Following clues to the origin of mankind, a team finds a structure on a distant moon, but they soon realize they are not alone.Following clues to the origin of mankind, a team finds a structure on a distant moon, but they soon realize they are not alone.Following clues to the origin of mankind, a team finds a structure on a distant moon, but they soon realize they are not alone.
- Nominated for 1 Oscar
- 6 wins & 47 nominations total
Vladimir 'Furdo' Furdik
- Mercenary 2
- (as Vladimir Furdik)
C.C. Smiff
- Mercenary 3
- (as CC Smiff)
Featured reviews
Don't get me wrong. It's gorgeous to look at, and I'm definitely going to go and see it again. It's really impressive.
But... It's stuffed with scenes without any payoff. Again and again it sets stuff up and then just... walks away from it.
In at least one unforgivably stupid scene, someone *literally* just walks away from an antagonist and leaves it there. And then doesn't tell anyone about it. Some of it's really effective. There are some scenes that are absolutely gripping. But so much of it doesn't make any sense...
Having said all that I think it's very clear that what I just saw was Prometheus part 1. It's very definitely supposed to have a sequel and I will certainly go to see the sequel. I think both movies taken together might score a 10.
But this movie by itself doesn't.
But... It's stuffed with scenes without any payoff. Again and again it sets stuff up and then just... walks away from it.
In at least one unforgivably stupid scene, someone *literally* just walks away from an antagonist and leaves it there. And then doesn't tell anyone about it. Some of it's really effective. There are some scenes that are absolutely gripping. But so much of it doesn't make any sense...
Having said all that I think it's very clear that what I just saw was Prometheus part 1. It's very definitely supposed to have a sequel and I will certainly go to see the sequel. I think both movies taken together might score a 10.
But this movie by itself doesn't.
It is hard to say too much about Prometheus without spoiling it. First of all, those expecting to see the original Aliens are not seeing this movie for all the right reasons. Yes, it is part of the Alien universe and set before the first movie, but it doesn't feature those Aliens and instead tells a brand new story of merging the two worlds together.
With Ridley Scott back to directing, Prometheus used the similar setup of making researchers explore an alien world, only this time there is a longer setup and more suspense driven to events unfolding. The ship in this movie is very reminiscent of the one in Alien, although it is different in design and has some new interesting gadgets and pieces of technology we haven't seen before. There's no denying that there are things people will pick up relating to Alien, and I'm really glad they didn't tone down the violence for 12/PG-13 rated audiences. Either way, you can watch Prometheus first before the other Alien movies.
On the acting side of things, I found Michael Fassbender's Android character David to be the standout for the movie. I also liked the protagonist Noomi Rapace and the supporting cast of Logan Marshall-Green, Charlize Theron, and Idris Elba. All strong performances, but perhaps if there's only one small complaint I could think of, is that maybe the supporting characters didn't get enough development time. Thankfully, Scott and the team keep the movie going at a very good pace with emotional depth at the right moments.
Overall, Prometheus on first viewing was what I expected, a movie using it's original base movie Alien as a structure to produce a new story with new characters/lifeforms to lead up to other Alien story lines. It is highly likely the references will become more obvious in sequels to this, but Prometheus manages to bring a story that works as a standalone but also a prequel at the same time, which is good for all viewing audiences, and I think Scott was trying to bring the grisly/dark atmosphere movies of Alien without being too in your face, which I thought was the right direction for this movie.
With Ridley Scott back to directing, Prometheus used the similar setup of making researchers explore an alien world, only this time there is a longer setup and more suspense driven to events unfolding. The ship in this movie is very reminiscent of the one in Alien, although it is different in design and has some new interesting gadgets and pieces of technology we haven't seen before. There's no denying that there are things people will pick up relating to Alien, and I'm really glad they didn't tone down the violence for 12/PG-13 rated audiences. Either way, you can watch Prometheus first before the other Alien movies.
On the acting side of things, I found Michael Fassbender's Android character David to be the standout for the movie. I also liked the protagonist Noomi Rapace and the supporting cast of Logan Marshall-Green, Charlize Theron, and Idris Elba. All strong performances, but perhaps if there's only one small complaint I could think of, is that maybe the supporting characters didn't get enough development time. Thankfully, Scott and the team keep the movie going at a very good pace with emotional depth at the right moments.
Overall, Prometheus on first viewing was what I expected, a movie using it's original base movie Alien as a structure to produce a new story with new characters/lifeforms to lead up to other Alien story lines. It is highly likely the references will become more obvious in sequels to this, but Prometheus manages to bring a story that works as a standalone but also a prequel at the same time, which is good for all viewing audiences, and I think Scott was trying to bring the grisly/dark atmosphere movies of Alien without being too in your face, which I thought was the right direction for this movie.
Prometheus, directed by Ridley Scott, marks a bold return to the universe that once introduced us to the Alien saga - but rather than retracing familiar steps, this film dares to expand the lore in mysterious and unexpected directions.
From the very beginning, the film impresses with a strong cast and exceptional visual design. The cold, desolate environments are nothing short of majestic, especially one breathtaking sequence by a waterfall that sets a powerful tone. The creature and set designs are equally striking - minimalist yet eerie, with a blend of organic and monumental aesthetics that evoke ancient sculpture and alien otherness.
The story itself dives into deep philosophical questions: Where do we come from? What is our purpose? Yet, it does so through the lens of sci-fi suspense and mounting dread. There's a lingering sense of tension and disorientation as the narrative unfolds across an alien world that is both beautiful and terrifying.
One of the film's strongest elements is its atmosphere. Whether exploring ancient cave paintings on Earth or high-tech corridors aboard a spaceship, Prometheus maintains a sleek and immersive visual identity. The use of lighting, camera movement, and sound design enhances the sense of unease and wonder - keeping viewers on edge and engaged.
While the characters vary in emotional depth, the performances are generally strong, with standout moments from key cast members. There are clear thematic parallels to previous films in the franchise, but Prometheus still carves its own path, especially in its exploration of creation, technology, and the ethics of discovery.
That said, the narrative occasionally struggles with cohesion. Timelines, motivations, and scientific logic can feel murky - and some character decisions stretch credibility. The film also seems more interested in opening questions than answering them, which can be either intriguing or frustrating, depending on the viewer.
In the end, Prometheus is a gripping and visually mesmerizing experience. It may not deliver the narrative clarity or emotional depth some might expect, but it excels in building a rich, atmospheric world that invites exploration and speculation. Fans of Ridley Scott's visionary style - and those who enjoy cerebral science fiction - will likely find it a worthwhile journey, even if not a fully satisfying one.
From the very beginning, the film impresses with a strong cast and exceptional visual design. The cold, desolate environments are nothing short of majestic, especially one breathtaking sequence by a waterfall that sets a powerful tone. The creature and set designs are equally striking - minimalist yet eerie, with a blend of organic and monumental aesthetics that evoke ancient sculpture and alien otherness.
The story itself dives into deep philosophical questions: Where do we come from? What is our purpose? Yet, it does so through the lens of sci-fi suspense and mounting dread. There's a lingering sense of tension and disorientation as the narrative unfolds across an alien world that is both beautiful and terrifying.
One of the film's strongest elements is its atmosphere. Whether exploring ancient cave paintings on Earth or high-tech corridors aboard a spaceship, Prometheus maintains a sleek and immersive visual identity. The use of lighting, camera movement, and sound design enhances the sense of unease and wonder - keeping viewers on edge and engaged.
While the characters vary in emotional depth, the performances are generally strong, with standout moments from key cast members. There are clear thematic parallels to previous films in the franchise, but Prometheus still carves its own path, especially in its exploration of creation, technology, and the ethics of discovery.
That said, the narrative occasionally struggles with cohesion. Timelines, motivations, and scientific logic can feel murky - and some character decisions stretch credibility. The film also seems more interested in opening questions than answering them, which can be either intriguing or frustrating, depending on the viewer.
In the end, Prometheus is a gripping and visually mesmerizing experience. It may not deliver the narrative clarity or emotional depth some might expect, but it excels in building a rich, atmospheric world that invites exploration and speculation. Fans of Ridley Scott's visionary style - and those who enjoy cerebral science fiction - will likely find it a worthwhile journey, even if not a fully satisfying one.
Prometheus is one of the most underrated and misunderstood science fiction movies in recent memory. Do NOT view this as a prequel to Alien. It is part of the same universe, but while the first 4 are action/horror films, Prometheus is a sci-fi adventure that explores the origins of mankind. This concept is something I've always wanted to see put to screen, and Prometheus delivers so well that I'm enthralled by it no matter how many times I watch it. The cinematography and score are Oscar worthy, and the direction and visuals are near perfect. I believe Prometheus would be much higher rated if more people went into it with an open mind. The first Alien did have mixed reviews upon initial release, and now it is an all time classic. I really think that one day Prometheus will have the same status, and I hope the sequels are more appreciated.
Prometheus seems to have disappointed many viewers. Luckily for me I had no expectations, despite being a Scott film set in the same universe as the Alien franchise. The ship Prometheus goes looking for the beginning of mankind and what created us. It's a rather ambitious idea and the film should be given credit for trying to have some kind of theological and scientific debate. Unfortunately, the script also feels as though it has to give us the scares and frights that we associate with the Alien films. The majority of the film is intriguing but for every positive there is a negative. We get fascinating characters such as David, Vickers, and Janek. But they are mostly pushed aside to focus on the stupid scientist characters. Did the writers not realise how bad their work was? Rapace refuses to let one character take weapons on an expedition because it is a "scientific" mission. I call BS on that. No scientist would be so stupid as to explore a new planet, with no information on said planet, without a bit of protection. Characters decide to do stupid stuff, such as approach viscous looking new species etc. and it is here where the film annoyed me. The set design was beautiful, and I enjoyed the quieter moments the film had to offer, such as David's trying to understand emotions etc. The most interesting ideas the film has are delivered in single lines of dialogue, but are never explored. It's head and shoulders above many science fiction films of late, but it also needs a few sequels to clear things up. Unfortunately, that means it wasn't so great as a stand alone film.
All 'Alien' Movies Ranked by IMDb Rating
All 'Alien' Movies Ranked by IMDb Rating
See how the Alien franchise films rank, according to IMDb user ratings.
Did you know
- TriviaComposer Marc Streitenfeld had the orchestra play his compositions backwards, and then digitally reversed the compositions for the final film. This made the music sound unusual and unsettling, which he felt was right for the film.
- Goofs(at around 23 mins) A CO2 concentration of 3% in the atmosphere is still not a lethal amount for human beings. Only after 5% does it become toxic. However, Ford actually states that the CO2 levels are *over* 3%, suggesting that was the minimum amount the preliminary sensors had detected.
- Crazy creditsThere is a statement at the end of the closing credits: "Previous Footage Property of Weyland Corp. Building Better Worlds Since 10.11.12. weylandindustries.com/timeline"
- Alternate versionsThe film's 70mm and Digital IMAX 3D release was presented open-matte, at an aspect ratio of 1.90:1, meaning more information was in the frame for the entire film.
- ConnectionsEdited into Sensible Cinema: Prometheus (2016)
- SoundtracksPrelude for Piano No. 15 in D Flat Major, Op. 28 No. 15
Written by Frédéric Chopin
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Prometeo
- Filming locations
- Dettifoss, Vatnajökull National Park, Iceland(Opening scene at waterfall)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $130,000,000 (estimated)
- Gross US & Canada
- $126,477,084
- Opening weekend US & Canada
- $51,050,101
- Jun 10, 2012
- Gross worldwide
- $403,354,469
- Runtime
- 2h 4m(124 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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