Entre vous deux

I only give this film a 6 because, having seen the short-form original on the BOYS LIFE 5 DVD compilation, I generally prefer it over this feature film. The only point in this film's favor is that it develops the character of Johnny Drake, who was virtually raised in an emotional vacuum. The creators totally blow the ending of this film, by not having Johnny develop a relationship with either Alexa or Ben that satisfies his desire to be loved. The short-form film never touches on this theme, and I believe is better because of it. That film at least leaves the viewer wondering what might happen in the future with Ben, but neither film leaves the viewer with a satisfactory resolution. Believe me, the version of the story told in 20 minutes works better from a cinematic perspective that this drawn-out version of the same story.

The plot between Johnny and Alexa seemed quite average but when things became heated between Ben and Alexa he seemed to become quite childish in the fact of he wanted his best friend returned to him so he tried to take away her new toy type of deal. Although he was discovering himself I found it quite wrong in the way of getting Alexa back. Johnny's self discovery is understandable yet slightly twisted(not negatively plot wise) Alexa's feelings toward Johnny were easier to follow. And in the end Alexa seemed to truly be sorry to Johnny although the ending was more of a non-ending there wasn't much closure. I didn't like Ben's storyline because he seemed too manipulative and quite cold. I found the character of Courtney really interesting.

Besides being a coming of age film, to me this is the story of a mentally delicate individual in dire need of love and support and thinks he has found it in two people, who happen to be best friends of the opposite sex. The relationship between the three becomes more and more intimate and it has a negative effect on one of them who thinks of it in a much different and long term manner than the other two. It's not terribly well written and the best friends characters are the least well thought out. The highlight of the film is the performance of Zach Gilford. The other two can't overcome the writing flaws. For Gilford fans mostly. Has a little appeal, but weak stuff.

A pop-art animation shows a pair of hands, wrapped around an iPhone. On the screen, the thumbs tap out the opening credits. Occasionally, the hands reject incoming calls from Mom. They also accidentally type out things like "props!" and "OMG". It is a rather embarrassing attempt to seem down with the kids (or is that kidz?) but thankfully, it is also misleading. The film itself has an entirely different tone. 'Dare' is not another typical teen-rom-rom about puberty and trying to get laid.

Alexa (Emmy Rossum) is an innocent, hard-working drama student. After failing to impress a big theatre star (Alan Cumming), she is advised to experience new things in order to improve her acting. She decides to seduce her drama partner, Johnny (Zach Gilford), who acts tough to hide his sensitivity. Ben (Ashley Springer), Alexa's gay best friend, is jealous of their relationship and decides to have a go at Johnny too. Their relationships soon become an uncomfortable and confusing love-triangle.

The film is divided into three parts, each one following a different main character. The more focused characterisation allows for a more effective display of all the awkwardness and insecurity associated with adolescence. Each of the main characters is given their own screen-time to grow and develop, and as a result there is much more substance.

'Dare' is at its strongest when the audience gets to see the characters go about their own lives, without the hassle of narrative development. On their own, the three individual segments of the film could have easily been short, John Hughes-esque films about different teenagers and their approaches to the issues of growing up.

The character of Alexa goes from innocent, uptight bookworm to sexy party girl too quickly, but Rossum plays both 'versions' just fine. Springer does a good job portraying Ben's struggle to deal with his homosexuality, and it is touching to see him find confidence in himself. Gilford gives the most convincing and layered performance of all as Johnny. He channels Marlon Brando and James Dean in his sensitive tough-guy act and it is effective, especially when it becomes apparent that he has severe rejection issues.

The problem with this kind of narrative structure is that there's too much characterisation for the love-triangle storyline. There is too much attention on each individual personality and not enough on mixing those personalities together. The characters end up changing too quickly, and it is clear that this is merely for the sake of pushing the love story along.

The film's attempt to be a coming-of-age drama and a love story at the same time backfires. It is too much of a character piece for the love-triangle story not to seem forced. By the time the abrupt ending comes around, one can't help but feel cheated, or disappointed by the wasted potential.

As a character study 'Dare' certainly excels, but as a narrative it is never compelling enough to be remembered. This film is likely to resonate with anybody who has ever been a teenager, but just because it resonates does not guarantee that it will be memorable. For his first feature-length effort, Adam Salky has done a decent job. It will be interesting to see what he comes up with in the future.

Dare was a genuinely surprising film. Having seen the short years ago at a gay film fest I thought that I knew what the story would be about and I was fully prepared to be disappointed that the feature wasn't as good as the short. Boy was I wrong! The film took me places I didn't expect and left me with images and ideas that I'll remember for a long time. There were likable, realistic characters that I genuinely cared about and a well written feature-length storyline that neatly incorporated the short that preceded it.

There were spots where the film showed its indie-film roots but, for the most part, the scenes were studio grade. The dialog was mostly well written, the actors knew their craft, and the director succeeded in bringing all of the filmic elements together better than most works of this kind. The overall tenor of the film was moderately light-hearted considering the subject matter and does a nice job of balancing the problems of high-school life with its promise.

Zach Gilford did a great job and turned a character that I thought of as a bit of a cad in the short into a sympathetic waif.

This is NOT a major studio release and if you go into it looking for that you'll be disappointed but if you'd like to see a nice small movie that treats issues of being gay in high-school as just one issue that today's youth deal with, then this may be the film for you.