A troubled husband and executive adopts a beaver hand-puppet as his sole means of communication.A troubled husband and executive adopts a beaver hand-puppet as his sole means of communication.A troubled husband and executive adopts a beaver hand-puppet as his sole means of communication.
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- 2 wins & 12 nominations total
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In general this is not the usual style of film I would watch but I really must say I was most pleasantly surprised at how engaging it was. For me at least, this was down to the Beaver (yes I realise how that sounds) but the remarkable thing is that I forgot it was a puppet controlled and voiced by Mel. I really began to see it as a complete separate character and it just gave the film whole other dimension.
Performances from Gibson and Foster were excellent (as you would expect). Their acting was totally spot on, never once seeming over the top or forced. Jodie Foster has done a sterling job on the directors chair skilfully taking the viewer on a journey in what I would have thought not a particularly easy film to direct. There are some humorous moments but this is not a comedy. You will occasionally laugh, and at times you will tense up during some of Gibsons darker moments. But that is a job well done from all.
This is certainly not a film for everyone but if you like a movie that's choc full to the brim with the human element, excellent acting and directing then I really would recommend it.
back to the movie, I was looking forward to it, because i think Mel Gibson is a really talented actor, and I gotta say, the movie did not disappoint me. the story as most of you might know from the trailers, is that Gibson's character suffers from depression, which has negative impact on him as well as on his family surrounding him. and just as things seem to be looking hopeless, he finds the Beaver, and with it, he finds his voice and his self. A simple yet effective story, executed in a very professional manner, it is a journey into healing and trying to beat that nasty depression. the characters are played to perfection, as Mel Gibson and Jodie Foster, who also directs the film, deliver memorable performances.
It also tackles the family relations and how it is affected by the father's sickness and turmoil, about family supporting each other and an emotional father - son story.
Digging deep into Mel Gibson's character Psyche, and how he escapes his inner depression through the puppet, the beaver, is just so interesting. and they actually made the Beaver, the puppet itself so real, it appeared as a completely independent character, who was funny and at times even freighting. In summary, a highly recommended movie, great acting and a wonderful story. If you are one of those who are still obsessing about Gibson's mistakes, then just go watch Jumping the Broom.
I rented this simply because I couldn't take the curiosity any longer. I had no idea what it was about.
Every performance here is solid and believable and deep.
The movie is about depression. So don't be surprised if you are left feeling ... depressed. I was. The movie concluded with an upbeat feel, but left me yearning for more.
This is one of those movies that, well, you watched it; you knew you had to - kind of like Schindler's List - then you put it away to never visit it again because you know the emotional pain that it delivers.
Jennifer Lawrence and Anthon Yelchin are both brilliant in the movie and a big talent is really visible in their performances. Unfortunately, while Yelchin is obviously very, very talented, i just can't see the leading man in him. His charisma is, i think, really not on the same level with his talent. However, that being said, i do not doubt it that both of them are gonna be Academy Award winners one day. Jennifer Lawrence is already almost there. With one nomination behind her, the second one is surely gonna come. And i think that one day, with the right choice of roles, she could even be Hollywood's best leading lady. She definitely has what it takes for it.
However, all the good performances in this movie really fall to water compared to the one of Mel Gibson. I don't know if he's acting or is it him self in the movie, and honestly i don't care. All i know is that he's brilliant. If only the character had more to offer, i'm sure the role would be remembered for a long, long time. But even though the movie fails at certain levels, Gibson's performance was definitely worthy of a much larger recognition. If you ask me, the reason he wasn't at the Oscars this year, if not as a winner than definitely as a nominee, is the fresh new scandal that happened in his life. And that's, i think, unfair because he is an actor and he should be judged as an actor and not as a human being. In fact, i don't think anyone can judge him as a human being since none of us knows him like one. The only way we (the audience), and the critics, can know him is as an actor. As Mad Max, William Wallace, Walter Black and so on.... As far as this role goes, at my opinion, he was definitely robbed of all the recognition he well deserved for the portrayal of Walter Black. An amazing performance that was unfairly overlooked by the Academy's voters.
The weakest link as far as the acting goes is, and i can't believe i'm actually saying this, Jodie Foster. It could be because she was busy working as a director on the movie, but her performance, even though good, is really not on the same level as those of Yelchin and Lawrence, and needless to say, as the one of Mel Gibson. Another thing i felt was very weak is the score. Well, it's not bad, it's good. It just doesn't fit this film. It's too melodic and.... Italian. I just don't think it's right for this kind of story. The score that this movie desperately needed should've been something like the one from American Beauty. That would fit great! Slow, sad, tragic... It would've been great!
I really wish the script was longer. And simply because you can't build so many complicated characters in ninety pages. Not convincingly anyway. And especially in a movie like this one which was supposed to be a deep story that deals with a very important subject. What i really like about the movie is the feeling of a solution circling around all the time, but staying unreachable to everyone. Like for example, Walter's wife showing him pictures of their family back when everyone was happy hoping that he'll see some hope or inspiration in it.... and so on... which he fails at doing. That could've been a real good description of the state he, and the depressed people in general, are usually in. But, once again, the script fails terribly in structure and it prevents it's character's from going in whatever direction they were supposed to go. Truth be told, i don't think it's the writer's fault so much as it is Hollywood's. Producer's rarely allow the movie to be a piece of art these day's, even when some movies like this one are meant to be just it. I wouldn't be surprised if the first draft was way better than the one they made the movie on.
To conclude my review, i wasn't bored, but i was definitely not blown away either. The only thing that was great about the movie is acting. Gibson's especially. Maybe it's because i had really high hopes for this movie, but i was a bit disappointed. It's a good movie, but i expected it to be great!!!! It's definitely worth a watch, but i wouldn't put my hopes into being left speechless.
Did you know
- TriviaBefore Summit Entertainment settled for a release date in Spring 2011, this film had been shelved, due to Mel Gibson allegedly assaulting his ex-girlfriend, Oksana Grigorieva.
- GoofsWhen Anton Yelchin's character bangs his head into the wall and it goes through the side of the house, that's impossible as shown. The cedar shake siding is not shown as held to the side of the house with anything, whereas in reality is has to be nailed down. The house would have some cladding such as plywood to nail the shakes to, and then a barrier such as asphalt or homewrap, at the very least. It is not possible to make a small hole in the interior wall and push one shake off the outside of the house in the same location.
- Quotes
Walter Black: We reach a point where, in order to go on, we have to wipe the slate clean. We start to see ourselves as a box that we're trapped inside and no matter how we try and escape, self help, therapy, drugs, we just sink further and further down. The only way to truly break out of the box is to get rid of it all together... I mean, you built it in the first place. If the people around you are breaking your spirit, who needs them? Your wife who pretends to love you, your son who can't even stand you. I mean, put them out of their misery. Starting over isn't crazy. Crazy is being miserable and walking around half asleep, numb, day after day after day. Crazy is pretending to be happy. Pretending that the way things are is the way they have to be for the rest of your bleeding life. All the potential, hope, all that joy, feeling, all that passion that life has sucked out of you. Reach out, grab a hold of it and snatch it back from that bloodsucking rabble.
- Crazy creditsA letter or two from each cast/crew member remains and forms part of the next credit.
- ConnectionsFeatured in Trailer Failure: Bieber Meets Beaver (2010)
- SoundtracksKung Fu Underscore
Composed by Jim Helms
- How long is The Beaver?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- The Beaver
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $21,000,000 (estimated)
- Gross US & Canada
- $970,816
- Opening weekend US & Canada
- $107,577
- May 8, 2011
- Gross worldwide
- $7,294,800
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1