A man struggles to survive after awakening alone, trapped in a society connected only by primitive computers, where the ability to entertain is his only currency. The first feature film ever... Read allA man struggles to survive after awakening alone, trapped in a society connected only by primitive computers, where the ability to entertain is his only currency. The first feature film ever to be shot entirely from one fixed camera angle.A man struggles to survive after awakening alone, trapped in a society connected only by primitive computers, where the ability to entertain is his only currency. The first feature film ever to be shot entirely from one fixed camera angle.
- Awards
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Featured reviews
"Share?" is a Drama - Thriller movie that delves into the complexities of modern relationships and the consequences of choices in the age of social media. The plot follows a young woman grappling with the aftermath of an intimate video of her being shared online, and the emotional turmoil it creates in her personal and social life.
While I appreciate the film's attempt to address a relevant and thought-provoking topic, the execution left much to be desired. The premise, focusing on the impact of privacy invasion and the pressures of public judgment, has potential but felt somewhat underdeveloped. The pacing was uneven, with moments that dragged on too long, leading to a loss of tension during key scenes. The performances, especially from the lead actress, were serviceable but didn't evoke the emotional depth that such a sensitive topic warrants. While the protagonist's struggles were relatable, I found it difficult to connect with her character on a deeper level. The supporting characters, on the other hand, felt one-dimensional and lacked the nuance needed to elevate the story.
One of the movie's strengths is its exploration of the digital age's darker side, but the narrative often felt like it was skimming the surface of deeper issues, leaving me wanting more substance. In terms of directing and cinematography, while the visuals were competent, they didn't add much to the overall impact of the story. Ultimately, "Share?" offers an intriguing premise but fails to deliver a compelling or thought-provoking narrative, leaving me with more questions than answers. It's a movie that might spark some interesting conversation, but overall, it didn't live up to its potential.
While I appreciate the film's attempt to address a relevant and thought-provoking topic, the execution left much to be desired. The premise, focusing on the impact of privacy invasion and the pressures of public judgment, has potential but felt somewhat underdeveloped. The pacing was uneven, with moments that dragged on too long, leading to a loss of tension during key scenes. The performances, especially from the lead actress, were serviceable but didn't evoke the emotional depth that such a sensitive topic warrants. While the protagonist's struggles were relatable, I found it difficult to connect with her character on a deeper level. The supporting characters, on the other hand, felt one-dimensional and lacked the nuance needed to elevate the story.
One of the movie's strengths is its exploration of the digital age's darker side, but the narrative often felt like it was skimming the surface of deeper issues, leaving me wanting more substance. In terms of directing and cinematography, while the visuals were competent, they didn't add much to the overall impact of the story. Ultimately, "Share?" offers an intriguing premise but fails to deliver a compelling or thought-provoking narrative, leaving me with more questions than answers. It's a movie that might spark some interesting conversation, but overall, it didn't live up to its potential.
I was doing my daily ritual: taking 10-20 minutes scrolling through movie channels, adding things to watch later (and usually spending more time doing that than actually watching movies; I'll never, ever catch up to my list), and "Share?" popped up again. Today was finally the day I would give it a chance, and I was most pleased that I did. Thought-provoking, but not heavy handed, short, but not slight, and something I'll recommend to a wide swath of people. Might have to watch it again, and maybe very soon. (The last movie I wanted to see again almost immediately was "Beyond The Infinite Two Minutes".)
This is just cube redone as a bunch of people in separate rooms. The only difference is most of the people are supposedly happy being prisoners. I guess that makes it original...
The main character is ok but boring. No way people are paying to watch him fart.
It was hard to stay immersed in the movie, your mind wanders as it drags on and on. It should have been a short on Black Mirror. The yoga chick is the only one worth watching.
This was a tight budget, 1 camera same rooms over and over, Crappy TV monitors. Whole thing reeks of cheap.
I would not recommend but it isn't awful, just boring.
It was hard to stay immersed in the movie, your mind wanders as it drags on and on. It should have been a short on Black Mirror. The yoga chick is the only one worth watching.
This was a tight budget, 1 camera same rooms over and over, Crappy TV monitors. Whole thing reeks of cheap.
I would not recommend but it isn't awful, just boring.
Share? Surprised me. I almost turned it off several times due to its inane stupidity. I would call it satire more than a thriller. There isn't all that much thrill to it, but it takes very clear jabs at social media, social media addiction, and caricatures. The visual effects were laughable, the characters were stereotypical, and I didn't find any of it particularly funny or even really sci-fi related apart from the use of computers that were big in the 1980's.
I have seen far worse movies, though. This indie film was simply shot; the camera never moves. There are no shaky-cam shots, jump scares, explosions, or lens flares.
I'm actually glad for that, because they have enough trouble managing actual fire.
A lot is left unexplained but as this film seems message-focused, most people will just glaze over the lack of clarity.
Sadly, in my opinion, the film also blew its landing. People gained power and promptly abused it, as everyone knows they would. I won't spoil it for those who choose to watch it. I'll just say that it ultimately disappointed me.
I have seen far worse movies, though. This indie film was simply shot; the camera never moves. There are no shaky-cam shots, jump scares, explosions, or lens flares.
I'm actually glad for that, because they have enough trouble managing actual fire.
A lot is left unexplained but as this film seems message-focused, most people will just glaze over the lack of clarity.
Sadly, in my opinion, the film also blew its landing. People gained power and promptly abused it, as everyone knows they would. I won't spoil it for those who choose to watch it. I'll just say that it ultimately disappointed me.
Did you know that social media fosters toxic relationships among its users, who only gain clout and/or material gains by performing inanely for each other? In this fundamentally unbalanced type of community network, individuals are complicit for as long as they allow themselves to be seduced by the illusion of power-wow! That's the sort of asked and answered wisdom at the heart of "Share?," an ungenerous techno-satire about an unnamed man who wakes up in an unfurnished cell with only a computer monitor for company.
There's a little more to this sketchy sci-fi parable, all about a wary cipher, #000000014 (Melvin Gregg), who learns how to not only survive, but maybe even game his prison's live-streaming camera network, which connects imprisoned users through their respective computer monitors. But only a little. "Share?" ostensibly has a dark sense of humor, too, yet even its jokes point a lazy finger at viewers.
"Share?" is only 70+ minutes long, and it shows. We see the movie's world through the unblinking eye of #000000014's computer monitor, the one he also uses to broadcast a live video stream from inside his grey brutalist cell. Why is he there, and who's keeping him? That's an irrelevant mystery, according to co-writer/director Ira Rosensweig and co-writer Benjamin Sutor. Rather, we're supposed to focus on the patternmaking logic that leads #000000014 to figure out how to get attention from unseen viewers and earn points that he can convert into amenities, like food, clothes, or an inflatable mattress. #000000014 spends a lot of time peering into and through the camera frame since it's presented as a monitor. His computer seems pretty basic, given frequent prompts like "Share?" and "Good food?" It's almost as if social media and technology only grant its users' limited agency, maaan.
There's a little more to this sketchy sci-fi parable, all about a wary cipher, #000000014 (Melvin Gregg), who learns how to not only survive, but maybe even game his prison's live-streaming camera network, which connects imprisoned users through their respective computer monitors. But only a little. "Share?" ostensibly has a dark sense of humor, too, yet even its jokes point a lazy finger at viewers.
"Share?" is only 70+ minutes long, and it shows. We see the movie's world through the unblinking eye of #000000014's computer monitor, the one he also uses to broadcast a live video stream from inside his grey brutalist cell. Why is he there, and who's keeping him? That's an irrelevant mystery, according to co-writer/director Ira Rosensweig and co-writer Benjamin Sutor. Rather, we're supposed to focus on the patternmaking logic that leads #000000014 to figure out how to get attention from unseen viewers and earn points that he can convert into amenities, like food, clothes, or an inflatable mattress. #000000014 spends a lot of time peering into and through the camera frame since it's presented as a monitor. His computer seems pretty basic, given frequent prompts like "Share?" and "Good food?" It's almost as if social media and technology only grant its users' limited agency, maaan.
Did you know
- TriviaDirector Ira Rosensweig stated "it was very important to me that the actors could interact with each other in real time, so we built three identical sets next to each other on a stage. Equally important was their ability to see each other, as well as the need to establish fixed eyelines to each of the elements on their screen, without which the reality of the movie would have been destroyed. In order to achieve this, each set had a fixed camera integrated into a visual communication system that we created using Interrotrons (essentially, two-way teleprompters) connected to a live switching system. This allowed not only me, but each actor looking at their teleprompter to see a previsualization of the finished scene -- that included not only the live feed of the cameras in the other rooms, but also the computer interface as they typed and interacted with it."
- How long is Share??Powered by Alexa
Details
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.66 : 1
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