Last Train to Christmas

There is no doubt, there are elements of some classic Christmas films used in last train to Christmas. Whether it be a Christmas Carol, It's a wonderful life and a touch of sliding doors thrown in. First and foremost this is Michael Sheen's film. He is in every scene playing same person at various stages of his life had things turned out different between himself and his brother/nephew.

There is plenty to enjoy here with some enjoyable cameo appearances from the likes of Hayley Mills, John Thompson and Phyllis Logan. The only disappointment which stops me from giving it a higher mark, was the confusing ending. 7/10.

Some wonderful acting and period details overshadowed by the multiple timelines which do, on occasion, become a bit confusing. I really enjoyed the first hour or so then felt the film lost its way with confusing jumps over a 50 year period. I thought the ending was ok though I can understand why many would find it frustrating.

I can't say I was impressed by Last Train To Christmas. It started rather promising, a bit intriguing, but in the end it was just too confusing at times. Too much going back and forth, which wasn't good for the story. The acting was okay though and that from almost everyone. The duration of the movie was also a bit too long, it felt a bit boring towards the end. I guess as a tv-movie it would be okay, but it's just not my kind of soup.

Time travelling drama set on a train. A successful nightclub owner boards a train with his wife and brother. He discovers that as he moves forward along the train, he also moves forward in time.

Stars Michael Sheen and Carey Elwes.

A low budget film, seems more appropriate for TV. The plot is like an extended episode of the Twilight Zone. I think Michael Sheen should probably be above such things now but it's an interesting movie concept about time travel, love and destiny.

"Last Train to Christmas" is not a conventional Christmas movie. It's more like Scrooge meets the Twilight Zone. It forces its central character (Sheen) to confront the consequences of his life choices with a level of horror not seen since Alastair Sim threw himself, prostrate, on his own grave, in 1951's "Christmas Carol," begging death for another chance.

In addition to Sheen's great performance the movie tours us through several decades of hair, fashion, hand held electronics and the decor of British Rail.