Shank

Shank tells the story of a closeted gang member Cal (Wayne Virgo) who is deeply in love with his best friend Jonno (Tom Bott). When Cal stops a senseless beating of college student Olivier (Marc Laurent), Jonno and his girlfriend Nessa (Alice Payne) seek retribution for what they perceive as Cal's betrayal. Their anger grows and tragic consequences ensue when they discover Cal's secret.

Shank is set in a world not usually explored in gay cinema and as a coming out story there is a lot to be admired here. Unfortunately certain aspects of this film never work and that should have been apparent to the film makers early on.

Virgo and Laurent are young, attractive and naked for most of the film but have no chemistry together. At times the audience roared with laughter at Laurent's soppy glances, terrible timing and absurd delivery. Despite what another reviewer has said, this did not "break the tension". These moments simply drew sharp attention to the amateurish mistakes made by the director and the problems with the script.

Marc Laurent's performance as Olivier was dreadful. He might be a passable actor in his native French, but he lacked the experience and talent to give a nuanced performance in English. He simply couldn't convey the necessary combination of vulnerability and strength that would make him desirable to Cal and the audience. I didn't believe that the street tough would go for someone like Olivier.

In contrast, the sexual tension between Cal and Jonno was electric. Tom Bott was completely believable as the sexy and dangerous Jonno. Bott's performance was flawless, subtly portraying a range of complex conflicting emotions.

Alice Payne turned in a promising performance as Nessa, and Wayne Virgo in the lead managed to hold the film together.

Near the end of the film a series of events occur that simply didn't seem plausible in the grander scope of the movie. We are asked to believe that a well-educated adult would act in a manner that contradicts common sense. His decisions are made doubly confusing with the final (contrived) revelation. There are no realistic consequences to the any of the character's actions. We are also subjected to some heavy handed imagery and a few film school clichés.

If you're into queer cinema you will likely find something to enjoy in this first effort from director Simon Pearce. However, I think most audiences, gay or straight, won't find the movie nearly as compelling as it should have been.

I found this movie randomly on Netflix, and I did not really think it was going to be anything special. However, I LOVED it, it was steamy and real and pretty much kept me and my friends glued to the screen the entire time. (Which is not an easy thing to do. The end really shocked the hell out of me and that was a plus! The characters where easy to relate to and were all pretty well thought out. It was hard to understand some of the slang in the movie since I'm not from the UK but it was okay. The music (J.Knights in particular) really helped me get into the film. I try to get almost everyone I know to watch this because it's definitely one of the better indie films i've seen in a really long time.

Director Pearce obviously threw himself into this work with all the enthusiasm that a 21-year old can muster. The screenplay is hard-edged and tough, and the entire cast respond well to the director's instructions.

Wayne Virgo and Tom Bolt are particularly impressive; indeed, the entire cast works hard to bring this British indie off. For the most part they succeed in their individual contributions. In fact, it's almost impossible to distinguish the actor's own personalities from the characters they're playing.

Unfortnately, the film looses ground in the final "rumble" scene, which is carried on much too long. Whatever potential it originally had is lost in its prolonged enactment. Post-production editing was required here, and the heart of the drama was drained through over extension. In fact, the entire ending third of the film falters.

The cast cannot be faulted, though. All performances are believable and powerful. The same cannot entirely be said for the youthful director or writers. All in all, a fairly good film that doesn't pull its punches.

Fairly intense boy-meets-boy, falls in love story, but with a twist. Gang member Cal (Wayne Virgo), a closeted gay, comes to the defense of innocent gay teen Olivier after Cal's gang begins beating him. Cal is ostracized from his gang, which includes his best friend Jonno. The upper class Olivier invites Cal to stay with him as Cal avoids threats of violence from his former gang, who discover Cal's hidden gay past. Sparks fly and a relationship forms, but will Cal's terrible past come back to haunt him? Fairly watchable film shot in England. I give this film a 6 of 10, fair to good and worth watching. Manages to form realistic characters. A lot of frontal nudity and graphic simulated sex scenes throughout. Graphic rape and harsh language. Some reviewers criticize the acting of the actor playing Olivier, but I found it realistic and believable. A film that stands enough on its own to warrant a watch. "

Filmed in Bristol, England, UK on a non-existent budget of 20,000 euros (28,000 USD) with a cast made up almost entirely of first-timers to feature film, "Shank" is one of my all time favorites.

"Shank" is the story of teenaged "scallie" gang banger, Cal (Wayne Virgo), who is realizing his true desire for other men. In particular, his best friend and fellow gang member Jonno (Tom Bott) with whom he shares several very intimately awkward moments. His gang is known for filming the beatings that they frequently dish out to innocent bystanders. However, when the gang jumps an attractive young gay man, Olivier (Marc Laurant), Cal reaches his breaking point stopping the beating.

Having left his gang stranded to go and help the bloodied young man, Cal is now the target of their rage. Can these two young men from opposing worlds and different understandings of oneself survive all that is thrown their way? Directed by 21 year old Simon Pearce, "Shank" is a gritty and unapologetic look at a coming-out story that has never been seen before. Wayne Virgo is an extremely talented newcomer, who also happens to be a gorgeous young man with great attributes which are seen throughout out the movie.

"Shank" is violent and unsettling at times, sensual and compassionate at others, and has a well-balanced use of intimacy and nudity. All of which is necessary to truly tell this story of self-discovery and love. Most importantly it pulls you into the story from the moment it starts and holds you til the very end. Making you care for and feel for the characters, "Shank" is a perfect blend of every element that a good movie is made of.

With it's gripping script (written by Darren Flaxstone and Christian Martin), beyond-their-years-in-talent acting, and superb direction and cinematography, "Shank" is a low-budget film that can stand against any Hollywood powerhouse...

Just letting you know...