Entre vous deux

Unique coming of age drama about three high school seniors and the shady relationship that develops between them. Alexa is a wannabe actress who becomes uncomfortable at the very mention of sex. She hangs out with her childhood friend Ben, who's only friend is Alexa. They're both in drama class (Ben handles the stage lights) with Johnny, the most popular jock in school. He's only there because he has to be, much to the chagrin of Alexa since he's her acting partner. Following a truly rotten performance, a popular actor gives Alexa a piece of his mind, basically telling her that only through proper life experience will she ever have a remote chance of being a good actress. Devastated, she decides to get some experience through Johnny while perhaps escalating their on-stage chemistry in the process. None of this sits well with Ben, who has his own encounter with Johnny. It all leads to an unexpected triangle where the most unlikely person might wind up getting hurt.

Early on, I figured this would be your typical quirky teen indie, but it takes a turn into darker territory. It ends up taking on a more psychological route as it tackles themes of discovering yourself sexually and popularity sometimes only being skin deep. Emmy Rossum, who hasn't been in many films worthy of her talent, is solid as the naive good girl turned manipulative user. The change in her character may be a little abrupt, but she handles it well. Saying that, I still think the writers could've spent more time gradually exploring her transformation. Ashley Springer is okay as Ben, but his character turns into too much of a perverse oddball by film's end. Good choice for the role of outsider, though. The real star of the picture is Zach Gilford of Friday Night Lights fame. He gives a layered turn as the tortured Johnny. It's a very different role from his awkward, somewhat shy FNL character, and he shows that he has the depth to pull it off. Rooney Mara also makes an impression as Courtney, Alexa's best friend. Looking at her IMDb page after viewing this film, I was very surprised to see that she's playing Nancy in the A Nightmare on Elm Street remake.

While the acting is mostly strong, I will say that Alexa and Ben are hard to relate to as the film goes on. Again, a little more time on their transformations would have been nice. The ending also leaves something to be desired. It just isn't wrapped up in a very satisfying manner. As it stands, Dare is far from great. The story and characters both could have been better developed, but I'd say it's worth a look for those who don't mind teen dramas that are a bit off of the beaten path.

'Dare' is pretty much what you'd expect from a low-budget indie film: Lazy direction and pretentious storytelling. The standards for indie films are pretty low and this movie is one of those movies that does nothing to change that.

Every character pits him or herself into the perfect mold of dramatic archetypes (minor roles included). The female lead, Alexa, played by a modest Emmy Rossum, is your typical high school overachiever who breaks out of her shell after a moment of foreseeable clarity. Playing a character that's easy to hate, Emmy works well with the distasteful card she was dealt. Ashley Springer's character Ben, however, doesn't get the benefit of the doubt. The unyielding character is completely unlikable throughout the whole movie and he falls victim to being portrayed by an inconsistent actor. Johnny Drake, the biggest cliché of film history, is the only likable character. Zach Gilford shows range in his acting abilities by breaking away from his awkward roles to play the "bad boy" with a heart of gold.

Everything about this movie reeks of presumptuous "raw" perspectives of teen life and sexuality. Unfortunately, the unapologetic principle that drives the plot forward isn't enough to save it from the dull progression, simple dialogue and contradictory character development. The writer, David Brind, gives me the impression that he wrote this script overnight with help from a 13 year old companion of his.

The film is directed by Adam Salky, who's lack of any relevant experience is evident. The atmosphere of the film is nonexistent. The characters had might as well been in subspace. Salky does absolutely nothing to build an environment for the viewers. Mid-shots are as close as we get to a setting. The worst part is that the movie tries to feed off that false feeling of genuine temperance with its weary direction. It didn't work.

I do, however, applaud Brind for having the courage to portray sexuality in ways that mainstream writers are scared to (even in today's more open-minded society). Unfortunately, all applauds come to an abrupt pause as the credits roll. The ending is yet another "profound" attempt at open-endings. Don't get me wrong. I don't always need everything wrapped together with a pretty little bow but there's only so many gaps that a viewer should fill on his own, don't ya think?

Alexa Walker (Emmy Rossum) is a stressed-out high school drama geek. To her dismay, she's paired up with jock Johnny Drake (Zach Gilford) who doesn't care about their acting assignment. Even worst, former student and star actor Grant Matson (Alan Cumming) is impressed with him rather than her. She spirals downwards and ends up in detention with Johnny. She goes to her friend Courtney (Rooney Mara)'s party and has sex with Johnny. Her best friend Ben Berger (Ashley Springer) gets jealous. This becomes a series of sexual experimentations.

The structure of this movie is divided in three. The first part follows Alexa, the second part follows Ben, and the third part follows Johnny. It leaves the flow disjointed and the emotions disconnected. Alexa's part is standard high school drama. I really like her scene with Cumming. The Ben part is uncertain. By the time it's Johnny's part, I am lost emotionally with Alexa. The three leads are relatively good. Gilford puts up the most compelling performance. This film has an awkward, uncertain tone that keeps it from finding its feet.

A pop-art animation shows a pair of hands, wrapped around an iPhone. On the screen, the thumbs tap out the opening credits. Occasionally, the hands reject incoming calls from Mom. They also accidentally type out things like "props!" and "OMG". It is a rather embarrassing attempt to seem down with the kids (or is that kidz?) but thankfully, it is also misleading. The film itself has an entirely different tone. 'Dare' is not another typical teen-rom-rom about puberty and trying to get laid.

Alexa (Emmy Rossum) is an innocent, hard-working drama student. After failing to impress a big theatre star (Alan Cumming), she is advised to experience new things in order to improve her acting. She decides to seduce her drama partner, Johnny (Zach Gilford), who acts tough to hide his sensitivity. Ben (Ashley Springer), Alexa's gay best friend, is jealous of their relationship and decides to have a go at Johnny too. Their relationships soon become an uncomfortable and confusing love-triangle.

The film is divided into three parts, each one following a different main character. The more focused characterisation allows for a more effective display of all the awkwardness and insecurity associated with adolescence. Each of the main characters is given their own screen-time to grow and develop, and as a result there is much more substance.

'Dare' is at its strongest when the audience gets to see the characters go about their own lives, without the hassle of narrative development. On their own, the three individual segments of the film could have easily been short, John Hughes-esque films about different teenagers and their approaches to the issues of growing up.

The character of Alexa goes from innocent, uptight bookworm to sexy party girl too quickly, but Rossum plays both 'versions' just fine. Springer does a good job portraying Ben's struggle to deal with his homosexuality, and it is touching to see him find confidence in himself. Gilford gives the most convincing and layered performance of all as Johnny. He channels Marlon Brando and James Dean in his sensitive tough-guy act and it is effective, especially when it becomes apparent that he has severe rejection issues.

The problem with this kind of narrative structure is that there's too much characterisation for the love-triangle storyline. There is too much attention on each individual personality and not enough on mixing those personalities together. The characters end up changing too quickly, and it is clear that this is merely for the sake of pushing the love story along.

The film's attempt to be a coming-of-age drama and a love story at the same time backfires. It is too much of a character piece for the love-triangle story not to seem forced. By the time the abrupt ending comes around, one can't help but feel cheated, or disappointed by the wasted potential.

As a character study 'Dare' certainly excels, but as a narrative it is never compelling enough to be remembered. This film is likely to resonate with anybody who has ever been a teenager, but just because it resonates does not guarantee that it will be memorable. For his first feature-length effort, Adam Salky has done a decent job. It will be interesting to see what he comes up with in the future.

Besides being a coming of age film, to me this is the story of a mentally delicate individual in dire need of love and support and thinks he has found it in two people, who happen to be best friends of the opposite sex. The relationship between the three becomes more and more intimate and it has a negative effect on one of them who thinks of it in a much different and long term manner than the other two. It's not terribly well written and the best friends characters are the least well thought out. The highlight of the film is the performance of Zach Gilford. The other two can't overcome the writing flaws. For Gilford fans mostly. Has a little appeal, but weak stuff.