Faces

We don't get to watch many thrillers lately so I was hopeful about this movie. It was actually satisfactory enough, the changing faces of the supporting cast was fun and sufficient to emphasize with Milla's character. If this was a bigger budget movie, it would be delightful to have some of these faces by more recognizable character actors depending on the situation and her disposition towards them. As it was, the film was more like a procession of many extras (note the collaboration of 4-5 studios). For some weird reason I expected and hoped she would at some point see Philip Seymour Hoffman as her husband, Luiz Guzman as the cop, Eric Roberts as Lanyon, but of course that didn't happen :) I agree with others that the love affair looked superficial and lacking chemistry, but just think (after watching the film) how it would be elevated by a clever and ambitious casting of supporting actors.

On the downside, the suspense level was not really high and the film never came close to being chilling. It could have been a much more captivating thriller. Sometimes the story of the killer was almost a sub-plot and it was her prognosis that was at the forefront, I guess Milla preferred it that way for having more opportunity to display her serious acting skills. My alternative would be to have more scenes with Lanyon and also more innovative stalking by the Lurker. That way the audience would engage better in making guesses about the killer's identity and could actually still be amazed by a clever twist at the end.

Here is a diversion about the leading actor (well, the movie became rather dull enough times to give me an opportunity to amuse myself by reflecting on her career). I think Milla is cleverly changing gear, she is very positively stuck in my mind with the Fifth Element (that was when Bruce Willis was a dashing action star) and I noted her acting in the Million Dollar Hotel as well as her portrayal of Jean Darc. When you come to think of it, she has a remarkably diverse and rich filmography with leading roles in major films while she was very young. Overall however, her last ten years went largely unnoticed by people who are not into resident evil, so now she has the chance to make a re-entry as a fresh face who happens to have a lot of acting experience. In the next few years she could aptly make her mark as the lead actress of noirs and thrillers (a role played by Kim Basinger and Michelle Pheiffer in the last decade).

To sum up, an entertaining and somewhat original movie which unfortunately is not intellectually challenging. Watch it, but with realistic expectations.

I have mixed reactions after watching this movie. In some ways, the movie has exceeded my expectations, but then lets it down again and again.

On the positive side, there hasn't been a good whodunit murder mystery in a long time. Taking that into consideration, this movie is a welcome change and even starts of as a good murder mystery. Another welcome change is having Milla Jovovich in a more meaningful role as compared to her heroic association with the "Resident Evil" franchise. As Anna Merchant, Jovovich is a primary school teacher who witnesses a horrific murder after a night out with her friends. Dubbed "Tearjerk Jack" for violating women after killing them and then weeping over their lifeless bodies, the serial killer chases Anna until she falls off a bridge. Two weeks later, Anna wakes up in a hospital with a rare condition known as Prosopagnosia or Face Blindness where her ability to recognize faces is impaired. The disorder becomes an ordeal when she can no longer recognize her friends, the children she teaches and even people close to her like her father. After therapy, Anna realizes that Face Blindness is a serious disorder unless she learns to cope with it. In the process, she gets close to detective Kerrest (Julian McMahon) and learns that the serial killer is still at large. Worse, the killer knows of her condition and is now closing in to finish the job.

Written and directed by Julian Magnat, the concept is almost original and suffices as a thriller. Anna's confusion is actually felt because Magnat uses an average of 3 to 4 actors for each character in the movie. Anna's boyfriend Bryce, played by Michael Shanks, is also played by about 10 other actors. This premise works to some extant by placing the audience in Anna's perspective and each time we see different faces. Prosopagnosia is an actual disorder and portraying it in this movie is a definite tick mark for Magnat. Then it all goes downhill. The rest of the movie becomes so clichéd, it gets to be annoyingly predictable. With most whodunits, the audience is always introduced to the killer, sometimes very early in the plot, before unveiling who the killer is. With this movie, Magnat does the same, but places the killer in easy reach of Anna. So why then should we wait till the end of the movie for the killer to strike? Obviously because the film has to be made with a minimum runtime of 100 minutes! But it doesn't stop there. The ending has to be the mother of all clichés when Anna cannot tell the difference between the hero and the killer because they wear the same clothes. Another negative aspect is the unnecessary romance thrown in. In all of this mess, Anna is romantically inclined to one character, who happens to have the only face she can recognize. Go figure!

For a thriller, Milla Jovovich is not bad as the lead character. No way is she getting anywhere near an Oscar for her performance here, but her portrayal is definitely better than some of her other releases. I can't really say much about the other actors as there are various actors that keep switching each time Anna encounters another character. Since this is Magnat's second foray as director and first as screenwriter, I don't want to be too harsh on the outcome. As a learning curve, if he had paid a little more attention to the plot and it's execution in the final act, this could have been a master thriller.

Watch it if you have to, but on a lazy day. As an alternative, I recommend 1992's "Blink", a similar concept but with a better finish, starring the lovely Madeleine Stowe.

This was a decent flick. Never heard of this type of brain injury. Learned something new. Has Jovovich been in better? Heck yes!!! I still enjoyed the watch.

Yet another case of the old "good idea, bad execution", this psychological thriller may include some mental analysis but indefinitely lacks thrills. Come on Jovovich! You clearly have talent, but you waste it in low-budget mediocrity. After escaping a serial killer and suffering with concussion, a woman soon wakes up experiencing a rare disorder that disables face recognition. Prosopagnosia, or "face blindness" to us uneducated, essentially results in every person you once knew now becoming a total stranger. The story starts off strong, and presents the diagnosis through fearful eyes thanks to Jovovich. She is, once again, the strongest aspect to this film as she is able to express a variety of emotions whilst looking at a mirror. The method in which director Magnat illustrates "face blindness" is to frequently switch the actors, whilst retaining the voice from the original actor, so that both us and the protagonist are unaware of who the character is. I have problems with this. The voice over for the switched actors never matched their lips, and rapidly grew irritating. The original actors looked bland to begin with, so when they are switched you still have no idea which character they are. This made for a disorientating and disengaging experience, which is why there were no thrills. You are unable to guess who the serial killer is because every character is changing. I understand the story is seen through her perspective, but it does not make for a captivating film. Then we get to the doctors and police officers, who are all useless at their jobs and just plain hideous. Seriously, she is lucky to be alive and they all treat her like she isn't cooperating. Not to mention the horrifically terrible editing and visual effects for the faces. Imposing an actors face to a different body requires talent. There was none on display here. Then there's a forced romance, a convoluted ending and a consistent wave of stale acting. So aside from Jovovich and the concept, this film ironically gets lost in a crowd.

Concept is unique but it was badly executed. Towards the end, i felt same as the character "Anna" by Milla. I couldn't tell who is who and that made me lose interest in watching.