Take Shelter

When done right, few tales are more riveting than a person's descent into madness. Alfred Hitchcock proved this time and time again and Jeff Nichols reinforces it in "Take Shelter," a film likely to have been lauded by the master of suspense himself. Anchored by the performances of Michael Shannon and Jessica Chastain, "Shelter" broods and festers but ultimately thrives on the brink between buildup and utter chaos.

Shannon, far from a household name but a favorite of cinephiles since his head-turning supporting role in "Revolutionary Road," stars as Curtis, a construction worker and father living in a rural town with his wife, Sam (Chastain), and their young daughter, Hannah (Tova Stewart). Their daughter has developed extreme hearing loss and Curtis' job provides them the benefits necessary to afford cochlear implants, but Curtis' recent slew of horrifically real nightmares seems to be the real issue here.

In his dreams, Curtis experiences premonitions of a near-apocalyptic storm that includes odd bird flight formations, motor-oil-like rain, and twisters, and appears to make everyone that shows up in his dreams eerily violent from his dog to complete strangers. The resulting paranoia and occasional physical side affects leads Curtis to seek medical attention, but also to start renovating the storm cellar in his backyard should his visions come true.

The question of whether Curtis is a prophet of sorts or just mentally disturbed drives the film — not much else does. Nichols tells this story largely through a series of character snapshots depicting Curtis riding the ups and downs caused by these nightmares. A few key moments boil the story to a point, namely a riveting scene when Curtis loses it a social luncheon, but the pensive script withholds from us straight through the end like a well-trained indie film.

As we go deeper and deeper with Curtis — and eventually Samantha and Curtis' best friend/co-worker Dewart (Shea Whigham) — we do learn some key details about Curtis' medical history that shed light on the situation, but even in the midst of fact, Nichols never gives us the satisfaction of arriving at any concrete conclusion about his predicament.

With the weight of an immensely introverted character dealing with a mental struggle placed squarely on his shoulders, Shannon proves why you'll only see him with more and more frequency in the future. He makes sure we care about what happens to Curtis, but beyond that he slips back and forth between deserving sympathy and deserving skepticism. He is not simply some Jobian character to whom bad things are happening, and this makes his challenge all the more challenging for the viewer. Credit as well to Nichols for crafting a protagonist far from the norm.

The winner of 2011′s most ubiquitous actress award, Chastain, gets the more alpha-type role instead. She's the good-hearted, open and loving type driven entirely by logic and unafraid of confrontation. Many will identify more with Samantha as a result, which adds a layer of complexity to the film to say the least.

"Take Shelter" offers compelling character-driven suspense, though at times it will try your patience. If you can chalk that up to quintessential indie filmmaking, then by all means do and enjoy this complex and challenging character portrait all the more for it. However, the real thrill of this type of film is that at any moment the bottom might drop out on the entire story (aka the $%&+ might hit the proverbial tornado); the difference between liking that and loving it is accepting when it doesn't.

~Steven C

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Take Shelter is an intelligent, thought provoking, nicely shot film featuring an excellent performance by Michael Shannon (an Oscar nomination, surely?), who was also great in director Nichols' previous/first film, Shotgun Stories. The film explores the line between fear and paranoia, or objectivity and subjectivity, as it's protagonist - a blue-collar family man of few words - wrestles with apocalyptic dreams and visions of a strange, possibly supernatural storm, responding to them as best he can as both literal warnings AND possible signs of mental illness. The film has a brooding, at times Hitchcockian atmosphere and a very timely feel to it (think financial and environmental disasters). Set in a rural community, we have plenty of lovely wide shots of the land- and sky-scape (also a strong element of Shotgun Stories) with some added CGI on the latter for the dream/visions. Shannon's performance constitutes at least 50% of this films worth but the rest of the cast are good too. It's a slow mover and, at around two hours and fifteen minutes, perhaps a bit too long. My wife and I did have a few criticisms after watching it (at the Sydney Film Festival), but I wouldn't want to discourage anyone from seeing this film, which will no doubt be a hot topic and bring Nichols deserved recognition when it goes on general release (September 30 2011 in US)

The family man and construction worker Curtis LaForche (Michael Shannon) is happily married with Samantha (Jessica Chastain) and they have a beloved deaf daughter, Hannah (Tova Stewart). Curtis works with his friend Dewart (Shea Whigham) in his team and his mother Sarah (Kathy Baker) has been interned in a clinic since she was thirty years old with paranoid schizophrenia.

Out of the blue, Curtis has nightmares and visions of an apocalyptic storm and he becomes obsessed to build a well equipped storm shelter for his family and him in his backyard. Curtis spends the family savings and gets a loan from the bank to prepare the shelter. His obsession affects his work and his relationship with the locals and Curtis loses his job. Does Curtis have a premonition or is he losing his sanity?

"Take Shelter" is an original drama developed in slow pace with magnificent performances. The screenplay is very well written and despite the running time of 120 minutes, the movie keeps the attention of the viewer until the very last ironic scene. My vote is eight.

Title (Brazil): "O Abrigo" ("The Shelter")

Note: On 21 August 2024. I saw this film again.

This is my first review, I felt compelled to write it due to this absolutely amazing and thought provoking movie. For me it's a work of art, from the acting to the dialogue to the cinematography but more importantly the subject matter. I have dealt with issues in my own family that relate to this movie so it really hit a raw nerve with me. It actually opened my eyes and mind to my own past.

Why this movie has gone under the radar in terms of awards baffles me!? The acting is something I've never seen before and I've watched a lot of movies in my time. It was so real, all the actors were brilliant but Michael Shannon who plays Curtis and Jessica Chastain who plays Sam were outstandingly good. Some of their scenes together had me in tears. The little girl who played their daughter was brilliant to, so believable.

You really must see this movie, I'd go as far as saying it's the best movie I've seen for years. Jeff Nichols has an amazing mind! All I can say is WOW!

In "Take shelter" Curtis La Forche (Michael Shannon) is afraid of a devastating storm. Soon this fear dominates his life and he decides to make an underground shelter in his backyard.

"Take shelter" is about fear but it is also about the apocalyps.

The apocalyps takes in this film the form of a devastating storm. It's a storm of biblical proportions, but less religious spectators maybe inclined to make a connection with global warming. Apparently each time has it's own image of what Armageddon is like, because in the 80's of the last century I'm quite shure the film would be about a nuclear Holocaust.

Whatever the form the apocalyps takes, the remedy is more stable: an underground shelter. Watch for example the video clip Donald Fagen made for his 80's hit "New frontier".

"Takes shelter" is also a film about fear, just like for example "Cleo, from 5 to 7" (1962, Agnes Varda), in which the lead character is afraid of having an incurable illness. In both films the clues indicating whether the fear is justified or not are mixed.

Justified or not, for sure the fear in "Take shelter" is not functional. At first it puts the main character in social isolation and (in an ironic twist of fate) when his fear may materialise his shelter is way out of reach.

The social context of the film is firmly American. When the lead character loses his job during the film, he also loses his health insurence. For a family with a disabled child this is nothing less than a disaster. Something similar happened in "The insider" (1999, Michael Mann).