Punch

My first problem was the enormous difficulty I had in believing for even a nanosecond that Conan Hayes playing Whetu was a Maori. The second was imagining that twenty six year old Jordan Oosterhof as Jim Richardson was a seventeen year old boxer. Yes, he was fit and did a good impression of punching to a lay person like me but his pretty face, with its unbroken nose, was completely unconvincing.

The other unconvincing thing was the burgeoning friendship between Whetu and Jim. That Jim put his arm round Whetu in front of small-minded townsfolk just didn't compute. Even more so when this gave Ron leverage over him.

Tim Roth as Dad gave a good performance but what else what would we have expected?

The cast tried their best with a mediocre script that just didn't gel with the supposed characters of the players. Lyrical outbursts were just not appropriate to the personalities of the situation of a small hick town.

As the film rushed to its conclusion, few loose ends were resolved. Arson, betting, breach of contract, imminent death, relationships. Everything was left in the air. While we were wondering about this, the film ended with the performance of a song of such cloying sentimentality that I nearly gagged.

So, there were a few good moments but most of the film was incoherent. I cannot really recommend it.

I found the acting and most of the storyline to be very well done, in comparison to what I've seen so far and I've seen many going way back over the years at least this was 80% of the time was entertaining. Definitely a little homophobic a little cheesy. Don't hold your breath for a fairytale ending but everything they promised will come true. You will notice movies bring you in the first 15 minutes or less. Pull up a chair sit back relax get yourself some popcorn. It's a cute little coming-of-age gay Romance movie two boys against the world, love finding its way with boys finding each other. 💞

Jim (Jordan Oosterhof) has been trained by his father Stan Richardson (Tim Roth) since boyhood to be a boxer. The girls are all after him. He gets entangled with a gay Maori named Whetu (Conan Hayes).

I don't like Jim initially although one can claim that he's just being a guy. The annoying teenage boy has never been my favorite trope. Then he changes and that is an interesting journey. There are bumps in the road for the story and not all of it is good. He and his father surprise me. Tim Roth has limited screen time, but he shines whenever he's on. I do have some questions about the story and that keeps me from truly loving this.

It can be hard to be gay no matter where you are. Conservative or Moderate and even liberal, small minds make you want to leave. In this small town jobs are disappearing by the second so the father does what he can to help his son (Jim) get free via boxing. Though in a backwards way. Jim is becoming strong of mind but he is still naive and he is learning who he is what he wants likes making videos. Whetu is good, artistic and edged due to how the world treats him due to his sexuality. And the mistakes we make that lead to bigger consequences even when we try to do good, survive and just be emotionally well and free.

This movie is about the attempt to persevere and the drive to figure yourself out even when horrible things are ocurring around you. To find the path and walk it to the other side and when you get there to breath air that tastes like your first drink of water. But sometimes we don't get there. Or we don't get there the way we originally thought we would.

Three stars for Conan Hayes and occasionally Jordan Osterhof. Conan and his character pull this film from the unthinkable, unwatchable disaster it is.

Punch. The telltale name suggests you will get quite a literate intellectual and emotional punch delivered just to your door, with no delay.

Do the producers get off on the violence they bring on screen? How many more hate crimes do we have to depict in such meticulous snd thought-out detail, how many more scenes of despicable fights, misery and human atrocities do we have to stuff the cinematic legacy with? The blood gushing out, the bone breaking fist fights, the heinous rape with no warning, any other monstrosity that comes to mind? Rest assured, it's in this film.

I believe LGBTQ+ representation on film should be done cognizant of what came before, as well as how the content being produced influences the present what it insinuates. Upon watching "Punch" I can hardly imagine the idea behind the work, other than bringing some good-old hardcore violence, yet again making the queer people watching and everyone else involved feel awful. Why? And while the small-town homophobic gore plot has already been used in a million other productions, there is a way to depict such struggle (emotional and physical!) without imposing on the viewer the gut-wrenching scenery for most of the movie.

Living in such environments is extremely isolating and emotionally debilitating, which unfortunately is not nearly shown in "Punch". The sweet openly gay Maori student enjoys his life in a remote hut, frequently walking around the town not caring what other people think. He finds a friend in a macho competitive boxing highschooler. While the nature is breathtaking and there is great chemistry between the lead actors, the film is broken down by choppy and redundant cinematography.

I wish this movie showed an endearing love story of two young teens exploring the world in spite of the constraints of a close-minded reality, but it fails to connect the dots.