College seniors Jamal and Trevor each think they have it all planned out until they have an unexpected encounter, but is their developing love enough to overcome their different backgrounds,... Read allCollege seniors Jamal and Trevor each think they have it all planned out until they have an unexpected encounter, but is their developing love enough to overcome their different backgrounds, paths, friends, and families?College seniors Jamal and Trevor each think they have it all planned out until they have an unexpected encounter, but is their developing love enough to overcome their different backgrounds, paths, friends, and families?
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- 6 wins total
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Approaching this with skepticism due to unfamiliar faces, I was pleasantly surprised by its quality. The engaging and authentic storylines captivated me, though I wished for more exploration of Nathan's character, potentially making it the focal point with the love story as a subplot. Nathan's song "99 Pills" was a standout, sending shivers down my spine-an undeniable highlight. The acting, while decent, aligns with many smaller budget films, and there's a sense of commitment across the board. I'm giving it 7 stars, I acknowledge its potential for growth and look forward to see what else is produced by the writer Mike Spears in the future.
Regular themes mixed with modern day sensibilities that is horrible. It's like watching paint dry. I had no empathy for the characters and couldn't wait for this fiasco to be over. The musical numbers were not even on par with the best high school performances I've witnessed. When it was over I kept saying that's 2 hours of my life I'll never get back. This story could of been told in half the time. It just seemed that the director rushed the shoot and no one bothered to push the actors to deliver honest emotional performances. It was amateurish at best. As I watched the musical numbers I kept thinking this can't be choreographed only to watch the end credits to realize it was to my dismay. I hope the writer, producer, and director keep trying to develop but this is just plain awful.
I really liked this musical, which won thanks to creator Mike Spears at three festivals in LA, as well as in Florence and Palm Springs, and I will keep coming back to it. The choice of both main protagonists was absolutely brilliant. Not only excellent acting, but also singing. One song after another was a delight not only to my ears, but to the point where I wondered why there weren't more of them. Gradually, the story unfolded and I became more aware of the completely professional approach of Jay Towns and Trey Mendlik. Both mothers showed up a lot in the second half as well as some other characters and I was sad at the end that everything ends and I also enjoyed the end credits, which you must not turn off. I definitely recommend it especially to open-minded viewers who like this kind of film art. And I'm going to the musical again...
"Jamal" (Jay Towns) is the upcoming basketball player who arranges an hook up on the internet. He is surprised to find that it's college television anchorman "Trevor" (Trey Mendlik) who turns up. That doesn't put them off, and indeed they meet more than once as the latter man begins to fall in love and the former has to come to terms with his own identity. Can they make a go of it? Well jeopardy wasn't high on the writer's list of priorities with this predictably turbulent tale of finding your feet, but it's a little more engaging than your run of the mill gay drama. That's maybe because the supporting characters are a bit stronger. France Jean-Baptiste and Beka both work quite well as the mothers as does Pete Berwick as the layabout and rather odious father of "Trevor" who manages to mix his racism and homophobia in quite a toxically entertaining fashion. It's peppered with some decent enough songs that help it showcase some of the issues faced by young people coming out, and by those dealing with unhappy marriages, drugs, yes all that usual melodrama stuff - but again, it sort of works better than you might expect. It's essentially a project for the stage, though, I think. Cinema doesn't really do it any favours as the audio mix is pretty dire as is the voice dubbing for the songs. In many ways it's no worse than the over-hyped "Theatre Camp" (2023) and won't scare you away. It's aptly named.
Loved watching a gay film with a super happy ending. Don't want to spill the beans, but there's a bit of a tearjerker in there. Trevor and Jamal's connection is just so pure and innocent - totally my vibe. And can we talk about the sizzling chemistry between the actors? Had me wondering if they're a real-life couple. The film's pacing was right up my alley, and those awkward moments between Trevor and Jamal? Totally relatable. The ending? Heartwarming and put a huge smile on my face! Wasn't expecting it to wrap up like that, but I'm so glad it did. Overall, a solid, relatable story that's a breeze to follow.
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- Runtime
- 1h 40m(100 min)
- Aspect ratio
- 16:9 HD
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