful conflicts which sometimes could make audience feels bored watching it. The relationship between Roger and Ah Tao built really well, it shows how they support and take care one another even sometimes telling jokes. Credits should be given to Andy Lau and Deannie Yip, their acting is so natural as two characters who has known each other for a long time. Overall, 'A Simple Life' is a memorable Chinese movie I've seen recently. Actually I felt exhausted during watching 'A Simple Life' because of it's slow plot but when I rewind what I just saw, the movie isn't bad at all and has so much lesson to be learned from it. It teaches audience to respect and appreciate people who has done good things in lives and not forgetting their merit.
The Palm Springs Film Festival ended with a day that included the best films of the fest. A Simple Life was on the list and was the icing on the cake of this great festival. This is a film about our connections to those we love, those we hardly know, and to ourselves. It is a sublimely graceful work and truly seamless. Deannie Yip, plays a maid who has worked for a family for many, many years. When she falls ill she moves to a long term care facility. Her struggle to move into her new role as an "ill person" is completely in keeping with what we know about her character. Great acting! The relationships she shares with the family members she's worked for are studies in the nuances of intimacy. Directed by Ann Hui....it's no wonder she's said to be "Asia's most important female director".
'A simple life' is a film about human kindness. About caring for others. About harmonious human relationships. Does this sound cheesy? It's not meant that way. The film shows how caring for one another can make a difference, but it's never sentimental and there's no tear jerking at all.
The story centres around A Tao, a housekeeper who cooks and cleans for film producer Roger, who is not married and travels a lot. When returning home from one of his travels from Hong Kong to mainland China, A Tao doesn't open the door. She has had a stroke and after her stay in the hospital, she moves to an old people's home. Roger visits her regularly and gradually they become closer. At the start of the movie they are employer and employee, at the end they are friends.
Director Ann Hui shows this process with small, symbolic scenes. When A Tao serves Roger his food in one of the first scenes, only one word is spoken, when she asks him to move something on the table to make room for the dish she has prepared. The contrast with another key scene, later on in the movie, is huge. After A Tao has recovered from the stroke, Roger takes her to the first screening of his new film and introduces her to movie stars as his godmother. Afterwards, they walk away hand in hand, chattering affectionately about the film business.
A Tao visibly enjoys this party, and the attention she receives from her 'godson'. This is just one of the examples of the wonderful acting by Deannie Yip, a famous actress in the Hong Kong film industry but unknown to the rest of the world. In this film, she seemingly effortlessly plays A Tao first as a humble servant, then as a physically handicapped patient and also as a coquettish lady. How wonderful it must have been for her to receive a 'best actress'-award at the Venice Film Festival for her part as A Tao.
The film focuses on the relationship between Roger and A Tao, and the development of their mutual appreciation. Apart from that, not much really happens. There are some humorous little scenes that will make you smile, as well as some more emotional ones. This is a slow and low-profile film, to be appreciated by a typical art-house audience.
The story centres around A Tao, a housekeeper who cooks and cleans for film producer Roger, who is not married and travels a lot. When returning home from one of his travels from Hong Kong to mainland China, A Tao doesn't open the door. She has had a stroke and after her stay in the hospital, she moves to an old people's home. Roger visits her regularly and gradually they become closer. At the start of the movie they are employer and employee, at the end they are friends.
Director Ann Hui shows this process with small, symbolic scenes. When A Tao serves Roger his food in one of the first scenes, only one word is spoken, when she asks him to move something on the table to make room for the dish she has prepared. The contrast with another key scene, later on in the movie, is huge. After A Tao has recovered from the stroke, Roger takes her to the first screening of his new film and introduces her to movie stars as his godmother. Afterwards, they walk away hand in hand, chattering affectionately about the film business.
A Tao visibly enjoys this party, and the attention she receives from her 'godson'. This is just one of the examples of the wonderful acting by Deannie Yip, a famous actress in the Hong Kong film industry but unknown to the rest of the world. In this film, she seemingly effortlessly plays A Tao first as a humble servant, then as a physically handicapped patient and also as a coquettish lady. How wonderful it must have been for her to receive a 'best actress'-award at the Venice Film Festival for her part as A Tao.
The film focuses on the relationship between Roger and A Tao, and the development of their mutual appreciation. Apart from that, not much really happens. There are some humorous little scenes that will make you smile, as well as some more emotional ones. This is a slow and low-profile film, to be appreciated by a typical art-house audience.
This film is about a maid who is forced to retire after a stroke. Her life and the relationships around her change drastically.
"A Simple Life" is a touching story about a maid who has served a family for 60 years. She was seen as a servant in the beginning of the film, with her employers having no emotional attachment whatsoever. It saddens me to see how Ah Tao was treated with little respect. As the story progresses, the emotional connections and the direction of servitude turn 180 degrees, making a heartwarming and satisfactory change.
The environment in the old age home is strikingly authentic as well, from the residents, staff, the relationships between residents and relationships between residents and their children. How they care for each other is touching to say the least.
There are many effective and powerful scenes. The very brief 5 second scene of the old man walking in an alley with a young woman has so much emotion in it, I felt this spectrum of feelings towards this old man, from shame to anger. The numerous scenes with Ah Tao's humble personality are also very moving. A picture is really worth more than a thousand words.
It is also striking to see how the old age home manager speaks accented Cantonese, something that is very usual among old age home staff. This adds to the authenticity of the film. Another striking thing is that she is just 5 months younger than the actress playing Ah Tao. Who would have guessed!
In short, "A Simple Life" tells a heartwarming story of a humble, dedicated and selfless maid. The plot is so strong, that it moves people without the need of special effects or fancy sets. "A Simple Life" is a refreshing change for theHong Kong cinema, as it finally churns out a quality drama.
"A Simple Life" is a touching story about a maid who has served a family for 60 years. She was seen as a servant in the beginning of the film, with her employers having no emotional attachment whatsoever. It saddens me to see how Ah Tao was treated with little respect. As the story progresses, the emotional connections and the direction of servitude turn 180 degrees, making a heartwarming and satisfactory change.
The environment in the old age home is strikingly authentic as well, from the residents, staff, the relationships between residents and relationships between residents and their children. How they care for each other is touching to say the least.
There are many effective and powerful scenes. The very brief 5 second scene of the old man walking in an alley with a young woman has so much emotion in it, I felt this spectrum of feelings towards this old man, from shame to anger. The numerous scenes with Ah Tao's humble personality are also very moving. A picture is really worth more than a thousand words.
It is also striking to see how the old age home manager speaks accented Cantonese, something that is very usual among old age home staff. This adds to the authenticity of the film. Another striking thing is that she is just 5 months younger than the actress playing Ah Tao. Who would have guessed!
In short, "A Simple Life" tells a heartwarming story of a humble, dedicated and selfless maid. The plot is so strong, that it moves people without the need of special effects or fancy sets. "A Simple Life" is a refreshing change for theHong Kong cinema, as it finally churns out a quality drama.
10JvH48
I saw this film as part of the Rotterdam Film Festival 2012. Relatively long with nearly 2 hours running time, but not long winded at all. How does this film maker achieve that?? Carefully filmed, very nearby the two main characters. At the same time it showed an inside view in a retirement home, and a small view over the fence into the film industry.
The retirement home at hand may look different from similar institutions in our own country, but that is only the surface. Like here in The Netherlands, it is a small population with very different people who did not choose each other, many of them leading vegetative lives. Our first main character (the "amah", a lifelong help) is still relatively active, in spite of her stroke. Being moved to the retirement home was her explicit wish, unwilling to become a burden for the family she served for 60 years. This particular situation is something we cannot imagine in our own world, but apparently it exists there.
The other main characters is the last living son of the family. Though not being blood relatives, we see the two main characters behave like mother and son. To the outside world they explain their relationship as mother and godson, or alternatively as aunt and nephew, whatever fits the situation best. Her position as an "amah" is not known to others than the immediate family members, who all seem to care for her.
The inside view in the film industry is less extensive and mostly concentrated in the beginning, with a hefty meeting about an ever growing budget that some film maker needed, and a subsequent meeting with a bank manager about the fine print in a contract that was ignored by the bank. It merely serves to portray the "son" part in the story, and to explain why he is abroad for longer periods and cannot always find time to visit the retirement home. This has the definite purpose to prevent putting him on display as someone not caring. We see the fact that he really cares confirmed in the way he brings her along to a industry screening of this newly produced film, presenting her as his aunt.
The retirement home at hand may look different from similar institutions in our own country, but that is only the surface. Like here in The Netherlands, it is a small population with very different people who did not choose each other, many of them leading vegetative lives. Our first main character (the "amah", a lifelong help) is still relatively active, in spite of her stroke. Being moved to the retirement home was her explicit wish, unwilling to become a burden for the family she served for 60 years. This particular situation is something we cannot imagine in our own world, but apparently it exists there.
The other main characters is the last living son of the family. Though not being blood relatives, we see the two main characters behave like mother and son. To the outside world they explain their relationship as mother and godson, or alternatively as aunt and nephew, whatever fits the situation best. Her position as an "amah" is not known to others than the immediate family members, who all seem to care for her.
The inside view in the film industry is less extensive and mostly concentrated in the beginning, with a hefty meeting about an ever growing budget that some film maker needed, and a subsequent meeting with a bank manager about the fine print in a contract that was ignored by the bank. It merely serves to portray the "son" part in the story, and to explain why he is abroad for longer periods and cannot always find time to visit the retirement home. This has the definite purpose to prevent putting him on display as someone not caring. We see the fact that he really cares confirmed in the way he brings her along to a industry screening of this newly produced film, presenting her as his aunt.
Did you know
- ConnectionsFeatured in Women Make Film: A New Road Movie Through Cinema (2018)
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- A Simple Life
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- CN¥30,000,000 (estimated)
- Gross US & Canada
- $191,826
- Opening weekend US & Canada
- $43,372
- Apr 15, 2012
- Gross worldwide
- $4,776,272
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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