N'attendez pas trop de la fin du monde

Angela, the overworked and underpaid production assistant, drives through chaotic Bucharest, trying to film castings for a commercial. Completely stressed out and exhausted, she desperately seeks a few minutes of peace, but her boss keeps calling, telling her to drink a strong coffee or a Red Bull and to keep working. The ringtone on Angela's phone when work calls is "Ode to Joy" - the EU anthem.

A film that couldn't be more cynical. It's an authentic critique of society and capitalism, wrapped in bold, crude situational humor. The West-especially Austria, the country that in recent years blocked Romania from joining the Schengen Area-is constantly ridiculed.

It's not common to see a Romanian film that is so critical of the present, as most tend to condemn the past under Ceausescu and embrace capitalism without much questioning. Radu Jude shows that those days are likely over, as things haven't improved much for Romanians. Quite the opposite. Nature is being destroyed for private companies, cities are drowning in traffic, intellectuals are leaving the country, and poverty is everywhere.

This dark comedy is, for me, a highlight of the year. It makes you think, but most of all, it makes you laugh out loud.

After deducting one star for over-the-top vulgarity, much of that from protagonist Angela's TikTok alter ego Bobita; and one more star for being way too long; this left eight stars to work with, and the film earned them all. My first impression of Angela was dim, but she was just a tough, bright cookie doing her own thing - mostly driving, apparently -- in rough circumstances. Terrific acting.

Can't say how well the "movie within a movie" device worked. I understand it was to provide both contrast and context, but after awhile it became intrusive and repetitive, like prolonged scenes of Angela's gum-chewing during relentless drives, and a wholly gratuitous sequence of highway fatality crosses. The scene at the end filming Ovidiu and his family is especially sharp, with quite a few lessons hidden in there.

Not exactly sure why, but the film overall reminded me of Fellini's Nights of Cabiria ... not for any obvious reasons, but a similar tone.

The ending was abrupt but appropriate and satisfying. Closing credits are wacky, not something I often see. Major credit too goes to whomever did the English subtitles: they were spot-on, very nuanced.

Not too sure about how it makes Bucharest look, though.

Angela is a movie Production Assistant in Bucharest, overworked and underpaid. Romanians seem to be suffering from inflation, blamed on the Ukrainian war. In this story, she is part of the team shooting a workplace safety video for a multinational compamy.

In day 1, she is frantically racing around (on streets where the other drivers are crazy), interviewing injured workers who are potential subjects, doing other errands, and squeezing in some personal time as well. This part is shot in black and white, to distinguish it from the color sequences, which illustrate the back story of some of the characters of the day, and also her alter ego, a sex-obsessed bald man. However, at 2-3/4 hours I find this extraneous, plus there is an overlong sequence of the crosses along a road memorializing traffic accident victims. Deduct one star for this "creativity".

For day 2 (before lunch break), the selected subject (and selected family members) are assembled at the site of the accident for the shoot. Contrasting with the previous day, this is basically a fixed camera situation, assuming that this is the camera that is shooting the actual corporate video. Complications happen, including the "big boss" demanding his own creative idea - not prevously expressed.

The film is a moderately interesting slice of life in Romania, and it is up to the viewer as to whether the creative touches add (according to some critics) or subtract (according to me) to its enjoyment.

Absolute film. This stunning protagonist takes us to inside the car and also into the reality of the romenian proletariat. Her daily vlogs as a man character on social media's make criticism uncomfortably funny.

Flashes of "Angela goes on" sometimes fit perfectly with romenians women's nowadays issues, especially as a car driver. On the other hand, at other times, it highlights the aberrant contrast behind different eras: "it's later than you think".

Personally, as a third world citizen, this universal theme brought up by the film touches me deeply. Government corruption, nonsense ideological fanaticism among people, and our impotence in the face of all of this.

Uncomfortable until the end and necessary.

I live in Romania and this is the most acurate and realistic movie I've seen in my life and I watched over 2000 movies. I truly hope that life outside of Romania has another perspectives and values but I suspect that this toxic recipe is applied in all the "modern" countries of the world.

The movie captures in a perfect way the hoax of a "modern" life, lived in a big city. Deppresion, anxiety, regrets, fake smiles, competition, survival, degeneration and destruction. The parralel drawn between the modern days presented in black and white and the communist times presented in colour mark a huge contrast between an organic way of life and this jungle we dare to call civilisation today.

A huge masterpiece and an extremely harsh and realistic account of today's "society." Anyone who is more bothered by swearing than by corruption, ignorance and obedience is by definition a modern slave. This is the true message of the movie. It's time to stop exchanging fake smiles for money and status and start being human again.