Shotgun Stories

This film is not an action movie like the title might imply, far from in in fact, it is slow moving yet relentless in it's growing tension. You feel that it will all reach a breaking point eventually and that's what kept me interested, along with very believable performance from the entire case. I don't want to get into any of the plot for fear of spoiling anything so I won't. I knew very little going in and I think that was for the best. I'm not trying to make it sound like this is a film full of big twists, because it's not, but what it is, is a film of moments, key moments that define the film, it's story and it's characters. These moments at times are surprises and other times inevitability. All said this story is well done, I do believe it could have been done better by a different cast and some rewrites, but that's not to say that this is a bad film at all, for what it was and what it had it all feels both good and right.

What a great feature film debut. Nichols shows a certain restraint and control of everything on screen here in a way that makes you think he's a pro, even if visually the fllm looks rather simple and to-the-point. The ensemble here is really fantastic, led by an always-reliable Michael Shannon. The film could've easily came off as having escalated way too quickly, and maybe even unrealistic, but Nichols manages to handle everything with restraint and, again, a clear hand of how to demonstrate a story like this realistically. This film certainly is contemplative in its nature and not a 'thrilling" film by any means, and nichols needs to be congratulated for not embracing the violence as just some entertainment.

I've seen Michael Shannon in too many movies to mention, but he may get his due this year with an Oscar nomination for Revolutionary Road. This indie, shot in the State I spent a lot of my growing up years in, is an excellent performance for him. Most of the others in this movie about family tension and revenge are new to acting.

Wars between families and clans are nothing new. There are the famous Hatfields and McCoys, and I just watched L' Héritage (The Legacy) that had the same subject. Here, a daddy left three sons and went off to start a new family. They come together at the funeral, but the abandoned clan set off a feud when they dissed the old man.

It was a slow movie, with a few fights, and it verged on exploding, but family wins out and bloodshed is minimal.

Southern American culture is rich in storytelling tradition and part of that is the story of the blood feud. But Shotgun Stories is not about those ancient yokels, the Hatfields and the McCoys, but contemporary families in rural Arkansas.

One father, two wives. Two sets of sons. With first wife, father was an alcoholic ne'er to do well who abused his wife. The boys by this wife are poor. He cleaned up his act when he ran off with this second wife and became a farmer. The sons by this wife are middle class. The sets of sons hate each other.

The father dies. At his funeral, his first set of sons shows up, brazenly unkempt to spite the well-dressed second set of sons. The oldest makes a speech condemning the father for abandoning them, then spits on the casket. A fist fight breaks out. Vengeance is sworn.

And so the movie begins. And blood is shed.

The information above about family history does not emerge all at once. Bits are doled out as we get to know the Hayes family, the sons, their wives and girlfriends, friends (some, like Shampoo, disreputable) and their children. An often unmoving camera fixes on the details on these young men's lives, especially the older ones, Son, Kid and Boy (Yes, that's their names).

Just about everybody in the movie has known each other since childhood.

This is not a fast-paced movie, but the tension builds to almost unbearable levels as retribution leads to worse retribution. Interestingly, the most serious violence occurs off camera.

Eventually, a peacemaker emerges in a most unlikely (but maybe not) persona.

Shotgun Stories is the kind of movie film festival goers adore. Low budget. Unknown actors. Local color. Rich dialogue. Evocative cinematography.

If that's not your bag, stay away. But if it intrigues you, check this out.

This is a chilling film made with minimal resources that grabs you by the jugular and doesn't let go - a family tragedy that reeks of Shakespeare. A father has died leaving two sets of sons behind (by different mothers). The older sons were abandoned when young and when they turn up at the funeral held by the younger sons, old hostilities surface. Much of the narrative unfolds without explicit explanation, and often with minimal dialogue. We get into the minds of the various protagonists largely by their actions.

Set in the cotton-growing region of Arkansas, it gives a view of Americans struggling in semi-rural life. The film cast is mostly with unknown actors and this is a strength that adds a level of realism to a film. While there is a sense of dreaded inevitability throughout, there is also plenty of room for the unexpected, but not in a contrived Hollywood manner. The film is both very well written and impeccably directed. Remarkably, this is a directorial debut by Jeff Nichols who also wrote and produced the film. He is definitely a talent to watch.

As a slight negative, I don't know if it was the film or the venue, but the visuals and sound didn't seem quite up to scratch. This bothered me slightly at the start, but once the story got into gear (pretty early in the piece), it was barely noticeable. I found the music enjoyable, adding ambiance without being in your face.

I saw Shotgun Stories at the Melbourne International Film Festival.