A look at the battles Hugh Hefner fought over the years against the U.S. government, the religious right, and militant feminists.A look at the battles Hugh Hefner fought over the years against the U.S. government, the religious right, and militant feminists.A look at the battles Hugh Hefner fought over the years against the U.S. government, the religious right, and militant feminists.
- Awards
- 2 nominations total
Larry Adler
- Self
- (archive footage)
Bobbie Arnstein
- Self
- (archive footage)
Count Basie
- Self
- (archive footage)
Malcolm Boyd
- Self - Author
- (as Reverend Malcolm Boyd)
Ray Bradbury
- Self
- (archive footage)
Lenny Bruce
- Self
- (archive footage)
William F. Buckley
- Self
- (archive footage)
- (as William F. Buckley Jr.)
Vincent Bugliosi
- Self - Attorney
- (as Vince Bugliosi)
- …
Kimberley Conrad
- Self
- (archive footage)
Country Joe and the Fish
- Themselves
- (archive footage)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a gushing unbalanced Canadian documentary praising the Playboy founder Hugh Hefner.
It hits on all the highlights from the beginning. It's mostly about Playboy and its influence.
There are a lot of famous talking heads, some of which are kind of surprising.
But the rebuttal talking heads are really limited and sticking to the well worn arguments.
It covers a lot of history. But it's one sided. Maybe the filmmaker should ask for a second opinion.
It hits on all the highlights from the beginning. It's mostly about Playboy and its influence.
There are a lot of famous talking heads, some of which are kind of surprising.
But the rebuttal talking heads are really limited and sticking to the well worn arguments.
It covers a lot of history. But it's one sided. Maybe the filmmaker should ask for a second opinion.
"To objectify women, or to not objectify women" - Is this the question one asks of Mr. Hugh Hefner, the ultimate, most-admired playboy of them all?
For the most part - This well-researched, bio-documentary, chronicling the mega-success of Hugh Hefner (and his naughty-but-nice men's magazine, Playboy), was a very intriguing look at an iconic pop culture figure who has certainly had his fair share of controversial highs and lows.
The first hour of this documentary was, of course, the best. It diligently covered the first 20 years (1953-1973) of astounding success for Playboy magazine - A truly phenomenal magazine that was specifically geared to the hip, swinging bachelor (who apparently lurks inside most men).
Competently directed by Canadian film-maker, Brigitte Berman, this enjoyable documentary not only featured lots of excellent vintage footage, and interviews with scores of celebrities, but Hugh Hefner, himself (82 at the time and clearly on his best behaviour) offered the viewer the "real" story behind the money, the power, and, yes, the sex of Playboy magazine.
For the most part - This well-researched, bio-documentary, chronicling the mega-success of Hugh Hefner (and his naughty-but-nice men's magazine, Playboy), was a very intriguing look at an iconic pop culture figure who has certainly had his fair share of controversial highs and lows.
The first hour of this documentary was, of course, the best. It diligently covered the first 20 years (1953-1973) of astounding success for Playboy magazine - A truly phenomenal magazine that was specifically geared to the hip, swinging bachelor (who apparently lurks inside most men).
Competently directed by Canadian film-maker, Brigitte Berman, this enjoyable documentary not only featured lots of excellent vintage footage, and interviews with scores of celebrities, but Hugh Hefner, himself (82 at the time and clearly on his best behaviour) offered the viewer the "real" story behind the money, the power, and, yes, the sex of Playboy magazine.
We are all very familiar with the iconic brand that is the Playboy bunny. We are also familiar with the image of Hugh Hefner: An ancient Lothario; mannequin for a smoking jacket; pipe, and gallons of young, beautiful women, adoring him, as in the "reality-TV" horror that was The Girls of the Playboy Mansion. Some are unaware of his many political activities that he was involved in, in each decade since the 1950's. His involvement with the breaking of many socially draconian taboos and laws of sex, sexuality and the representation of these: Freedom of press and speech: The civil-rights movement: The anti Vietnam protesters of the late 1960's and early '70's: The Reaganomics of the 1980's and it's religious-extremist attitude towards "pornography". Hefner, according to this film, was active (if not systematic) in all of these 'historical' events that have instigated social change, not only in America, but throughout the western world. Perhaps this statement is too strong.
This documentary, directed by Brigitte Berman (who had previously made the Academy award winning film, Artie Shaw: Time is All You've Got (1986)), tells the story of Hefner, not just as a magazine producer, but as a political activist. beginning with the publication of the magazine Playboy, the film charts Hefner's rise as an advocate of literature and for political polemics, published in a monthly men's paper that also riskily showed the naked female forms. Alongside the playmate-of-the-month's and centre-fold's there contained abridged, monthly sections of books by such writers as Ray Bradbury and Ian Fleming; interviews with political activists/thinkers such as Dr Martin Luther King Jr and Malcom X. The magazine was breaking taboos set by a repressive society. Historically Hefner was also embroiled in the HUAC (House UnAmerican Activities Committee), who's McCarthyism was seen as a dent in America's freedom and an infringement of the first amendment. We also discover that Hefner supported Lenny Bruce (at a time when it was seen as career suicide to do so) through his trials for obscenities on stage.
Whilst the film focuses on these more flattering aspects of Hefner's life, it does skirt around many issues thrown at him by groups against his "objectification" of women. It does not fully explore the feminist and journalistic backlash that was aimed at him. I felt the film would benefit by exploring these issues, and present a less biased (less Hefner-centric) argument in the film, and it's issues of (particularly) sex and sexuality and all its representations. The film uses some very bizarre talking heads: Gene Simmons (well I guess he's probably met him, and probably reads Playboy) and George Lucas?? Hang on a minute! (Lucas oozes about as much sexuality as a brick oozes Virgina's). Aside from a few under-explored avenues of Hefner's career, this is still a flawed but entertaining documentary. We are shown that Hefner is not myopic in his outlook. He has been politically active and has given to many worthy causes. But, as he now is (seen by millions on reality TV), we just see an old man still unable to be monogamous, and surrounding himself in fresh, young girls, which are pushed aside annually for new meat. (Am I criticising that? Pfft!).
www.the-wrath-of-blog.blogspot.com
This documentary, directed by Brigitte Berman (who had previously made the Academy award winning film, Artie Shaw: Time is All You've Got (1986)), tells the story of Hefner, not just as a magazine producer, but as a political activist. beginning with the publication of the magazine Playboy, the film charts Hefner's rise as an advocate of literature and for political polemics, published in a monthly men's paper that also riskily showed the naked female forms. Alongside the playmate-of-the-month's and centre-fold's there contained abridged, monthly sections of books by such writers as Ray Bradbury and Ian Fleming; interviews with political activists/thinkers such as Dr Martin Luther King Jr and Malcom X. The magazine was breaking taboos set by a repressive society. Historically Hefner was also embroiled in the HUAC (House UnAmerican Activities Committee), who's McCarthyism was seen as a dent in America's freedom and an infringement of the first amendment. We also discover that Hefner supported Lenny Bruce (at a time when it was seen as career suicide to do so) through his trials for obscenities on stage.
Whilst the film focuses on these more flattering aspects of Hefner's life, it does skirt around many issues thrown at him by groups against his "objectification" of women. It does not fully explore the feminist and journalistic backlash that was aimed at him. I felt the film would benefit by exploring these issues, and present a less biased (less Hefner-centric) argument in the film, and it's issues of (particularly) sex and sexuality and all its representations. The film uses some very bizarre talking heads: Gene Simmons (well I guess he's probably met him, and probably reads Playboy) and George Lucas?? Hang on a minute! (Lucas oozes about as much sexuality as a brick oozes Virgina's). Aside from a few under-explored avenues of Hefner's career, this is still a flawed but entertaining documentary. We are shown that Hefner is not myopic in his outlook. He has been politically active and has given to many worthy causes. But, as he now is (seen by millions on reality TV), we just see an old man still unable to be monogamous, and surrounding himself in fresh, young girls, which are pushed aside annually for new meat. (Am I criticising that? Pfft!).
www.the-wrath-of-blog.blogspot.com
I admit I only watched bits and pieces of this, well, whatever it is - documentary? Tribute? Position paper? The problem I have with these things - much like PBS' anti-creationist propaganda or Bill Maher - is that they pick some of the lamest opponents to make it look like they are presenting a complete picture, when really they're just straw dogs. And I don't want to be completely hypocritical, I looked at my share of Playboys in my time. I agree with some of Hef's beliefs and disagree with others. So the question is, is Hef a modern martyr for his beliefs or does he just pose as the coolest guy in town? Sorry, but I've always seen Hef as an opportunist who likes women a lot and has interesting views on behavior with women, sort of the ultimate urban alpha male who spends at least part of his time justifying his inappropriate lifestyle. This movie didn't change my mind. I really wasn't offended, I just hope people don't watch this and think Hef is the Pope. He's not, but he sure is one rich guy with a cool image and a lot of girls.
10dom_s
I had the chance to assist a projection in Boston where Director Brigitte Berman was present, coming from Europe and being in my late 20ies there was not much I knew about Hefner besides it's contribution to the sexual revolution of America and the rest of the world.
As a consequence, the movie was full of revelations for me, jumping from one fight for freedom from Hefner and his team to another. The director beautifully manages to catch the mindset of Playboy's manager soul behind the bunnies, at a much deeper level.
What especially stroke me was the ability of the director to constantly depict the paradoxes between Hefners' primal/liberal way of thinking about sexuality and it's philosophical fights for everyone's freedom and culture. You get to discover a man pursuing his dreams through is entire life and get to discover a revolutionary mindset where pleasure and great achievements are not necessarily unrelated.
Hefner is not yet in any of our (at least Europeans) history books but like him or not, he deserves to be and I would advise anybody, who like me, is missing that piece of history to run see this documentary.
As a consequence, the movie was full of revelations for me, jumping from one fight for freedom from Hefner and his team to another. The director beautifully manages to catch the mindset of Playboy's manager soul behind the bunnies, at a much deeper level.
What especially stroke me was the ability of the director to constantly depict the paradoxes between Hefners' primal/liberal way of thinking about sexuality and it's philosophical fights for everyone's freedom and culture. You get to discover a man pursuing his dreams through is entire life and get to discover a revolutionary mindset where pleasure and great achievements are not necessarily unrelated.
Hefner is not yet in any of our (at least Europeans) history books but like him or not, he deserves to be and I would advise anybody, who like me, is missing that piece of history to run see this documentary.
Did you know
- Alternate versionsAfter premiering at the Toronto International Film Festival in September 2009 in a 135 min. version, the film was later trimmed down to its current 124 minutes length.
- ConnectionsFeatures Night Beat (1956)
- SoundtracksAt the Jazz Band Ball
Performed by The Bix Beiderbecke Memorial Orchestra
Written by Nick LaRocca (as Nick La Rocca) and Larry Shields
Arranged by Joshua Goodman
Details
- Release date
- Country of origin
- Language
- Also known as
- Хью Хефнер: Плейбой, активист и бунтарь
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $10,000
- Opening weekend US & Canada
- $10,000
- Aug 1, 2010
- Gross worldwide
- $10,000
- Runtime
- 2h 4m(124 min)
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
Contribute to this page
Suggest an edit or add missing content